50 Selected Studies by Jean Baptiste Cramer. Edited by Hans von Bülow and Maurice Hinson. For Piano. Masterworks; Piano Collection. Alfred Masterwork Edition. Masterwork; Romantic. Advanced; Early Advanced. Book. 136 pages. Published by Alfred Music Publishing

Piano SKU: HU.HN465 Original Version and First Edition of the Early Version. Composed by Franz Liszt. Edited by Maria Eckhardt. Piano Solo, Piano and Keyboard, Repertoire, Solos. Consolations. Classical, Romantic. Softcover Book. 48 pages. G. Henle #HN465. Published by G. Henle (HU.HN465).

(Edited from the Sources of Ulrich Leisinger, Fingering by Oswald Jonas). By Johann Sebastian Bach (1685-1750). For Piano. BWV 772-786

Piano/Keyboard

SKU: HL.50481983

Composed by Wolfgang Amadeus Mozart. Edited by Alfred Schnittke. This edition: SIK1267. Piano. 12 pages. Sikorski #SIK1267. Published by Sikorski (HL.50481983).

UPC: 073999934250. 9.25x12.5x0.052 inches.

Composed by Robert Schumann. Edited by Michael Beiche. For Piano. Wiener Urtext/Vienna Urtext #UT050271. Published by Wiener Urtext/Vienna Urtext

Composed by Various. Piano. Classical. Softcover. 250 pages. Published by Hal Leonard

Impromptus, Op. 5 (Versions 1833 and 1850) by Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Softcover. 50 pages. G. Henle #HN852. Published by G. Henle

(Heft 3: Op. 50/8a (As-Dur)/Op. 50/8b (op-moll)/Op. 50/9a (E-Dur)/Op. 50/9b (cis-moll)). By Antonio Diabelli. Piano. For piano. 3. 30 pages. Published by Doblinger Music Publishers

Piano

SKU: BT.PWM9750

National Edition. Composed by Frederic Chopin. Chopin National Edition. Classical. Book Only. 186 pages. Polskie Wydawnictwo Muzyczne #PWM9750. Published by Polskie Wydawnictwo Muzyczne (BT.PWM9750).

ISBN 9788322433416.

K omponowane przez Chopina nieprzerwanie od 1825 do 1849 roku, wyszed szy od gatunku na wpó u ytkowego, przeznaczonego do ta ca, sta y si form liryki refleksyjnej, wypowiedzi najbardziej osobistej. Stanowi wyraz t sknotyChopina za krajem rodzinnym. Charakteryzuj si ograniczeniem rodków fakturalnych, miniaturowo ci i przejrzysto ci formy, kondensacj rodków harmonicznych, prostot , ale i sublimacj wyrazu.

Wydanie ród owo-krytycznezredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów, kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznym kszta cie.

Composed by Johann Sebastian Bach (1685-1750), edited by Willard A. Palmer. Book for solo piano. With standard notation, fingerings and introductory text. Series: Piano Collection. 224 pages. Published by Alfred Publishing.

Piano

SKU: BT.EMBZ14505A

Suppl. 10. By Adrienne Kaczmarczyk_Ágnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A).

English-German-Hungari an.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.

Piano - easy

SKU: BT.MI0403

Play Music Italia. Tuition. Book and DVD. Composed 2018. Play Music Italy #MI0403. Published by Play Music Italy (BT.MI0403).

Italian.

Questo metodo si rivolge a tutti i pianisti e tastieristi principianti che hanno voglia di divertirsi da subito. Con non meno di 50 brani facili per pianoforte e quindi accessibili a tutti, ognuno potr non solo divertirsi, ma anche fare notevoli progressi. In effetti il piacere di suonarli permette di superare le difficolt incontrate nell’esecuzione. Questi 50 brani propongono accompagnamenti semplici in cui la mano sinistra suona essenzialmente il basso, mentre la mano destra esegue la melodia, su ritmi facili da riprodurre. Sono comunque brani molto melodiosi e gradevoli da sentire e da suonare. Ogni brano potr inoltre essere interpretato su una base musicalecorrispondente, dando in questo modo al pianista principiante l’impressione di essere in mezzo ad un gruppo, con altri musicisti. Sul disco dati allegato al metodo, troverete quindi 50 basi musicali (a due velocit diverse) sotto forma di file audio nonché i 50 brani ripresi in video per mostrarvi come suonarli.

