Piano/harpsichord and orchestra SKU: BR.DV-4252-14 Complete Works....(+)
Piano/harpsichord and
orchestra
SKU:
BR.DV-4252-14
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Linen.
Deutscher Verlag.
Editorial Board:
Christian Martin Schmidt
(chairman), Peter Ward
Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller
Romantic period. Complete
Works. 232 pages.
Deutscher Verlag fur
Musik #DV 4252-14.
Published by Deutscher
Verlag fur Musik
(BR.DV-4252-14).
ISBN
9790200440034. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller Price
reduction for a
subscription.
Piano, orchestra SKU: BR.SON-409 Complete Works. Composed by Felix...(+)
Piano, orchestra
SKU:
BR.SON-409
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christoph
Hellmundt. Linen.
Complete Works. Romantic
period. Complete Works.
336 pages. Breitkopf and
Haertel #SON 409.
Published by Breitkopf
and Haertel (BR.SON-409).
ISBN 9790004802366. 10
x 12.5 inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra
SKU: HL.14030961
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 96 pages. Edition
Wilhelm Hansen #KP00980.
Published by Edition
Wilhelm Hansen
(HL.14030961).
ISBN
9788759857458.
English.
Score of
the Danish Composer's
Concerto for Piano and
Orchestra written in
1996. Bent Sorensen
writes: 'The title of
this piano concerto came,
as usual, very early to
me, when my thoughts
about the work had
started to circulate, but
before 'real' music was
written down. I held on
to the Italian title,
even though its
association with Vivaldi
had no influence on my
music, and even when
German, French, English,
and Danish titles
covering almost the same
content -'Nachtmusik',
'Nocturne', 'By Night',
'Om Natten', were just
about to get the upper
hand. The piano concerto
has, then, in my opinion,
something to do with
night, but to describe
this further is at least
as difficult to me as it
is to defend the final
Italian title against
those which were
rejected. The Piano
Concerto is in two
movements. The first,
swarming, is perhaps the
mystery of the night, and
the second perhaps the
dreams of the night; with
this, however, I have
already given the
concerto a more
programmatic content than
I can defend. Each
movement ends with a
cadenza and perhaps the
last of those - the
ending of the work that
is - is inspired by a
sequence from Bruce
Chatwin's wonderful book
'The Viceroy of Ouidah':
Or the Amazons howling.
'No, No, No. It was not
the leopard that killed
him. Not the buffalo that
killed him. It was night.
Night that killed
him!'.