Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance.You will find
the original cadenzas
under Mo
zart, 36 Cadenzas for his
own Piano Concertos.
Our ISBN
9790004211922. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str) S...(+)
Piano/harpsichord and
orchestra (Solo: pno-
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15123
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10825 is printed in score
form; two copies are
needed for performance.
Our ed
ition EB 8579
contains a Ferrucci
Busoni cadenza for the
Piano. Solo concerto;
Classical. Full score. 88
pages. Duration 33'.
Breitkopf and Haertel #PB
15123. Published by
Breitkopf and Haertel
(BR.PB-15123).
ISBN
9790004212738. 10 x 12.5
inches.
The C major
Concerto K. 503 was held
in particularly high
esteem by Mozart, who,
for example, put it on
the program of his
subscription concert at
Leipzigs Gewandhaus in
1789, three years after
it was written. This new
edition is based on the
autograph and also takes
into account the first
edition published by
Constanze Mozart at her
own cost in 1797.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst Herttrich
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Study Score.
76 pages. Duration 26'.
Breitkopf and Haertel #PB
15111-07. Published by
Breitkopf and Haertel
(BR.PB-15111-07).
ISBN
9790004212684. 6.5 x 9
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra
SKU: HL.14030961
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 96 pages. Edition
Wilhelm Hansen #KP00980.
Published by Edition
Wilhelm Hansen
(HL.14030961).
ISBN
9788759857458.
English.
Score of
the Danish Composer's
Concerto for Piano and
Orchestra written in
1996. Bent Sorensen
writes: 'The title of
this piano concerto came,
as usual, very early to
me, when my thoughts
about the work had
started to circulate, but
before 'real' music was
written down. I held on
to the Italian title,
even though its
association with Vivaldi
had no influence on my
music, and even when
German, French, English,
and Danish titles
covering almost the same
content -'Nachtmusik',
'Nocturne', 'By Night',
'Om Natten', were just
about to get the upper
hand. The piano concerto
has, then, in my opinion,
something to do with
night, but to describe
this further is at least
as difficult to me as it
is to defend the final
Italian title against
those which were
rejected. The Piano
Concerto is in two
movements. The first,
swarming, is perhaps the
mystery of the night, and
the second perhaps the
dreams of the night; with
this, however, I have
already given the
concerto a more
programmatic content than
I can defend. Each
movement ends with a
cadenza and perhaps the
last of those - the
ending of the work that
is - is inspired by a
sequence from Bruce
Chatwin's wonderful book
'The Viceroy of Ouidah':
Or the Amazons howling.
'No, No, No. It was not
the leopard that killed
him. Not the buffalo that
killed him. It was night.
Night that killed
him!'.
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score Only.
Composed 2017. 80 pages.
Edition Wilhelm Hansen
#WH32201. Published by
Edition Wilhelm Hansen
(HL.232526).
(For Piano and Orchestra (Solo Part)). By Johann Wenzel Anton Stamitz. Edited by...(+)
(For Piano and Orchestra
(Solo Part)). By Johann
Wenzel Anton Stamitz.
Edited by Rudolf Walter.
For piano and orchestra
((2),2,0,0-2 ad
lib.,0,0,0 - Strings).
Orchestral music.
Concerto. Score (solo
part). 40 pages.
Published by Doblinger
Music Publishers. Score
(solo part). concerto.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Peanuts Gallery Piano et Orchestre [Reduction] Theodore Presser Co.
For Piano and Orchestra (Solo Piano and Piano Reduction). By Ellen Taaffe Zwilic...(+)
For Piano and Orchestra
(Solo Piano and Piano
Reduction). By Ellen
Taaffe Zwilich. For Piano
Solo, Piano Reduction.
Junior Class I-B piece
for the One Hand Piano
Music for the Concerto
Event with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Solo part
with piano reduction.
Composed 1996. 31 pages.
Duration 13:00. Published
by Theodore Presser
Company
Piano, orchestra SKU: SA.41762 Composed by Antonin Dvorak. Edited by Berk...(+)
Piano, orchestra
SKU:
SA.41762
Composed by
Antonin Dvorak. Edited by
Berkovec. Arranged by
Vilem Kurz. Original
Works, Concerto,
Instrumental Solo.
