Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Chopin National Edition 18A, Vol. XVb. Composed by Frederic Chopin (1810-...(+)
Chopin National
Edition 18A, Vol.
XVb. Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. PWM. Polskie
Wydawnictwo Muzyczne
#51600010. Published by
Polskie Wydawnictwo
Muzyczne (HL.132234).
(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Ja...(+)
(Chopin National
Edition). Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. For Orchestra,
Piano (Full Score). PWM.
Polskie Wydawnictwo
Muzyczne #51600026.
Published by Polskie
Wydawnictwo Muzyczne
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15106
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical. Full
score. 72 pages. Duration
30'. Breitkopf and
Haertel #PB 15106.
Published by Breitkopf
and Haertel
(BR.PB-15106).
ISBN
9790004211892. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score Only.
Composed 2017. 80 pages.
Edition Wilhelm Hansen
#WH32201. Published by
Edition Wilhelm Hansen
(HL.232526).
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 2.2.1.0. -
timp - str)
SKU:
BR.PB-4485
Composed
by Frederic Chopin.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Frederic Chopin's
Piano Concertos in e
minor op. 11 and
f minor op. 21
were written when the
composer had just barely
entered his
twenties.
EB 3942
is printed in score form;
two copies are needed for
performance.Have a look.
Solo concerto; Romantic.
Full score. 68 pages.
Duration 30'. Breitkopf
and Haertel #PB 4485.
Published by Breitkopf
and Haertel (BR.PB-4485).
ISBN 9790004203910. 9
x 12
inches.
Frederic
Chopin's Piano Concertos
in e minor op. 11 and f
minor op. 21 were written
when the composer had
just barely entered his
twenties. Since he needed
effective, virtuoso works
for his major concert
appearances with
orchestral accompaniment,
he decided to simply
write them himself.
Although it is clear that
the piano part always
holds center stage in
these pieces, Chopin
never degrades the
orchestra by turning it
into a stereotypical
cue-giver. This is
confirmed by the
imaginatively
orchestrated tutti
transition in the first
movement, the lengthy
string tremolo in the
middle movement and the
col legno passage in the
finale.The first
performance of the
f-minor concerto took
place in Warsaw on 17
March 1830. The first
edition of the score was
published in 1879 by
Breitkopf & Hartel in
Leipzig. The present
edition for two pianos by
Ignaz Friedmann was first
issued in 1913 in the
framework of the
12-volume Chopin edition
for which the Polish
pianist undertook a
careful evaluation of the
sources.
Frederic
Chopin's Piano Concertos
in e minor op. 11 and f
minor op. 21 were written
when the composer had
just barely entered his
twenties.
For Piano. Includes a printed music score on high-quality ivory paper; a digital...(+)
For Piano. Includes a
printed music score on
high-quality ivory paper;
a digital stereo compact
disc featuring a complete
performance of the
concerto with orchestra
and soloist, and a second
performance minus you,
the soloist; and a second
compact disc containing a
full-speed version of the
complete version as well
as a special -20%
slow-tempo version of the
accompaniment for
practice purposes. Each
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
(Chopin National Edition Series A Vol. XVf). Composed by Frederic Chopin (1810-1...(+)
(Chopin National Edition
Series A Vol. XVf).
Composed by Frederic
Chopin (1810-1849).
Edited by Jan Ekier. For
Orchestra, Piano (Score).
PWM. Softcover. Polskie
Wydawnictwo Muzyczne
#51600005. Published by
Polskie Wydawnictwo
Muzyczne
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance.You will find
the original cadenzas
under Mo
zart, 36 Cadenzas for his
own Piano Concertos.
Our ISBN
9790004211922. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Study Score.
76 pages. Duration 26'.
Breitkopf and Haertel #PB
15111-07. Published by
Breitkopf and Haertel
(BR.PB-15111-07).
ISBN
9790004212684. 6.5 x 9
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2. - 2.0.0.0. -
timp - str)
SKU:
BR.PB-14560
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 80 pages. Duration
24'. Breitkopf and
Haertel #PB 14560.
Published by Breitkopf
and Haertel
(BR.PB-14560).
ISBN
9790004211014. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str) S...(+)
Piano/harpsichord and
orchestra (Solo: pno-
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15123
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10825 is printed in score
form; two copies are
needed for performance.
Our ed
ition EB 8579
contains a Ferrucci
Busoni cadenza for the
Piano. Solo concerto;
Classical. Full score. 88
pages. Duration 33'.
Breitkopf and Haertel #PB
15123. Published by
Breitkopf and Haertel
(BR.PB-15123).
ISBN
9790004212738. 10 x 12.5
inches.
The C major
Concerto K. 503 was held
in particularly high
esteem by Mozart, who,
for example, put it on
the program of his
subscription concert at
Leipzigs Gewandhaus in
1789, three years after
it was written. This new
edition is based on the
autograph and also takes
into account the first
edition published by
Constanze Mozart at her
own cost in 1797.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst Herttrich
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra SKU: BR.DV-4252-14 Complete Works....(+)
Piano/harpsichord and
orchestra
SKU:
BR.DV-4252-14
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Linen.
Deutscher Verlag.
Editorial Board:
Christian Martin Schmidt
(chairman), Peter Ward
Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller
Romantic period. Complete
Works. 232 pages.
Deutscher Verlag fur
Musik #DV 4252-14.
Published by Deutscher
Verlag fur Musik
(BR.DV-4252-14).
ISBN
9790200440034. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller Price
reduction for a
subscription.
Piano, orchestra SKU: BR.SON-409 Complete Works. Composed by Felix...(+)
Piano, orchestra
SKU:
BR.SON-409
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christoph
Hellmundt. Linen.
Complete Works. Romantic
period. Complete Works.
336 pages. Breitkopf and
Haertel #SON 409.
Published by Breitkopf
and Haertel (BR.SON-409).
ISBN 9790004802366. 10
x 12.5 inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.