Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15164-07
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. 108 pages.
Duration 30'. Breitkopf
and Haertel #PB 15164-07.
Published by Breitkopf
and Haertel
(BR.PB-15164-07).
ISBN
9790004215906. 6.5 x 9
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15152
Urtext. Composed
by Edvard Grieg. Edited
by Ernst-Gunter
Heinemann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Full score. 108
pages. Duration 30'.
Breitkopf and Haertel #PB
15152. Published by
Breitkopf and Haertel
(BR.PB-15152).
ISBN
9790004215579. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str) S...(+)
Piano/harpsichord and
orchestra (Solo: pno-
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15123
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10825 is printed in score
form; two copies are
needed for performance.
Our ed
ition EB 8579
contains a Ferrucci
Busoni cadenza for the
Piano. Solo concerto;
Classical. Full score. 88
pages. Duration 33'.
Breitkopf and Haertel #PB
15123. Published by
Breitkopf and Haertel
(BR.PB-15123).
ISBN
9790004212738. 10 x 12.5
inches.
The C major
Concerto K. 503 was held
in particularly high
esteem by Mozart, who,
for example, put it on
the program of his
subscription concert at
Leipzigs Gewandhaus in
1789, three years after
it was written. This new
edition is based on the
autograph and also takes
into account the first
edition published by
Constanze Mozart at her
own cost in 1797.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst Herttrich
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
The Manchester Carols. (A Re-Telling of the Christmas Story). By Carol Ann Duffy...(+)
The Manchester Carols. (A
Re-Telling of the
Christmas Story). By
Carol Ann Duffy and Sasha
Johnson Manning. For
Orchestra / Piano. Choral
Extended Work. Faber
Edition. Christmas;
Sacred; Winter. Published
by Faber Music
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 4.2.3.0. -
timp - str)
SKU:
BR.PB-4960
Composed
by Pjotr Iljitsch
Tschaikowsky. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Full
score. 120 pages.
Duration 32'. Breitkopf
and Haertel #PB 4960.
Published by Breitkopf
and Haertel (BR.PB-4960).
ISBN 9790004207451. 10
x 12.5 inches.
The
roller coaster of
opinions - worthless,
absolutely unplayable
(claims Nikolaj
Rubinstein, basically
Tchaikovsky's desired
pianist for his Concerto
in B flat minor);
brilliant, magnificent
(Hans von Bulow, then
first performer and
dedicatee of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...