Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
For Piano. Composed by Jacques Offenbach (1819- 1880). Edited by Jean- Chris...(+)
For Piano. Composed by
Jacques Offenbach (1819-
1880). Edited by Jean-
Christophe Keck. BH
Piano.
Softcover. 20 pages.
Boosey
& Hawkes #M202534731.
Published by Boosey &
Hawkes
Piano Solo - SMP Level 3 (Early Intermediate) SKU: BU.EBRA041 Composed by Johan...(+)
Piano Solo - SMP Level 3
(Early Intermediate)
SKU: BU.EBRA041
Composed by Johann
Sebastian Bach. This
edition: French Edition.
Classique. Anacrouse.
Partition Biographie
Notes sur l'oeuvre.
Score. Editions Bourges
#EBRA041. Published by
Editions Bourges
(BU.EBRA041).
ISBN 9790560151120. 8.58
x 12.48 inches.
Partition Biographie
Notes sur l'oeuvre
Piano Solo - SMP Level 7 (Late Intermediate) SKU: BU.EBR-A045 Composed by...(+)
Piano Solo - SMP Level 7
(Late Intermediate)
SKU: BU.EBR-A045
Composed by Johannes
Brahms. This edition:
French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A045. Published by
Editions Bourges
(BU.EBR-A045).
Piano SKU: BT.9781408193075 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano
SKU:
BT.9781408193075
Composed by Karen
Marshall. Get Set! Piano.
Studies & Exercises. Book
Only. 48 pages. Collins
Music Publishing
#9781408193075. Published
by Collins Music
Publishing
(BT.9781408193075).
ISBN 9781408193075.
English.
Get Set! Piano Tutor
Book 2 is the
second volume in an
exciting new series by
Heather Hammond and Karen
Marshall, written
specially for the
twenty-first century
child.
This tried
and tested course
guidesbeginners from
their very first lesson
through to Prep test
level. Note learning is
taught alongside aural
theory, technique and
composing skills,
providing a holistic
approach to music.
Packed with favourites
such asWhat Shall We
Do With A Drunken
Sailor?, In The Hall Of
The Mountain King,
Amazing Grace and
The Entertainer,
Get Set! Piano
Tutor Book 2 is
the perfect tutor for
getting to Grade
1.
Thisbook is
fully compatible with Get
Set! Piano Pieces Book 2
(9781408192788),
providing plenty of
material for
reinforcement, or just
pure musical
enjoyment.
Piano SKU: BR.EB-8033 Piano Lessons by Jean-Philippe Rameau. Compo...(+)
Piano
SKU:
BR.EB-8033
Piano
Lessons by Jean-Philippe
Rameau. Composed by
Jean-Philippe Rameau.
Edited by Heinz Walter.
Solo instruments;
stapled. Edition
Breitkopf. Suite;
Dances/marches; Baroque.
Score. 20 pages.
Breitkopf and Haertel #EB
8033. Published by
Breitkopf and Haertel
(BR.EB-8033).
ISBN
9790004174364. 9 x 12
inches.
This series
of easy piano music for
teaching purposes
presents pupils in the
lower and lower middle
grades with a carefully
chosen selection of
well-known and
lesser-known compositions
by important masters. The
volumes are deliberately
kept small in extant,
since it is more
stimulating for children
to change the teaching
material frequently.
Jean-Philippe Rameau
(1683-1764) is the second
great keyboard master of
the Baroque Age next to
Couperin. His works are
as unknown to pianists,
with few exceptions, as
they are famous among
harpsichord players. The
virtuosity and
imaginativeness of his
works lend themselves
especially well to the
sound of harpsichord,
which is why the piano
interpretation of works
by Couperin, Rameau,
Scarlatti and other
composers of that time
has been categorically
rejected. But, after all,
the works of Bach and
Handel were written for
the harpsichord and
clavichord, and no one
would dare question their
interpretation on the
pianoforte. In order to
introduce these
Impressionists of the
Baroque Era to piano
instructions, the editor
has added to this series
a folio of both
Couperin's (EB 8029) and
Rameau's music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. Baroque dance
forms and graceful
character pieces
(LaJoyeuse,
L'Indifferente) are
typical ofRameau's work.
Simplifications to a
small extent of the
harpsichord setting and
also of the omamentation
in the original version
were required, based on
the teaching experience
of the editor. The
indications for phrasing
and articulation are
those of the editor. The
Minuet on page 6 has been
precisely elaborated on
in this respect to serve
as a model, whereas the
remaining pieces contain
only suggestions. As in
other folios of this
series: what is here to
be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
espective footnotes;
these directions,
however, are not
obligatory. Indications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case by used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realisation of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980.