Piano

SKU: BT.MUSMS0344

Composed by Gaston Diaz. Tuition. Book, CD and DVD. Composed 2017. Play Music Spain #MUSMS0344. Published by Play Music Spain (BT.MUSMS0344).

Spanish.

Nues tro método consta de 50 solos de guitarra, inspirados en los mayores artistas de ayer y de hoy. Dichos solos son «sencillos» y los que aprenden la guitarra podrán, en su mayoría, divertirsetocando unos auténticos y hermosos solos... como si fueran «lead» dentro de una banda. Pero queremos brindarle un panorama interesante y por tanto nuestros solos son variados por su tonalidad, su naturaleza(mayor o menor) por su interpretación (binaria o ternaria), su densidad o la riqueza de su fraseo. Un capítulo preliminar le presenta brevemente las herramientas imprescindibles que uno debe conocer (escalas yefectosde toque) para entender bien los 50 solos de este método, y poder desarrollarlos y ampliarlos, y hasta crear otros de su propia cosecha.

El DVD vídeo le permite oír y visualizar los 50 solos de guitarrapormenorizados, a velocidad normal y luego más lenta, para que pueda elegir los buenos ademanes y las mejores digitaciones, y así tocar a compás. El CD mp3 por su parte abarca el mismo número deplaybacks que de solos, o sea 50 playbacks tocados en dos aires diferentes: el aire deseado (velocidad real) y el aire de trabajo (lento). Dichos playbacks son de larga duración y lo hemos hecho adrede (4 o 5 minutos cadauno ¡o sea más de 7 horas de música en total!) para que pueda disponer de todo el tiempo necesario para trabajar en las mejores condiciones posibles.

Piano

SKU: M7.DUX-636-50

Edited by Susi Weiss. Sheet music with 2 CDs. 104 pages. Edition Dux Verlag #DUX 636-50. Published by Edition Dux Verlag (M7.DUX-636-50).

ISBN 9783868492217. German.

By Frederic Chopin (1810-1849). Edited by Fielden / Craxton. For Piano. Grades 6-8 . Published by ABRSM (Associated Board of the Royal Schools of Music)

Piano

SKU: SU.12800050

For Piano. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800050. Published by Subito Music Corporation (SU.12800050).

BachScholar Edition Vol. 50 – Jesu in D Minor (the saddest of all keys) (4 pages) presents a rich, romantic-style concert arrangement in D minor of Bach’s famous chorale setting from Cantata No. 147. Essentially the same as Hall’s arrangement of Jesu in D-flat major, this minor-key version is strikingly expressive and original, which is extremely mesmerizing to performers and listeners. Ideal for the teaching studio and concert hall for all grades from the intermediate through concert level. Piano Published by: BachScholar.

Piano - Level 6

SKU: BA.BA09656

Composed by Carl Czerny, Franz Liszt, Franz Schubert, Ignaz Moscheles, and Ludwig van Beethoven. Edited by Mario Aschauer. This edition: urtext edition. Paperback. Barenreiter Urtext. Performance score, anthology. Opus 120 / 50 v. Baerenreiter Verlag #BA09656_00. Published by Baerenreiter Verlag (BA.BA09656).

ISBN 9790006528141. 31 x 24.3 cm inches.

Beethovenâ €™s “Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli’s call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel.

The variations first printed by Diabelli fictively as “Fatherlandish Union of Artists Part I” (Beethoven’s op. 120) and “Part II” (the 50 variations of Vienna’s “most excellent composers and virtuosos”) are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print.

A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven’s day complete this special Urtext edition based on the most current research.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano

SKU: BT.MUSMS0293

Composed by Bruno Tejeiro. Play Music España. Tuition. Book, CD and DVD. Composed 2017. 40 pages. Play Music Spain #MUSMS0293. Published by Play Music Spain (BT.MUSMS0293).

Spanish.