Reprint Source: Prague:
SNKLHU, 1956. Plate H
1790. Romantic, Czech.
Study score. Composed
1876. 260 pages. Duration
38-40 minutes. Petrucci
Library Press #41762.
Published by Petrucci
Library Press (SA.41762).
ISBN 9781608741762.
9.5 x 12.5
inches.
Composed in
the late summer of 1876,
Dvorak's first effort at
a full-blown concerto
shows signs of an unusual
amount of revision in the
composer's hand -
especially for the solo
piano part. This might
explain the delay in the
concerto's premiere,
which was given at the
Provisional Theatre in
Prague on March 24, 1878
with Karel Slavkovsky as
soloist accompanied by
the Provisional Theatre
Orchestra under the baton
of Adolf Cech. The
composer himself wrote: I
see I am unable to write
a Concerto for a
virtuoso; I must think of
other things. The
ungainly solo part no
doubt also played a role
in the work's dely in
publication, which didn't
take place until 1883.
Even after this, and
despite much beauty in
the music itself,
performances were scarce
due to the difficulty and
charchter of the solo
part. The solo part was
revised heavily by the
Czech pianist Vilem Kurz
(1872-1945), whose
version was premired by
his daughter Ilona
KurzovA! and the Czech
Philharmonic on December
9, 1919 and is the one
most often performed
today. This new study
score is a digitally
enhanced reissue of the
full score first
published in 1956 by the
Czech State Publishers as
part of the Dvorak
collected works, edited
by Jiri Berkovec and
Karel Solc, which
includes both the
composer's original solo
part and the re-arranged
one made by Kurz. Unlike
so many of the on-demand
scores now available,
this one comes with all
the pages and the images
have been thoroughly
checked to make sure it
is readable. As with all
PLP scores a percentage
of each sale is donated
to the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Piano and orchestra (2(picandafl).1.2(2.bcl). 1(cbsn)-0.2.3.0-2(or4)per c(2tam-t...(+)
Piano and orchestra
(2(picandafl).1.2(2.bcl).
1(cbsn)-0.2.3.0-2(or4)per
c(2tam-t, tub bells,
2cym.ant, 6trgl, b.d,
3rins on timp, 2gongs,
vib,
s.d)-2hp-str(24.0.10.8.4)
)
SKU: HL.49044458
Concerto for piano and
orchestra. Composed
by Toshio Hosokawa. Sheet
music. Edition Schott.
Softcover. Composed
1998-1999. Duration 17'.
Schott Music #SJ10028.
Published by Schott Music
(HL.49044458).
Piano and Orchestra SKU: HL.14021032 Composed by Sir Peter Maxwell Davies...(+)
Piano and Orchestra
SKU: HL.14021032
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score Only.
Composed 2003. 132 pages.
Chester Music #CH61823.
Published by Chester
Music (HL.14021032).
ISBN 9780711985605.
5.5x7.5x0.432
inches.
This work
was commissioned by the
Royal Philharmonic
Orchestra. It was first
performed on 7th November
1997 at the Royal
Conference Hall,
Nottingham, by Kathryn
Stott and the Royal
Philharmonic Orchestra
conducted by the
composer.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 19 No. 2.
Duration 28 minutes.
Published by Baerenreiter
Verlag (BA.TP922).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 15 No. 1.
Duration 40 minutes.
Published by Baerenreiter
Verlag (BA.TP921).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 73 No. 5.
Duration 38 minutes.
Published by Baerenreiter
Verlag (BA.TP925).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 58 No. 4.
Duration 33 minutes.
Published by Baerenreiter
Verlag (BA.TP924).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 37 No. 3.
Duration 34 minutes.
Published by Baerenreiter
Verlag (BA.TP923).
for Piano and Orchestra Soloist in Concert Series. By Edvard Grieg. Piano Large ...(+)
for Piano and Orchestra
Soloist in Concert
Series. By Edvard Grieg.
Piano Large Works
(Arranged for piano).
Size 9x12 inches. 56
pages. Published by
Ricordi.
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.EB-11450
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softbound.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Symphonic poem;
Late-romantic; Early
modern. Piano reduction.
68 pages. Duration 23'.
Breitkopf and Haertel #EB
11450. Published by
Breitkopf and Haertel
(BR.EB-11450).
ISBN
9790201814506. 9.5 x 12
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.