By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano/orchestra. This edition: Urtext edition. Paperback. Score. English/German. No. 1, Op. 15. Published by Baerenreiter Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 15 No. 1. Duration 40 minutes. Published by Baerenreiter Verlag (BA.TP921).

In C Major. By Ludwig van Beethoven. Arranged by Wilhelm Altmann. (Study Score). Schott. 126 pages. Published by Eulenburg.

(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Rehm. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/8. Klassik (Classical). Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag

Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4) - hp - str)

SKU: BR.PB-15160

Urtext. Composed by Sergej Rachmaninow. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Variations; Solo concerto; Late-romantic; Early modern. Sheet Music. Duration 22'. Breitkopf and Haertel #PB 15160. Published by Breitkopf and Haertel (BR.PB-15160).

ISBN 9790004215654. 10 x 12.5 inches.

Paganini's Capricci served as inspiration for many composers. In addition to Brahms, Schumann and Liszt, Rachmaninoff was also inspired by the idea. His Rhapsody on a Theme by Paganini has since become one of his best known and most popular works and was an immediate success. In 1934, between two intense concert seasons, Rachmaninoff took advantage of the peace and quiet at his villa on Lake Lucerne to compose the Variations. Paganini's virtuosity and joy of playing are juxtaposed with the Gregorian sequence Dies irae. A symbol of the evil spirit to which Paganini sold his soul? At least that is how Rachmaninoff wrote it in a letter to the choreographer Fokine. For the demanding piano part, the composer and celebrated pianist himself had to start practicing very early: The composition is very difficult, and I should really start practicing now, but I get lazier with my finger exercises year after year.The editor, Norbert Gertsch, presents with this edition for the first time an Urtext edition of the work that Joachim Kaiser described as Rachmaninoff's most spiritual, witty, elegant work for piano..

Piano and Orchestra

SKU: BT.SLB-00152300

Composed by Gian Francesco Malipiero. Solo & Concerto. Study Score. Composed 2002. Editions Salabert #SLB 00152300. Published by Editions Salabert (BT.SLB-00152300).

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. Opus 58, No. 4. 6/7/4/6/4/7/6/6/6/3/3/3 pages. Baerenreiter Verlag #BA09024-65. Published by Baerenreiter Verlag (BA.BA09024-65).

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str)

SKU: BR.PB-14560

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 80 pages. Duration 24'. Breitkopf and Haertel #PB 14560. Published by Breitkopf and Haertel (BR.PB-14560).

ISBN 9790004211014. 10 x 12.5 inches.

Beethoven's autographs of the first three piano concertos opp. 15, 19 and 37 are the earliest of all orchestral scores which have survived integrally. Thanks to source studies, we know today that a first version of the Concerto in Bb major op. 19 had already originated in Bonn in 1790 at the latest. It was followed by a second version written in Vienna most likely in 1793 which included the Rondo in Bb major WoO 6 as finale. A third version followed most probably in 1794 and led to the fourth and final version, written in Prague in October 1798, as Beethoven sojourned there at the beginning of the concert season. (from the Preface)This autograph together with the autograph solo part which was made at the beginning of 1801 and the parts printed in the same year, are the main sources of the present edition.

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15106

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).

ISBN 9790004211892. 10 x 12.5 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15164-07

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15164-07. Published by Breitkopf and Haertel (BR.PB-15164-07).

ISBN 9790004215906. 6.5 x 9 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15152

Urtext. Composed by Edvard Grieg. Edited by Ernst-Gunter Heinemann. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Full score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15152. Published by Breitkopf and Haertel (BR.PB-15152).

ISBN 9790004215579. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - timp.perc - str)

SKU: BR.PB-15140

Urtext. Composed by George Gershwin. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Early modern; Music post-1945. Full score. 136 pages. Duration 36'. Breitkopf and Haertel #PB 15140. Published by Breitkopf and Haertel (BR.PB-15140).

ISBN 9790004214763. 10 x 12.5 inches.

After achieving sensational success with the musical Lady, be good!, with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue, Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).

Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str)

SKU: BR.PB-15153

Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Symphonic poem; Late-romantic; Early modern. Full score. 92 pages. Duration 23'. Breitkopf and Haertel #PB 15153. Published by Breitkopf and Haertel (BR.PB-15153).

ISBN 9790004215586. 10 x 12.5 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.

Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-32026

Urtext. Composed by Eduard Franck. Edited by James Tocco. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Have a look into PB 32026.

Solo concerto; Romantic. Full score. 120 pages. Duration 30'. Breitkopf and Haertel #PB 32026. Published by Breitkopf and Haertel (BR.PB-32026).

ISBN 9790004215142. 10 x 12.5 inches.

Finally performable again Eduard Franck's Piano Concerto in D minor Op. 13 is the first major orchestral work by this Mendelssohn pupil. The pianist, already celebrated at a young age, had early plans for the piano concerto that he completed at the latest in 1846. Contemporary critics emphasized the catchy motives and the balanced relationship of solo instrument to the orchestra. Ignaz Moscheles was impressed by the noble manner, the poetic ideas, and the orchestration. Thanks to the kind support of the Accademia di Santa Cecilia, in whose library the orchestral parts, once thought to be lost, are preserved, the work can be introduced for the first time in the present edition.

Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15123

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10825 is printed in score form; two copies are needed for performance. Our ed ition EB 8579 contains a Ferrucci Busoni cadenza for the Piano. Solo concerto; Classical. Full score. 88 pages. Duration 33'. Breitkopf and Haertel #PB 15123. Published by Breitkopf and Haertel (BR.PB-15123).

ISBN 9790004212738. 10 x 12.5 inches.

The C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.0.0.0 - str)

SKU: BR.PB-15111-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst-Gunter Heinemann. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance. You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Our edition EB 8579 contains a Ferrucci Busoni cadenza. Solo concerto; Classical. Study Score. 76 pages. Duration 26'. Breitkopf and Haertel #PB 15111-07. Published by Breitkopf and Haertel (BR.PB-15111-07).

ISBN 9790004212684. 6.5 x 9 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.