Nuestro método presenta 50 l neas de bajo Rock en el estilo de las mejores bandas de ayer y de hoy (AC/DC, The Police, The Who, Guns ‘n’ Roses, Weezer, Foo Fighters, The Rolling Stones, Red Hot Chili Peppers, Led Zeppelin, Soundgarden, Aerosmith...). Además del placer que Vd experimentará al tocarlos, esos grooves y l neas de bajo le permitirán descubrir y trabajar todas las técnicas propias del bajo Rock: el toque linear a la corchea, los glissandos (largos o en apoyatura), los ligados ascendentes y descendientes, el uso de las cuerdas al aire, los saltos de cuerdas, los bends, la precisión r tmica, la energ a... El DVD v deo permite o r y visualizar las 50 l neasde bajo detalladamente, a velocidad normal y luego lenta, brindándole as la oportunidad de elegir los buenos ademanes, las digitaciones adecuadas y de tocar a compás. El CD mp3 presenta el mismo número de playbacks que de l neas de bajo. O sea 50 playbacks tocados en dos aires diferentes: el aire deseado (velocidad real) y el aire de estudio (lento). En el playback de velocidad real, el bajo está presente en el primer turnaround y luego desaparece para dejarle todo el protagonismo. Dichos playbacks son de larga duración (3 a 4 minutos cada uno) o sea ¡más de 7 horas de música en total!, para que pueda, tomándose su tiempo, trabajar en las mejores condiciones posibles.

Piano

SKU: BT.EMBZ7817

Parte prima (No. 1-50). By György Balla. By Domenico Scarlatti. EMB Urtext. Exam Material. Book Only. Composed 1977. 184 pages. Editio Musica Budapest #EMBZ7817. Published by Editio Musica Budapest (BT.EMBZ7817).

English-German-Hungari an.

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) An ABRSM syllabus title, 2013-14, Grade 6.

Die Sonaten bringen wir nicht nach Schwierigkeitsgraden geordnet, sondern in der Reihenfolge von Kirkpatricks Verzeichnis. Diese Anordnung entspricht annähernd der Entstehungszeit der Stücke. Dadurch ist es möglich die paarweise zusammengehörenden Sonaten der Auswahl nebeneinander zu stellen. Unsere Ausgabe folgt, von kleineren, notwendigen Umstellungen abgesehen, genau dem Originaltext und dem ursprünglichen Zeichensystem. Dies bezieht sich jedoch nicht auf den Fingersatz, der durchweg ein Vorschlag des Herausgebers ist.

Piano - intermediate

SKU: HL.49019351

Composed by Gabriel Faure. Arranged by Uwe Korn. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. Op. 50. 8 pages. Schott Music #ED21430. Published by Schott Music (HL.49019351).

ISBN 9790001188807. UPC: 884088948603. 9.0x12.0x0.076 inches.

The music of small forms was to become the focus of the French composer Gabriel Faure (1845-1924). In 1874, after many years spent in the 'provinces', the teacher of Camille Saint-Saens took the position of organist in Paris; later he worked not only as a church musician but as a teacher as well. In the summer of 1887 Faure wrote his Pavane Op. 50, originally intended for a concert providing light entertainment, which soon gained wide popularity as an orchestral setting without and with the chorus added by Faure. The romantic, slightly melancholy melody is a catchy tune which, thanks to the present arrangement, can now also be played on the piano.

Composed by Johann Sebastian Bach (1685-1750). Piano. Baroque, Classical. Softcover. 82 pages. Published by Hal Leonard

Must-Know Collection of Original and Arranged Treasures from 1600-1750. Composed by Various. Easy Piano Songbook. Baroque, Classical. Softcover. 106 pages. Published by Hal Leonard

Piano

SKU: FG.55011-642-9

Composed by Kalevi Aho. Solo part. Fennica Gehrman #55011-642-9. Published by Fennica Gehrman (FG.55011-642-9).

ISBN 9790550116429.

Kale vi Aho's Piano Concerto No. 2 is scored for a string orchestra comprising just twenty players. The first performance took place at the concluding concert of the 2003 Mantta Music Festival, in Vilppula Church on 29th June. The soloist was Antti Siirala and the strings of the Lahti Symphony Orchestra were conducted by Osmo Vanska. The demanding piano writing is primarily a consequence of Siirala's remarkable command of the 'Beethovenian-Lisztian-Br ahmsian' pianistic tradition. At times the piano part is lean and linear, but the work also contains multi-layered, full-toned piano textures and massive rolling octaves. The concerto requires great artistry on the part of the performer. The Second Piano Concerto lasts roughly half an hour and comprises three untitled movements played without a break. The first movement and the finale are extremely fast; these outer movements contain plenty of playful music. The slow second movement is more serious in tone, and its piano texture is very ample. The difficult cadenza at the end of the finale brings more serious emotions to the coda as well.

(Bach to Bartok). Arranged by Mark Nevin. For Piano Accompaniment. Music Sales America. Softcover. 108 pages