Composed by F Chopin. Edited by Jan Ekier. 2 PIANOS/4 HANDS. PWM. 120 pages. Polskie Wydawnictwo Muzyczne #51600023. Published by Polskie Wydawnictwo Muzyczne

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str)

SKU: BR.PB-4485

Composed by Frederic Chopin. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties.

EB 3942 is printed in score form; two copies are needed for performance.Have a look. Solo concerto; Romantic. Full score. 68 pages. Duration 30'. Breitkopf and Haertel #PB 4485. Published by Breitkopf and Haertel (BR.PB-4485).

ISBN 9790004203910. 9 x 12 inches.

Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. Since he needed effective, virtuoso works for his major concert appearances with orchestral accompaniment, he decided to simply write them himself. Although it is clear that the piano part always holds center stage in these pieces, Chopin never degrades the orchestra by turning it into a stereotypical cue-giver. This is confirmed by the imaginatively orchestrated tutti transition in the first movement, the lengthy string tremolo in the middle movement and the col legno passage in the finale.The first performance of the f-minor concerto took place in Warsaw on 17 March 1830. The first edition of the score was published in 1879 by Breitkopf & Hartel in Leipzig. The present edition for two pianos by Ignaz Friedmann was first issued in 1913 in the framework of the 12-volume Chopin edition for which the Polish pianist undertook a careful evaluation of the sources.

Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties.

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str)

SKU: BR.PB-14560

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 80 pages. Duration 24'. Breitkopf and Haertel #PB 14560. Published by Breitkopf and Haertel (BR.PB-14560).

ISBN 9790004211014. 10 x 12.5 inches.

Beethoven's autographs of the first three piano concertos opp. 15, 19 and 37 are the earliest of all orchestral scores which have survived integrally. Thanks to source studies, we know today that a first version of the Concerto in Bb major op. 19 had already originated in Bonn in 1790 at the latest. It was followed by a second version written in Vienna most likely in 1793 which included the Rondo in Bb major WoO 6 as finale. A third version followed most probably in 1794 and led to the fourth and final version, written in Prague in October 1798, as Beethoven sojourned there at the beginning of the concert season. (from the Preface)This autograph together with the autograph solo part which was made at the beginning of 1801 and the parts printed in the same year, are the main sources of the present edition.

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-5507

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Christoph Hellmundt. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

A repertoire work in an Urtext performing editionEB 8655 is printed in score form; two copies are needed for performance.

Solo concerto; Romantic. Full score. 96 pages. Duration 25'. Breitkopf and Haertel #PB 5507. Published by Breitkopf and Haertel (BR.PB-5507).

ISBN 9790004211663. 10 x 12.5 inches.

The music text is based on the volume of the Leipzig Mendelssohn Complete Edition, in which Christoph Hellmundt rightly pointed to the existence of a secondary version for piano and string orchestra as well as an arrangement for piano solo made by the composer. Nevertheless, Mendelssohn's op. 40 remains foremost a Concerto for piano and orchestra - a fact that is unequivocally underscored by the practical new edition.

A repertoire work in an Urtext performing edition.

For Piano. Includes a printed music score on high-quality ivory paper; and a digital stereo compact disc, voluminously indexed for your convenience, containing a complete version with soloist; then a second performance of the orchestral accompaniment, minus you, the soloist. Published by Music Minus One.

For Piano. Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Music Minus One.

Piano and orchestra

SKU: HL.49011963

Composed by Robert Schumann. Edited by Akio Mayeda and Bernhard R. Appel. This edition: Full-cloth binding. Sheet music. Robert Schumann - Neue Ausgabe samtlicher Werke. Classical. Score. Op. 54. 305 pages. Schoenberg #RSA1007-10. Published by Schoenberg (HL.49011963).

ISBN 9783795793197. UPC: 073999799019. 10.0x13.25x1.268 inches.

Schumann's Piano Concerto is known all over the world, yet despite its popularity it remains in a certain sense an undiscovered work. The aim with this edition is not only to provide a critical score of the work, but at the same time to indicate what questions of detail should form the focus of future research. The critical analysis offered here thus offers discussion of the relationship between the one-movement Fantasia version and the three-movement concerto version, the problem of the transition from the second to the third movement and a series of questions relating to the version completed in 1853. A booklet of facsimiles completes the volume.

Composed by Lou Harrison (1917-2003). For piano solo, 3 trombone, 4 percussion, 2 harps, strings. Full score. Duration circa 25 minutes. Published by Edition Peters

For Piano and Orchestra. By Lowell Liebermann. For 2 piano. Solo Part with Piano Reduction. Duration 31:. Published by Theodore Presser Company.

Piano and Orchestra

SKU: HL.48187688

Composed by Ludwig van Beethoven. Leduc. Classical. Softcover. 84 pages. Heugel & Cie #HE31484. Published by Heugel & Cie (HL.48187688).

UPC: 888680849238. 5.5x7.5x0.286 inches.

Ludwig van Beethoven: Concerto No.2, Op.19 in B flat (PH84) (Piano & Orchestra).

Piano and Orchestra

SKU: BT.ALHE31484

Composed by Ludwig van Beethoven. Classical. Score Only. 84 pages. Heugel & Cie #ALHE31484. Published by Heugel & Cie (BT.ALHE31484).

French.

Ludwig van Beethoven: Concerto No.2, Op.19 in B flat (PH84) (Piano & Orchestra).

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 19 No. 2. Duration 28 minutes. Published by Baerenreiter Verlag (BA.TP922).

(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Wolff. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/2. Klassik, Musikwissenschaft (Classical, Music Theory). Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag

Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-32026

Urtext. Composed by Eduard Franck. Edited by James Tocco. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Have a look into PB 32026.

Solo concerto; Romantic. Full score. 120 pages. Duration 30'. Breitkopf and Haertel #PB 32026. Published by Breitkopf and Haertel (BR.PB-32026).

ISBN 9790004215142. 10 x 12.5 inches.

Finally performable again Eduard Franck's Piano Concerto in D minor Op. 13 is the first major orchestral work by this Mendelssohn pupil. The pianist, already celebrated at a young age, had early plans for the piano concerto that he completed at the latest in 1846. Contemporary critics emphasized the catchy motives and the balanced relationship of solo instrument to the orchestra. Ignaz Moscheles was impressed by the noble manner, the poetic ideas, and the orchestration. Thanks to the kind support of the Accademia di Santa Cecilia, in whose library the orchestral parts, once thought to be lost, are preserved, the work can be introduced for the first time in the present edition.

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15106

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).

ISBN 9790004211892. 10 x 12.5 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).