Luminary Piano et Orchestre [Conducteur d'étude / Miniature] Theodore Presser Co.
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First ...(+)
Concerto for Piano and
Orchestra. Composed
by Narong Prangcharoen.
First performed by the
Thailand Philharmonic
Orchestra, Dariusz
Mikulksi, conductor, with
Christopher Janwong
McKiggan as piano
soloist. Contemporary.
Full score (study). With
Standard notation.
Composed 2016. 80 pages.
Duration 24 minutes.
Theodore Presser Company
#416-41609. Published by
Theodore Presser Company
(PR.416416090).
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score Only.
Composed 2017. 80 pages.
Edition Wilhelm Hansen
#WH32201. Published by
Edition Wilhelm Hansen
(HL.232526).
(Opus 102). By Dmitri Shostakovich (1906-1975). Arranged by Marco Pontini. For p...(+)
(Opus 102). By Dmitri
Shostakovich (1906-1975).
Arranged by Marco
Pontini. For piano and
concert band. Baton Music
Instrumental Series.
Grade 4. Full score and
parts. Duration 19:00.
Published by Baton Music
(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Ja...(+)
(Chopin National
Edition). Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. For Orchestra,
Piano (Full Score). PWM.
Polskie Wydawnictwo
Muzyczne #51600026.
Published by Polskie
Wydawnictwo Muzyczne
Composed
by Antonin Dvorak. Edited
by Robbert van Steijn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 33. Duration
00:40:00. Baerenreiter
Verlag #BA10420_00.
Published by Baerenreiter
Verlag (BA.BA10420).
ISBN 9790260108387. 31
x 24.3 cm inches. Key: G
minor. Preface: David R.
Beveridge.
Composed
in 1876, Dvorákâ??s
only piano concerto has
been overshadowed by his
other two concertos, for
violin and violoncello,
respectively. Performers
and editors have often
attempted to upgrade this
pianistically unassuming
work by adding
stylisations of their
own. Our Urtext edition
revaluates the sources,
frees the work from
subsequent interventions
and presents it to full
advantage in its
authentic
form.
The
principal source of our
new edition is the first
complete print issued by
the publisher Hainauer in
1883, which has been
meticulously collated
with the autograph. The
anonymous original piano
reduction is so full of
mistakes that editor
Robbert van Steijn
decided instead to
present the version by
Karel Å olc.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 4.2.3.0. -
timp - str)
SKU:
BR.PB-4960
Composed
by Pjotr Iljitsch
Tschaikowsky. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Full
score. 120 pages.
Duration 32'. Breitkopf
and Haertel #PB 4960.
Published by Breitkopf
and Haertel (BR.PB-4960).
ISBN 9790004207451. 10
x 12.5 inches.
The
roller coaster of
opinions - worthless,
absolutely unplayable
(claims Nikolaj
Rubinstein, basically
Tchaikovsky's desired
pianist for his Concerto
in B flat minor);
brilliant, magnificent
(Hans von Bulow, then
first performer and
dedicatee of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...