Piano Solo - Moderately Easy SKU: BU.EBR-A044 Composed by Johannes Brahms...(+)
Piano Solo - Moderately
Easy
SKU:
BU.EBR-A044
Composed
by Johannes Brahms. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A044. Published by
Editions Bourges
(BU.EBR-A044).
Piano - Level 2 SKU: LM.27825 Composed by Henri Nafilyan and Thierry Mass...(+)
Piano - Level 2
SKU:
LM.27825
Composed by
Henri Nafilyan and
Thierry Masson.
Classical. Score.
Editions Henry Lemoine
#27825. Published by
Editions Henry Lemoine
(LM.27825).
ISBN
9790230978255.
BACH
J.S. : Trio BWV 929,
Menuet BWV 813, Petit
prelude BWV 942 - BARTOK
B. : Andante - BEETHOVEN
L.V. : Danse allemande n.
10 (WoO 8), Anglaise en
Re (Hess 61), Allemande
(WoO 81), Contredanse
(WoO 14), Menuet (WoO 7)
- CHOPIN F. : Prelude
Op.28 n. 6 - CLEMENTI M.
: Air russe - GLINKA M.I.
: Galopade - GRIEG E. :
Feuille d'album Op.12 n.
7 - HAYDN J. : Menuet
Hob. 1 : 85/111, Menuet
Hob. IX : 11, Final
Hob.XVI : 7 - JOLIVET A.
: Danse caraibe -
KOECHLIN C. : Le Ruisseau
limpide, La Maison
heureuse - MASSON T. :
Bagatelle, Le Repos du
dragon, En Camargue,
Petite improvisation
imaginaire, Vague a l'ame
- MENDELSSOHN F.B. :
Premiere barcarolle Op.19
n. 6 - MOZART W.A. :
Variation en La KV 460 -
NAFILYAN H. : Mystere,
L'Acrobate - PAPP L. : Le
Pantin, A cheval, Le
Petit Soldat de plomb, La
Machine a coudre -
PROKOFIEV S. : La Pluie
et l'Arc-en-ciel -
SCHUBERT F. : Danse
allemande n. 5 (D 420),
Valse n. 1 (D980) -
SCHUMANN R. : Feuille
d'album Op.99 n. 4 -
SZOKOLAY S. : Taquinerie,
Tom Pouce - TCHAIKOVSKI
P.I. : Marche des
soldats, La Nouvelle
Poupee - VILLA-LOBOS H. :
Ainsi bercait maman -
VISKI J. : J'avais un
poulailler - Un jour mon
prince viendra, de
Blanche Neige et les sept
nains (CHURCHILL) - Ce
reve bleu, d'Aladin
(GILKYSON) - Il en faut
peu pour etre heureux, du
Livre de la jungle
(SHERMAN) - Des gammes et
des arpeges, des
Aristochats (SHERMAN)
-Elegant blues,
Exploration boogie
(MASSON).
Piano SKU: BT.MUSAM1010207 Composed by Maurice Ravel. Joy Of. Book Only. ...(+)
Piano
SKU:
BT.MUSAM1010207
Composed by Maurice
Ravel. Joy Of. Book Only.
Composed 2015. 96 pages.
Wise Publications
#MUSAM1010207. Published
by Wise Publications
(BT.MUSAM1010207).
ISBN
9781783058662.
This
collection of sheet music
by the great French
composer Maurice
Ravel features 19 of
his greatest pieces, all
newly-arranged especially
for this volume. The
subtle melodies and
achingly beautiful
harmonies oftheselush
Impressionist pieces
truly do illustrate the
sheer Joy Of
Ravel.
Piano - easy SKU: M7.ART-42215 25 klassische and romantische Klavierst...(+)
Piano - easy
SKU:
M7.ART-42215
25
klassische and
romantische
Klavierstücke - leicht
spielbar arrangiert.
Arranged by Theresia
Prelog. Score with online
audio files. 48 pages.
Artist Ahead Musikverlag
#ART 42215. Published by
Artist Ahead Musikverlag
(M7.ART-42215).
ISBN
9783866422155.
German.
Das
'Klavieralbum für
Elise' bietet 25 leicht
spielbar arrangierte
Werke berühmter
klassischer und
romantischer Komponisten
wie u. a. Haydn, Mozart,
Beethoven, Schumann,
Tschaikowski und Weber.
