Composed by Tom Odell. Artist/Personality; Keyboard/Piano - Personality Book;...(+)
Composed by Tom Odell.
Artist/Personality;
Keyboard/Piano -
Personality
Book; Songbooks. Pop.
Book. 40
pages. Faber Music #12-
0571542778. Published by
Faber
Music
From the 17th, 18th, and 19th Centuries. Composed by Keith Snell. Neil A. Kjos P...(+)
From the 17th, 18th, and
19th Centuries. Composed
by Keith Snell. Neil A.
Kjos Piano Library,
Collection. Keith Snell
Series. Book and online
audio. Neil A. Kjos Music
Company #GP459. Published
by Neil A. Kjos Music
Company
By Frances Clark, Louise Goss, Sam Hollandd. Edited by Judi Gowe. Frances Clark ...(+)
By Frances Clark, Louise
Goss, Sam Hollandd.
Edited by Judi Gowe.
Frances Clark piano
method (early
intermediate). Level:
early intermediate. 28
pages. Published by
Alfred Publishing.
Early Intermediate Level Schirmer Performance Editions. Composed by Vario...(+)
Early Intermediate
Level Schirmer
Performance Editions.
Composed by Various.
Edited by Richard
Walters. Schirmer
Performance Editions.
Softcover. 198 pages.
Published by G. Schirmer
(HL.297099).
Piano SKU: BR.EB-9333 I The sun, the sea - II The earth: her dance - I...(+)
Piano
SKU:
BR.EB-9333
I The
sun, the sea - II The
earth: her dance - III
Clouds, winds, skies.
Composed by Christian
Mason. Solo instruments;
stapled. Edition
Breitkopf.
World
premiere of the piano
version: Orleans (8th
Int. Piano Competition of
Orleans ,,Brin d'herbe),
April 14, 2019
New
music (post-2000); Music
post-1945. Score.
Composed 2018/19. 28
pages. Duration 17'.
Breitkopf and Haertel #EB
9333. Published by
Breitkopf and Haertel
(BR.EB-9333).
ISBN
9790004187975. 9 x 12
inches.
Inspiring
Nature These three piano
pieces, composed for the
,,Concours, Brin d'Herbe
2019, may be performed
separately or as a
collection, in which case
they should be played in
the given order. Though
each piece is aimed at a
different technical level
(I. Elementary, II.
Advanced, III.
Intermediate), they have
a common artistic aim: to
connect musical
expression with poetic
inspiration. In
particular, these pieces
meditate on the emotional
connection between our
interior life and the
vast and varied
landscapes of the natural
world all around us.
While composing I found
myself re-reading
Kathleen Raine (one of my
favourite poets) and was
struck by her statement
(in the foreword to her
,,Selected Poems):
,,'Nature-poetry' is not
what we write about
nature, but rather the
language of images in
which nature daily speaks
to us of the timeless,
age-old mystery in which
we participate. Nature
communicates today what
it told the earliest of
humankind, and what it
will tell future
generations when our
modern high-rise cities
are no more. Meanings,
moods, the whole scale of
our inner experience,
finds in nature the
'correspondences' through
which we may know our
boundless selves. Nature
is the common, universal
language, understood by
all. What she says about
nature resonates with my
understanding of music,
which also sometimes
affords us an opportunity
to know 'our boundless
selves'. And I am
especially interested in
the way that sounds -
which, as vibrations in
the air, are another
aspect of nature - can
reveal and heighten our
sense of connectedness to
ourselves and our
surroundings. Each
movement is inspired by a
single stanza from the
poem ,,Amo Ergo Sum by
Kathleen Raine, and I
would encourage anyone
playing these pieces to
devote time to
internalising the words
as well as the music, for
they may contain the key
to an accurate
expression. As such, the
relevant words are quoted
at the start of each
score. ,,Inner Landscapes
is dedicated to Joe
Browning, Lexy Oliver and
Omar Shahryar. (Christian
Mason, 2018)
World
premiere of the piano
version: Orleans (8th
Int. Piano Competition of
Orleans ,,Brin d'herbe),
April 14, 2019.
Piano - Level 2 SKU: BA.BA11565 Composed by Leopold Kozeluch. Edited by C...(+)
Piano - Level 2
SKU:
BA.BA11565
Composed
by Leopold Kozeluch.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
anthology. Baerenreiter
Verlag #BA11565_00.
Published by Baerenreiter
Verlag (BA.BA11565).
ISBN 9790260109100. 31
x 24.3 cm inches.
Preface: Hogwood,
Christopher / Mark,
Ryan.
Leopold
Koželuch (also
Koželuh) was among the
leading musical figures
of 18th-century Vienna,
well-known in his day as
an excellent pianist and
piano teacher.
Six
delightful sonatas have
been selected from the
complete edition of his
piano sonatas published
by Bärenreiter
– namely the
easiest, as this album is
specifically aimed at
beginner and moderately
advanced pianists. The
edition includes Piano
Sonatas No. 37 in G
major, No. 47 in E-flat
major, No. 7 in D major,
No. 46 in C major, No. 10
in F major and No. 14 in
G major, inviting
pianists to explore the
piano music of the
Viennese Classic.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Piano Solo). Composed by Enrique Granados (1867-1916). Edited by Ulrich Scheide...(+)
(Piano Solo). Composed by
Enrique Granados
(1867-1916). Edited by
Ulrich Scheideler. For
Piano. Henle Music
Folios. Softcover. 88
pages. G. Henle #HN582.
Published by G. Henle
By Katherine Hoover (1937-). For Piano. The first performance of Thin Ice was ...(+)
By Katherine Hoover
(1937-). For Piano. The
first performance of
Thin Ice was given by
Gloria Chuang in a
recital at the hong Kong
Institute of Education,
in Hong Kong. Four days
later, on April 18th,
2010 the American
premiere was given by
Mirian Conti at St.
Peter's Church in New
York City. 11 pages.
Published by Papagena
Press
Harpsichord/piano SKU: BR.OB-5509-12 Urtext. Composed by Carl Phil...(+)
Harpsichord/piano
SKU:
BR.OB-5509-12
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
harpsichord/piano part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 16
pages. Duration 27'.
Breitkopf and Haertel #OB
5509-12. Published by
Breitkopf and Haertel
(BR.OB-5509-12).
ISBN
9790004338452. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
