Piano, Violin, and Horn (with viola or cello instead of horn). Composed by Johannes Brahms (1833-1897). Edited by Katharina Loose-Einfalt. Henle Music Folios. Classical. Softcover. G. Henle #HN811. Published by G. Henle (HL.51480811).

(For Violin, Viola, and Piano). Composed by Tom Gerou. For Violin, Viola and Piano. Book; Piano Supplemental; Piano with Other Instrument; Trio. Light Concert; Recital. Late Intermediate. 28 pages. Published by Alfred Music

Composed by Arvo Part (1935-). World Premiere: in Helsinki / Finland; by the Kalichstein-Laredo-Robins on Trio. Score and part(s). With Standard notation. Composed 1992/2005. Duration 6 minutes. Universal Edition #UE30456. Published by Universal Edition

(Horn Trio) Composed by Johannes Brahms (1833-1897), edited by Gerhard Schumann. Set of performance parts (viola and cello parts included) for Eb french horn (viola or cello), violin and piano. With solo parts and piano accompaniment. Eb Major. 72 pages. Published by C.F. Peters.

(in B-flat major op. 18). Composed by Johannes Brahms (1833-1897). Edited by Christopher Hogwood. Arranged by Theodor Kirchner. For violin, cello and piano. Score with parts. Published by Baerenreiter Verlag

Composed by Johannes Brahms (1833-1897), edited by Gerhard Schumann. Set of performance parts for violin, cello and piano. With solo parts and piano accompaniment. B Major. 78 pages. Published by C.F. Peters.

By Dusik Jan Ladislav. For piano trio. Chamber Music - strings and piano. Czech title: Sonata pro klavir s obligatnim doprovodem housli a violoncella op. 28, 4. Classical. Parts. Publication language: Czech. Published by Editio Baerenreiter Praha

Composed by Martin Bresnick (1946-). Contemporary. With Standard notation. 4 pages. Carl Fischer #MXE0061. Published by Carl Fischer (CF.MXE61).

Composed by Franz Schubert (1797-1828), edited by Arnold Feil. D 898. For violin, cello and piano. Urtext of the New Schubert Edition. Includes set of performance parts (includes separate pull-out violin and cello parts). With introductory text. Romantic period and classical period. Bb Major. 88 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. This edition: Urtext edition. Stapled. Score with parts. Language: German/English. Published by Baerenreiter Verlag

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.