Composed by Lou Harrison (1917-2003). For piano solo, 3 trombone, 4 percussion, 2 harps, strings. Full score. Duration circa 25 minutes. Published by Edition Peters

(For Piano and Orchestra (Solo Part)). By Johann Wenzel Anton Stamitz. Edited by Rudolf Walter. For piano and orchestra ((2),2,0,0-2 ad lib.,0,0,0 - Strings). Orchestral music. Concerto. Score (solo part). 40 pages. Published by Doblinger Music Publishers. Score (solo part). concerto.

Piano and orchestra

SKU: FG.55011-372-5

Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5).

ISBN 9790550113725.

Imag es of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss.
Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water.
The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound.
It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work.

Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Hermann Beck. For Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. Piano Reduction/Vocal Score (paperbound). KV 503. Duration 32`. Published by Baerenreiter-Ausgaben (German import). (BA4742 90)

Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christoph Wolff. Arranged by Michael Topel. For Piano Solo, Oboe (2), Horn (2), Strings. Piano Reduction/Vocal Score (paperbound). KV 246. Duration 21'. Published by Baerenreiter-Ausgaben (German import). (BA5388 90)

Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Flothuis, Marius;T!Pel, Michael. For Piano Solo, Oboe (2), Horn (2), Strings. Piano Reduction/Vocal Score (paperbound). KV 449. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA5381 90)

By Lubos Fiser (1935-1999). For piano, orchestra (piano solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, strings). Czech title: Concerto da camera per piano ed orchestra. Classical. Score. Publication language: Czech/German. Publishe. Score. Classical.

Piano & Orchestra

SKU: SU.50028471

For Piano & Orchestra. Composed by Faye-Ellen Silverman. Keyboard, Piano/Harpsichord, Orchestra. Score. Seesaw Music Corp #50028471. Published by Seesaw Music Corp (SU.50028471).

Piano, 3333, 4331, Timpani, 2 Percussion, Harp & Strings Duration: 16' Composed: 1988 Published by: Seesaw Music.

String Orchestra and Piano

SKU: BT.EMBZ14253

By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 2000. 92 pages. Editio Musica Budapest #EMBZ14253. Published by Editio Musica Budapest (BT.EMBZ14253).

Hungarian-English-Germ an-French.

The volume comprises works by classical and romantic masters for beginners. The chamber ensemble includes violin, viola, violoncello and piano, but if the viola is missing, its part can be played by a second violin from the version enclosed in the appendix. The string parts do not go beyond the first position. As opposed to the basso continuo part that children are less fond of, the piano assumes a soloistic role alternating with the strings. A certain part of the pieces can already be played after two years of serious studies. The colourful music containing dance movements and larger forms alike offers possibilities of common music making for string players andpianists.

(Concerto for Piano and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Edited by Hermann Beck. For Piano-Solo, Flute, 2 Oboe, 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings. Score; Urtext Edition (paperbound). KV 503. Duration 32'. Published by Baerenreiter Verlag

By Sergei Rachmaninoff (1873-1943). For Piano, Orchestra - [2, 2, 2, 2 - 4, 2, 3, 1], timpani, percussion, strings. This edition: Paperback. Original Works, Concerto/Instrumental Solo. Romantic Period; Russian. Study Score. 146 pages. Published by Serenissima

(Concerto for Piano and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Edited by Marius Flothuis. For Piano Solo, Flute, 2 Oboe, 2 Bassoon, 2 Horn, Strings. Score; Urtext Edition (paperbound). KV 450. Duration 29'. Published by Baerenreiter Verlag

Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christoph Wolff. For Piano-Solo, Oboe (2), Horn (2), Strings. Score; Urtext Edition (paperbound). KV 271. Duration 34`. Published by Baerenreiter-Ausgaben (German import). ISBN M006456710.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Eva Badura-Skoda; Paul Badura-Skoda. For piano/orchestra (solo piano/flute/2 oboes/2 bassoons/2 horns/strings). This edition: Stapled, Urtext edition. Score. KV 453, No. 17. 70 pages. Duration 30'. Published by Baerenreiter Verlag

By Wolfgang Amadeus Mozart (1756-1791). Edited by Hans Engel; Horst Heussner. For piano/orchestra (solo piano/flute/2 oboes/2 bassoons/2 horns/2 trumpets/timpani/strings) . This edition: Paperback, Urtext edition. Score. KV 482, No. 22. Duration 32'. Published by Baerenreiter Verlag

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Arranged by Douglas Woodfull-Harris. For Piano Solo, Oboe (2)/Flute, Bassoon Ad Lib., Horn (2), Strings. Piano Reduction/Vocal Score; Urtext Edition. KV 238. Duration 20'. Published by Baerenreiter-Ausgaben (German import). (BA5316 90)

By Wolfgang Amadeus Mozart. Edited by Marius Flothuis. Arranged by Ernst R. Barthel. For Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. Piano Reduction/Vocal Score; Urtext Edition. KV 451. Duration 25'. Published by Baerenreiter-Ausgaben (German import). (BA5383 90)