(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Be...(+)
(with original Cadenzas)
Piano reduction by Hans
Kann, composed by Ludwig
van Beethoven
(1770-1827), edited by
Hans-werner Kuthen.
Single piece and for 2
Pianos four-hands. With
introductory text and
fingerings. Piano
Reduction-paper bound.
100 pages. Published by
G. Henle.
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano/orche...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. For
piano/orchestra. This
edition: Urtext edition.
Paperback. Score.
English/German. No. 1,
Op. 15. Published by
Baerenreiter Verlag
Composed
by Antonin Dvorak. Edited
by Robbert van Steijn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 33. Duration
00:40:00. Baerenreiter
Verlag #BA10420_00.
Published by Baerenreiter
Verlag (BA.BA10420).
ISBN 9790260108387. 31
x 24.3 cm inches. Key: G
minor. Preface: David R.
Beveridge.
Composed
in 1876, Dvorákâ??s
only piano concerto has
been overshadowed by his
other two concertos, for
violin and violoncello,
respectively. Performers
and editors have often
attempted to upgrade this
pianistically unassuming
work by adding
stylisations of their
own. Our Urtext edition
revaluates the sources,
frees the work from
subsequent interventions
and presents it to full
advantage in its
authentic
form.
The
principal source of our
new edition is the first
complete print issued by
the publisher Hainauer in
1883, which has been
meticulously collated
with the autograph. The
anonymous original piano
reduction is so full of
mistakes that editor
Robbert van Steijn
decided instead to
present the version by
Karel Å olc.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.2.2. - 2.2.0.0. -
timp - str)
SKU:
BR.PB-14620
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 96 pages. Duration
34'. Breitkopf and
Haertel #PB 14620.
Published by Breitkopf
and Haertel
(BR.PB-14620).
ISBN
9790004211038. 10 x 12.5
inches.
Ludwig van
Beethoven wrote his Piano
Concerto no. 4 in 1805,
thus contemporaneously
with the opera Fidelio
and the Symphonies nos. 5
and 6. The first
performance took place on
22 December 1808 at the
now legendary academy
(subscription concert) in
which Beethoven presented
the two new symphonies
and the Choral Fantasy
op. 80 to the Viennese
public for the first
time. The work was first
published that year by
Breitkopf & Hartel. The
autograph of the score is
no longer extant. The
principal source of the
musical text on which the
present edition is based
is a scribal copy
examined and corrected by
Beethoven.
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2. - 2.0.0.0. -
timp - str)
SKU:
BR.PB-14560
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 80 pages. Duration
24'. Breitkopf and
Haertel #PB 14560.
Published by Breitkopf
and Haertel
(BR.PB-14560).
ISBN
9790004211014. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arrang...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. Arranged by Martin
Schelhaas. Piano and
orchestra. For piano solo
and piano reduction. This
edition: Urtext edition.
Paperback. Solo part and
piano reduction. Opus 73,
no. 5. 67/49 pages.
Duration 38 minutes.
Published by Baerenreiter
Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For pi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. For piano,
orchestra. This edition:
Urtext edition. In a
slipcase. Study score (in
a slipcase). Published by
Baerenreiter Verlag