Die Stücke sind in
progressiver Reihenfolge
angeordnet und
ermöglichen es
Spielern jeder
Altersstufe schon nach
kurzer Lernzeit die
groÃ?en Meister selbst
zu interpretieren und so
die faszinierende Welt
der klassischen Musik zu
entdecken. Neben dem
Klavierstück 'Für
Elise', eines der
beliebtesten Werke bei
Klavierschülern,
enthält dieses Album
weitere berühmte
Melodien und gängige
Unterrichtsliteratur der
Klassik und Romantik. Die
sorgfältig
ausgewählten Stücke
sind bestens geeignet zur
Verwendung neben jeder
Klavierschule sowie zum
Selbststudium für
Wiedereinsteiger und
Hobbypianisten. Die
Kompositionen fördern
nicht nur den Fortschritt
des Spielers in
musikalischer und
klaviertechnischer
Hinsicht, sondern sind
ebenfalls ideale
Vortragsstücke zu
verschiedenen
Anlässen. Eine
überschaubare Länge
der Stücke, ein
übersichtliches
Notenbild, zahlreiche
Fingersätze sowie ein
zum Buch erhältlicher
kostenloser Download mit
Audio-Dateien erleichtern
das Erlernen und
fördern die
Spielfreude. Allen
Kindern, Jugendlichen und
Erwachsenen wünschen
wir viele schöne
Stunden am Klavier.
Piano - late intermediate SKU: BT.SLB-00595000 Édition Originale(+)
Piano - late intermediate
SKU:
BT.SLB-00595000
Édition
Originale. Composed
by Frederic Mompou.
Durand-Salabert-Eschig-Le
s Éditions
Originales. Book Only.
Composed 2015. 236 pages.
Editions Salabert #SLB
00595000. Published by
Editions Salabert
(BT.SLB-00595000).
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og frems...(+)
ABC for piano, del 2' er
en pianobok for litt
viderekomne. Den er forst
og fremst mente for barn,
men kan ogsa brukes av
voksne som vil friske opp
pianokunnskapene sine,
laere noter pa egen hand,
eller hjelpe sine barn
som laerer a spille.
Boken inneholder et
utbrettsark med oversikt
over alle tangentene og
notene + litt
teori.
Boken
inneholder mange morsomme
oppgaver. Det er brukt
mangefolketoner, bade fra
Norge og andre europeiske
land, samt
populaerebarnesanger.
Innhold: Lille
bjork Kjerringa med
staven En
hostkveld Na skal vi
telle Humoreske - L.
Mozart mary had a
little lamb Tamburin
-J.
Rameau Vuggesang
Blinke, blinke stjerne
lill I min
hage Et stykke - J.
Arman Jeg gikk meg
over sjo og
land Preludium Do
vne Trulte Haren uti
gresset Kjaere gasen
min er stjalet Jeg
gikk en tur pa
stien Min nye
ball Etyde - L.
Shytte Marching Pigs
- Boris Berlin Vesle
Lise er sa liten - P.I.
Tschaikovsky Etyde Potet-sang Etyde -
C. Czerny Min hatt
den har tre
kanter Alle
fugler Gratulerer med
dagen Hurra for
deg! Ola
Diger Musette - L.
Mozart I Dovregubbens
hall E. Grieg Etyde -
C. Czerny Menuet -
W.A. Mozart En
spok O sole
mio! Per
Sjuspring Oh, when
the Saints go marching
in Pa var
bryllupsdag Etyde -
N. Paganini Gjok -
Couperin Jeg trenger
deg for
dansen Morgenstemning
- E. Grieg Du er den
eneste Skalaer,
arpeggio og
akkorder Schumanns
regler for
musikere Olga
Alexandra Holter er fodt
i Russland. Etter a
graduere fra Gnesyn's
Musikkakademi i Moskva,
en av de mest kjente
hoyskolene i Russland,
begynte hun a jobbe som
pianolaerer. Senere tok
hun mastergrad i
lingvistikk og
pedagogikk. Hun kom til
Norge i 1993. For a fa en
grundig forstaelse av det
norske musikk-pedagogiske
systemet gikk hun pa
Musikkhogskolen i Oslo,
hvor hun studerte hos den
kjente pianisten Liv
Glaser. I 1999 etablerte
Olga
Barnemusikkakademiet,
hvor hun i dag jobber som
pianolaerer og daglig
leder
Composed by Sergei Rachmaninoff (1873-1943). Collection for solo piano. Text lan...(+)
Composed by Sergei
Rachmaninoff (1873-1943).
Collection for solo
piano. Text language
English, French, and
German. 107 pages.
Published by Boosey &
Hawkes.
Piano Solo - Medium SKU: BU.EBR-A019 Composed by Wolfgang Amadeus Mozart....(+)
Piano Solo - Medium
SKU: BU.EBR-A019
Composed by Wolfgang
Amadeus Mozart. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A019. Published by
Editions Bourges
(BU.EBR-A019).
