Trio Piano Trio: piano, violon, violoncelle Editorial de Musica Boileau
Violin, cello and piano SKU: BO.B.3713 Composed by Joaquim Malats. Publis...(+)
Violin, cello and piano
SKU: BO.B.3713
Composed by Joaquim
Malats. Published by
Editorial de Musica
Boileau (BO.B.3713).
Without doubt,
the most important
chamber music work by
Malats, and one of his
finest compositions, is
his Trio for Violin,
Cello and Piano in B Flat
Major. It was composed in
1898.
Malats
dedicated the Trio to one
of the greatest composers
of all time, Camille
Saint-Saëns, close
personal friend of both
Malats and Granados. An
unknown gem of the
chamber music repertoire,
this Modernist work is
superior in form,
technique and musical
content to similar work
by Granados, Breton,
Chapi and
others.
Malats
had considerable
knowledge and experience
with the trio form. In
1894 at the Sala erard in
Paris he performed four
trios by Beethoven,
Mendelssohn, Godard and
Saint-Saëns with C.
Flesch and Hasselmann.
Given his experiences
with chamber music it is
not surprising that
Malats exhibited such
confidence and security
in writing his Trio
maintaining perfect
balance and dialogue
between the three
instruments which he
achieved through
masterful control of the
formal structure. This
work has a rich harmonic
language and none of the
Nationalist qualities of
his previous pieces.
Instead, it reveals
Malats proximity to then
current European music
yet, at the same time,
exhibits his personal
style and musical
knowledge.
Trio For Violin Cello And Piano Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] - Intermédiaire Schott
Piano trio - intermediate SKU: HL.49008246 Composed by Eduard Pü and ...(+)
Piano trio - intermediate
SKU: HL.49008246
Composed by Eduard Pü
and tz. Edited by
Reinhart von Gutzeit and
Susanne von Gutzeit. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. Composed 1995. 38
pages. Schott Music
#ED8975. Published by
Schott Music
(HL.49008246).
ISBN
9790001125963. UPC:
884088599447.
9.0x12.0x0.142
inches.
This short
trio movement introduces
a typical contemporary
idiom, without being too
technically demanding.
Equally suitable for
teaching and performance.
For piano, cello, and
violin.
Piano Trio Alaria Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] Theodore Presser Co.
(For Violin, Cello, And Piano). By Peter Schickele. For Violin, Cello, Piano. Co...(+)
(For Violin, Cello, And
Piano). By Peter
Schickele. For Violin,
Cello, Piano.
Contemporary. Score and
parts. Standard notation.
80 pages. Duration 17
minutes. Published by
Theodore Presser Company
Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.114418250
Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250).
UPC:
680160640959. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.
Sanctuary Piano Trio: piano, violon, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.11441825S
Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S).
UPC:
680160643745. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.