Piano; Violin; Cello -
Advanced; Early Advanced;
Grade 6
SKU:
AP.20206UK
Well-Loved Solos
Arranged for Piano
Trio. Composed by
Arranged by Nancy Litten.
Book. Alfred Music
#00-20206UK. Published by
Alfred Music
(AP.20206UK).
ISBN
9781470613532. UPC:
038081575032.
English.
A
delightful collection of
well-loved piano solos
(and one song) by Haydn,
Mozart, and Beethoven;
arranged - with equal
difficulty parts - for
violin, cello and piano.
Whether just for
pleasure, or a public
concert, or as
GCSE/A-level ensembles,
these pieces will be very
useful, with the added
bonus of having
familiarity in another
form. They would also
make appealing encores
for amateur or
professional chamber
musicians. Level: Grades
6-7; Early
Advanced-Advanced.
Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.114418250
Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250).
UPC:
680160640959. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.
Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.11441825S
Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S).
UPC:
680160643745. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.
Extracted from the Critical Edition. Composed by Claude Debussy (1862-191...(+)
Extracted from the
Critical Edition.
Composed by Claude
Debussy (1862-1918).
Edited by Edmond
Lema�®tre. Editions
Durand. Editions Durand
#DD16356. Published by
Editions Durand
(HL.50565854).
Piano, Violin, and Horn (with viola or cello instead of horn). Composed b...(+)
Piano, Violin, and
Horn (with viola or cello
instead of horn).
Composed by Johannes
Brahms (1833-1897).
Edited by Katharina
Loose-Einfalt. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN811. Published by G.
Henle (HL.51480811).
Piano Trios Piano Trio: piano, violon, violoncelle G. Henle
Edited by Ernst Herttrich. Arranged by Klaus Schilde. This edition: Paperback/So...(+)
Edited by Ernst
Herttrich. Arranged by
Klaus Schilde. This
edition: Paperback/Soft
Cover. Sheet music. Henle
Music Folios. Classical.
Softcover. Op. 49, op.
66. G. Henle #HN957.
Published by G. Henle
Archduke. Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del...(+)
Archduke. Composed by
Ludwig
van Beethoven
(1770-1827).
Edited by Jonathan Del
Mar.
This edition: urtext
edition.
Hardback. Score, Part.
Opus
97. Baerenreiter Verlag
#BA10942. Published by
Baerenreiter Verlag
Composed by Ernest Chausson (1855-1899). Edited by Peter Jost. Henle Music Folio...(+)
Composed by Ernest
Chausson (1855-1899).
Edited by Peter Jost.
Henle Music Folios.
Softcover. 16 pages. G.
Henle #HN1277. Published
by G. Henle
(HL.51481277).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Jonathan Del Mar. This
edition: urtext edition.
Paperback. Score, Set of
parts. Opus 1.
Baerenreiter
Verlag #BA10943_00.
Published
by Baerenreiter Verlag