Plainscapes Piano Trio: piano, violon, violoncelle Schott
(Piano Trio). By Peteris Vasks (1946-). For Cello, Piano/Keyboard, Violin, Piano...(+)
(Piano Trio). By Peteris
Vasks (1946-). For Cello,
Piano/Keyboard, Violin,
Piano Trio (Score and
Parts). Ensemble.
Softcover. 50 pages.
Schott Music #ED21375.
Published by Schott Music
Wedding Album 3 - Piano Trio Piano Trio: piano, violon, violoncelle [Conducteur] - Intermédiaire Latham Music Enterprises
Piano Trio - Grade 3.5 SKU: AP.36-52783182 Composed by Lynne Latham. Perf...(+)
Piano Trio - Grade 3.5
SKU:
AP.36-52783182
Composed by Lynne Latham.
Performance Music
Ensemble; Piano Trio;
Trio. Ludwig Masters.
Wedding. Score. Latham
Music Enterprises
#36-52783182. Published
by Latham Music
Enterprises
(AP.36-52783182).
ISBN
9781621569763. UPC:
746241229342.
English.
Meditation
from Thais (Massenet),
Ave Maria (Bach-Gounod)
If with all your Hearts
from Elijah
(Mendelssohn), My Heart
Ever Faithful & Bist
du bei mir (Bach), Te
Deum (Charpentier), Suite
from the Fairy Queen
(Purcell).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Albanian Folk Song Piano Trio: piano, violon, violoncelle [Conducteur] University Of York Music Press
Violin, Cello and Piano SKU: BT.MUSM570368549 Composed by Thomas Simaku. ...(+)
Violin, Cello and Piano
SKU:
BT.MUSM570368549
Composed by Thomas
Simaku. Classical. Score
Only. University of York
Music Press
#MUSM570368549. Published
by University of York
Music Press
(BT.MUSM570368549).
Thom
as Simaku's
Albanian Folk Song
'My Beautiful Morea'
for Piano Trio. A4 score
and parts.
For Violin, Violoncello and Piano. By Various. Arranged by Sheila Nelson. (Pian...(+)
For Violin, Violoncello
and Piano. By Various.
Arranged by Sheila
Nelson. (Piano). Boosey
and Hawkes Chamber Music.
Size 8.25x11.75 inches.
Published by Boosey and
Hawkes.
By Jay Ungar and Molly Mason. For Cello, Piano, Violin, Fiddle, Classical Guitar...(+)
By Jay Ungar and Molly
Mason. For Cello, Piano,
Violin, Fiddle, Classical
Guitar. Wire bound.
Multiple Levels. Book. 82
pages. Published by Mel
Bay Publications, Inc
Score and Parts Piano Trio (Score & Parts) SKU: HL.48025073 For Piano ...(+)
Score and Parts Piano
Trio (Score & Parts)
SKU: HL.48025073
For Piano Trio Score
and Parts. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 20 pages.
Duration 180 seconds.
Bote & Bock #M202536155.
Published by Bote & Bock
(HL.48025073).
ISBN
9783793143123. UPC:
196288059714.
9.0x12.0x0.079
inches.
Composer's
note: In 2000 I wrote a
piece called Sand Waltz
for the Canberra Wind
Players. In the middle of
it I wrote a four-chord
progression. WhenI
started working on the
ballet Wild Swans (2003)
I came back to this
material and it became
something that I grew to
rather like. Eventually
it became the basis for
the overture to the whole
ballet. It had somewhat
dreamy quality but also a
sense of anticipationand
mystery. Later, when
writing this as the first
movement of the Concert
Suite Wild Swans I gave
it a title Green Leaf as
it refected the way the
princess Eliza was making
a hole in a green leaf to
look through it,
imagining far-away exotic
lands and birds..
Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.114418250
Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250).
UPC:
680160640959. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.
Sanctuary Piano Trio: piano, violon, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.11441825S
Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S).
UPC:
680160643745. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.