Piano Solo - Moderately Easy SKU: BU.EBR-A032 Composed by Ludwig van Beet...(+)
Piano Solo - Moderately
Easy
SKU:
BU.EBR-A032
Composed
by Ludwig van Beethoven.
This edition: French
Edition. Classique.
Anacrouse. Partition +
Biographie + Notes sur
l'oeuvre. Score. Editions
Bourges #EBR-A032.
Published by Editions
Bourges (BU.EBR-A032).
By Request Piano seul - Facile De Haske Publications
Piano - easy SKU: BT.DHP-1053813-401 All Time Piano Hits. Arranged...(+)
Piano - easy
SKU:
BT.DHP-1053813-401
All Time Piano
Hits. Arranged by
Andy Newland. Pop & Rock.
Book Only. Composed 2005.
28 pages. De Haske
Publications #DHP
1053813-401. Published by
De Haske Publications
(BT.DHP-1053813-401).
ISBN 9789043122276.
9x12 inches.
English-German-French-Dut
ch.
The following
situation may be familiar
to you: You’re at
a party, visiting friends
or hosting relatives and
someone asks you to play
something on the piano.
It’s best to
choose a song that people
know, but it is often
difficult to choose one
that is suitable. You are
expected to perform on
the spot and impress your
audience. This book
contains thirteen pieces
written especially for
such occasions. From
Lambada to Beethoven,
from The Muppet Show to
Sting, you’re sure
to find familiar songs
for your impromptu
performances. And best of
all, these pieces can be
played by anyone who has
taken piano lessons for
just a few
years.
Een stuk
spelen op verzoek - van
klassiek tot populair? In
dit boek staan dertien
bekende stukken waarmee
de pianist voor de dag
kan komen bij diverse
gelegenheden. Van de
Lambada tot
Beethoven en van The
Muppet Showtot Sting:
By Request is
geschikt voor iedereen
die een paar jaar les
heeft gehad.
Die
folgende Situation ist
sicherlich vielen
vertraut: Bei einer Party
oder einem Familienfest
wird man gebeten, etwas
Nettes auf dem Klavier
vorzuspielen. Da ist es
oft schwer, das Passende
zu finden. Dieses Buch
enthält dreizehn
leichte Stücke, mit
welchen auch Spieler mit
wenig Erfahrung bei
solchen Gelegenheiten
groß herauskommen
können. Ob vorgetragen
oder zu Hause zum eigenen
Vergnügen gespielt: Es
ist für jeden Anlass
und jede Stimmung etwas
dabei!
Quando alla sera
fra amici o in famiglia,
vi viene domandato di
mettervi al pianoforte e
di suonare una piccola e
simpatica musica, la
difficolt risiede nella
scelta del brano. By
Request contiene 13
brani adatti a questo
genere di situazione:
dalla Lambada a Ludwig
van Beethoven, da Muppet
Show a Sting, tutti i
brani presenti in questa
raccolta sono celebri e
accessibili a tutti i
pianisti con qualche anno
di pratica
strumentale.
Piano SKU: M7.DUX-646 Für Klavier. Arranged by Guido Klaus. She...(+)
Piano
SKU:
M7.DUX-646
Für
Klavier. Arranged by
Guido Klaus. Sheet music.
76 pages. Edition Dux
Verlag #DUX 646.
Published by Edition Dux
Verlag (M7.DUX-646).
ISBN
9783868494068.
'Gre
nzenlose Weihnacht für
Klavier' ist eine
musikalische Schatztruhe
- dieses Buch enthält
die schönsten
Weihnachtslieder aus
Deutschland und Europa.
Dabei war Weihnachten von
jeher eine 'grenzenlose'
Idee und viele deutsche
Weihnachtslieder
verwenden Melodien aus
anderen Ländern. Die
Klaviersätze spiegeln
den Charakter des
jeweiligen Liedes wider.
Die Kinderlieder sind
eher einfach gehalten und
pädagogisch
konzipiert, sodass man in
das Buch vom ersten
Unterrichtsjahr an
'hineinwachsen' kann. Die
'große' Literatur ist
mit durchaus
anspruchsvollen
Klaviersätzen
ausgestattet. Besonders
beliebte Weihnachtslieder
sind in mehreren
Versionen enthalten. Die
Tonarten sind stets so
gewählt, dass man in
einer angenehmen Lage gut
mitsingen kann.
'Grenzenlose Weihnacht' -
ein Weihnachtsbuch für
das ganze Leben'.
