String Orchestra and Piano SKU: BT.EMBZ14253 By Lajos Vigh. By Arpad Pejt...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ14253
By Lajos
Vigh. By Arpad Pejtsik.
EMB Music for Beginners.
Educational Tool. Book
Only. Composed 2000. 92
pages. Editio Musica
Budapest #EMBZ14253.
Published by Editio
Musica Budapest
(BT.EMBZ14253).
Hungarian-English-Germ
an-French.
The
volume comprises works by
classical and romantic
masters for beginners.
The chamber ensemble
includes violin, viola,
violoncello and piano,
but if the viola is
missing, its part can be
played by a second violin
from the version enclosed
in the appendix. The
string parts do not go
beyond the first
position. As opposed to
the basso continuo part
that children are less
fond of, the piano
assumes a soloistic role
alternating with the
strings. A certain part
of the pieces can already
be played after two years
of serious studies. The
colourful music
containing dance
movements and larger
forms alike offers
possibilities of common
music making for string
players andpianists.
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13548
Leichte Trios aus vier
Jahrhunderten. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 248
pages. Editio Musica
Budapest #EMBZ13548.
Published by Editio
Musica Budapest
(BT.EMBZ13548).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume I
contains easy chamber
music from the
Renaissance to Viennese
Classicism for two
violins and cello, in the
first position. (In some
works the 2nd violin part
or others thecello part,
respectively, can also be
played on the viola.) The
easier pieces can be
played after two years of
active instrumental
study.
String Orchestra and Piano SKU: BT.EMBZ13549 Die Triosonate im Barock<...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13549
Die
Triosonate im Barock.
By Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 206
pages. Editio Musica
Budapest #EMBZ13549.
Published by Editio
Musica Budapest
(BT.EMBZ13549).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume II
introduces the Baroque
trio sonata through the
works of the greatest
masters (Vivaldi,
Corelli, Albinoni, F.
Couperin, Purcell and
Bach). The two violin
parts do not gobeyond the
3rd position nor the
cello parts beyond the
4th position.
String Orchestra and Piano SKU: BT.EMBZ13550 Das klassische Trio. ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13550
Das
klassische Trio. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1994. 230
pages. Editio Musica
Budapest #EMBZ13550.
Published by Editio
Musica Budapest
(BT.EMBZ13550).
At first sight,
this publication appears
to be a collection of
pieces, for the technical
studies, not too
attractive but so
characteristic of tutors,
are missing. Yet the
selection of the works,
their order according to
the development of
ensemble playing and the
advice includeed after
the foreword and
containig proposals for
the technical realization
of ensemble playing in
the case of certain
typical pieces these all
make this publication a
tutor.The works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into
thedifferent methods of
composition. Volume III
is approximately the same
grade of difficulty as
Volume II, but inViennese
Classicism a more
sophisticated handling of
the bow is required. In
addition to the works of
Haydn, Mozart and
Beethoven pieces by less
well-known masters are
also included.