SKU: BP.BP1388PS Composed by Dan Forrest. Sacred octavos. Beckenhorst Pre...(+)
SKU: BP.BP1388PS
Composed by Dan Forrest.
Sacred octavos.
Beckenhorst Press
#BP1388PS. Published by
Beckenhorst Press
(BP.BP1388PS).
Printed Copy.
Dan Forrest's new
solo piano arrangement of
Craig Courtney's Be Not
Afraid, released during
the COVID-19 pandemic.
Originally published for
SATB choir in 1992, the
original text (below,
based on Isaiah 43:1-4)
speaks deeply still
today. Dan's piano solo
version preserves all the
depth and comfort of the
original, for a solo
pianist.
Be not
afraid: for I have
redeemed you; Be not
afraid: I have called you
by name. When you pass
through the waters, I
will be with you; when
you pass through the
floods, they will not
sweep o'er you; when you
walk through the fire,
you will not be consumed;
you are mine, you are
precious in my
sight.
Piano Solo Collection. Composed by Dan Forrest. Arranged by Dan Forrest. Piano...(+)
Piano Solo Collection.
Composed by Dan Forrest.
Arranged by Dan Forrest.
Piano
collection. Collection.
Beckenhorst Press #PC27.
Published by Beckenhorst
Press
(Piano Reflections for Memorial Services). Edited by Jane Holstein. Arranged by ...(+)
(Piano Reflections for
Memorial Services).
Edited by Jane Holstein.
Arranged by Various. For
piano solo. General,
Funeral. Collection.
Published by Hope
Publishing Company
Arranged by Douglas E. Wagner. For Piano. Sacred. Level: (Moderate). Print Musi...(+)
Arranged by Douglas E.
Wagner. For Piano.
Sacred. Level:
(Moderate). Print Music
Collection (Piano
Collection). 28 pages.
Published by Hope
Publishing Company.
Piano SKU: BT.EMBZ8377 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano
SKU:
BT.EMBZ8377
Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 88
pages. Editio Musica
Budapest #EMBZ8377.
Published by Editio
Musica Budapest
(BT.EMBZ8377).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ14002 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14002
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 48
pages. Editio Musica
Budapest #EMBZ14002.
Published by Editio
Musica Budapest
(BT.EMBZ14002).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ8378 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano
SKU:
BT.EMBZ8378
Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 60
pages. Editio Musica
Budapest #EMBZ8378.
Published by Editio
Musica Budapest
(BT.EMBZ8378).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ8379 Composed by Gyorgy Kurtag. Contemporary Music. Boo...(+)
Piano
SKU:
BT.EMBZ8379
Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1979. 84
pages. Editio Musica
Budapest #EMBZ8379.
Published by Editio
Musica Budapest
(BT.EMBZ8379).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: HL.14036975 Piano Solo. Composed by Pelle Gudmundsen-ho...(+)
Piano
SKU:
HL.14036975
Piano
Solo. Composed by
Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Book
[Softcover]. 8 pages.
Music Sales #KP00638.
Published by Music Sales
(HL.14036975).
ISBN
9788759868010.
Danish.
Pelle
Gudmundsen-Holmgreen 3
EPIGRAMS'3 Epigrams'
(1963) came into
existence following my
piece for chamber
orchestra 'Chronos'
(1962). My purpose with
these pieces (and others
of the same period) was
to explore the sound
experiences of serialism
in space and time but
without using the
original and fundamental
substance of serialism -
the tone row. The
chromatic space was
constituted by four
identical and
complementary tone
columns (established by
transposition). The time
was divided into 25
different sizes,
plasticly conceived and
graphically notated.
These distances were then
divided in 25 new
distances in the same
proportions etc ... into
smaller and smaller
durations completely
hierarchally carried
through. This time
division, 'rhythm',
de-termines the gradual
or sudden shifts from one
tone column to
another.The 3 Epigrams
became a little play of
my own with this material
and the work is,
therefore, quite clear to
read and easy to play - a
kind of bagatelle,
really.I am now afraid
that a classic situation
is emerging: If this
programme note is any
longer it will take more
time to read this than it
will take to play the
three pieces.Pelle
Gudmundsen-Holmgreen.
Piano SKU: BR.EB-8795 Easy Piano Pieces about Water with the Keyboard ...(+)
Piano
SKU:
BR.EB-8795
Easy
Piano Pieces about Water
with the Keyboard
Crocodile. Composed
by V. (Hrsg.) Weinhandl
M. Schneider K. Daxbock.
Edited by Karin et al.
Daxbock. Solo
instruments; Softcover.
Edition Breitkopf.
No
more dry piano
lessonsSurging, flowing,
dripping - with Splash
the beloved Keyboard
Crocodile has finally
made it back to his
original habitat.
Music pedagogy. Score. 36
pages. Breitkopf and
Haertel #EB 8795.
Published by Breitkopf
and Haertel (BR.EB-8795).
ISBN 9790004182932. 9
x 12 inches.
German.
Obviously
the friendly little
reptile only feels truly
fit amidst original
literature, and you'll be
amazed to see how many
gently flowing or wildly
cascading pieces have
been produced over the
past two centuries.
You'll find pieces by
masters such as Czerny,
Schumann, Gurlitt and
Theodor Kirchner; some
white-water pieces from
William Gillock and Mike
Schoenmehl; and with the
Little Atlantic Rhapsody,
an ocean breeze will
sweep through every piano
lesson. No one has to be
afraid of water, however,
since Splash is also
ideal for non-swimmers!
The pieces are generally
a bit more demanding than
those in the Horses book,
but this definitely need
not dampen anyone's
enthusiasm. With this
book, learning the piano
goes swimmingly!
Piano SKU: BT.EMBZ14068 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14068
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 56
pages. Editio Musica
Budapest #EMBZ14068.
Published by Editio
Musica Budapest
(BT.EMBZ14068).
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. We should
trust the picture of the
printed notes and let is
exert its influence upon
us. The graphic picture
conveys an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