Piano Solo SKU: BU.EBR-A095 Composed by Antonio Vivaldi. Anacrouse. Trans...(+)
Piano Solo
SKU:
BU.EBR-A095
Composed
by Antonio Vivaldi.
Anacrouse. Transcription
pour piano + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A095. Published by
Editions Bourges
(BU.EBR-A095).
Christmas Piano Piano seul - Facile Music Distribution Services
Piano - easy to intermediate SKU: M7.ART-42111 Die schönsten Weihna...(+)
Piano - easy to
intermediate
SKU:
M7.ART-42111
Die
schönsten
Weihnachtslieder für
Klavier zum
Vortragen. Arranged
by Valenthin Engel. Sheet
music. 40 pages. MDS
(Music Distribution
Services) #ART 42111.
Published by MDS (Music
Distribution Services)
(M7.ART-42111).
ISBN
9783866421110.
In
der Vielzahl an
Weihnachtsliederbücher
n ist es nicht immer
leicht, den
Schwierigkeitsgrad
abzuschätzen und die
richtige Entscheidung
für ein passendes
Spielbuch zu treffen.
Gerade im Anfänger-
und leicht
Fortgeschrittenen-Bereich
sind die Stücke
häufig langweilig oder
gar banal gesetzt. Um
diese Lücke zu
schließen hat
Valenthin Engel die
wunderbare Sammlung
'Christmas Piano'
konzipiert und
arrangiert. 'Christmas
Piano' enthält eine
Auswahl der bekanntesten
Weihnachtslieder aus
verschiedenen
Jahrhunderten in schön
klingenden Bearbeitungen
mit den dazugehörigen
Texten. Die
mittelschweren Stücke
sind vor allem für
leicht fortgeschrittene
Klavierspieler gedacht,
die über drei bis vier
Jahre Spielpraxis
verfügen und mit dem
Vortrag dieser Stücke
glänzen können.
Gospels und Spirituals
runden diese Ausgabe ab
und machen sie zu einem
festlichen Begleiter
für die
Weihnachtszeit.
'Christmas Piano'
versteht sich als
motivierendes
Zusatzrepertoire zu
Valenthin Engels
Lehrwerken 'Circus
Pianoforte' sowie 'Circus
Fortissimo' und
ergänzt den
Vorgängerband
'Weihnachtslieder am
Klavier' perfekt.
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
By Louis Moreau Gottschalk. Edited by Jeanne Behrend. Arranged by Jeanne Behrend...(+)
By Louis Moreau
Gottschalk. Edited by
Jeanne Behrend. Arranged
by Jeanne Behrend. Solo
piano. For Piano.
Musically Advanced Class
II piece for the One Hand
Piano Music for the Piano
Solo Event with the
National Federation of
Music Clubs (NFMC)
Festivals Bulletin
2008-2009-2010.
Classical. Solo part. 65
pages. Published by
Theodore Presser Company
Piano Solo - Medium SKU: BU.EBR-A004 Composed by Ludwig van Beethoven. Th...(+)
Piano Solo - Medium
SKU: BU.EBR-A004
Composed by Ludwig van
Beethoven. This edition:
French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A004. Published by
Editions Bourges
(BU.EBR-A004).
Piano - early intermediate SKU: CR.977837 Composed by Concordia Publishin...(+)
Piano - early
intermediate
SKU:
CR.977837
Composed by
Concordia Publishing
House. Piano. Book. With
music. Concordia
Publishing House #977837.
Published by Concordia
Publishing House
(CR.977837).
ISBN
9780758662231. 9 x 12
inches.
Followin
g the successful Hymn
Prelude Library series
for organ comes a
comprehensive set of
piano preludes for all
the hymn tunes in
Lutheran Service
Book. Not an
adaptation of the organ
series, this collection
features newly composed
pieces by dozens of
composers who write in a
variety of styles and
harmonizations. The
pieces are useful as
preludes, postludes,
music at the offering,
for introductions, and
during distribution, as
well as for those who
play hymns at home. The
durable wire binding
ensures that each page
lies flat against the
music stand.
The
complete library will
include 12 volumes
organized alphabetically
by hymn tune. Volume 6
contains preludes for
tunes starting with the
letters J, K and L.
Subscribe and
Save! With a
subscription, you'll pay
$40.00 for each volume in
the
series—a
20% savings.
You'll also automatically
receive each new volume
as soon as it is
released. Subscribe now
>
About the
Editor Kevin
Hildebrand is Kantor at
Concordia Theological
Seminary in Fort Wayne,
Indiana. He has more than
75 music titles in print
with CPH and was the
editor of Hymn Prelude
Library.