Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score Only.
Composed 2017. 80 pages.
Edition Wilhelm Hansen
#WH32201. Published by
Edition Wilhelm Hansen
(HL.232526).
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.EB-11450
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softbound.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Symphonic poem;
Late-romantic; Early
modern. Piano reduction.
68 pages. Duration 23'.
Breitkopf and Haertel #EB
11450. Published by
Breitkopf and Haertel
(BR.EB-11450).
ISBN
9790201814506. 9.5 x 12
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.PB-15153
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Symphonic poem;
Late-romantic; Early
modern. Full score. 92
pages. Duration 23'.
Breitkopf and Haertel #PB
15153. Published by
Breitkopf and Haertel
(BR.PB-15153).
ISBN
9790004215586. 10 x 12.5
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15164-07
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. 108 pages.
Duration 30'. Breitkopf
and Haertel #PB 15164-07.
Published by Breitkopf
and Haertel
(BR.PB-15164-07).
ISBN
9790004215906. 6.5 x 9
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15152
Urtext. Composed
by Edvard Grieg. Edited
by Ernst-Gunter
Heinemann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Full score. 108
pages. Duration 30'.
Breitkopf and Haertel #PB
15152. Published by
Breitkopf and Haertel
(BR.PB-15152).
ISBN
9790004215579. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Composed
by Antonin Dvorak. Edited
by Robbert van Steijn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 33. Duration
00:40:00. Baerenreiter
Verlag #BA10420_00.
Published by Baerenreiter
Verlag (BA.BA10420).
ISBN 9790260108387. 31
x 24.3 cm inches. Key: G
minor. Preface: David R.
Beveridge.
Composed
in 1876, Dvorákâ??s
only piano concerto has
been overshadowed by his
other two concertos, for
violin and violoncello,
respectively. Performers
and editors have often
attempted to upgrade this
pianistically unassuming
work by adding
stylisations of their
own. Our Urtext edition
revaluates the sources,
frees the work from
subsequent interventions
and presents it to full
advantage in its
authentic
form.
The
principal source of our
new edition is the first
complete print issued by
the publisher Hainauer in
1883, which has been
meticulously collated
with the autograph. The
anonymous original piano
reduction is so full of
mistakes that editor
Robbert van Steijn
decided instead to
present the version by
Karel Å olc.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding