Composed by Carlos Campos. Saddle stitch. Latin/Piano Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

By Carlos Campos. For Piano, Keyboards. This edition: Piano. Piano/keyboard Latin method. Latin. Level: Beginner. Book With Cd. 110 pages. Published by ADG productions.

Composed by Carlos Campos. Saddle stitch. Latin/Piano Instruction. Book and Downloadable audio. Duration 78 minutes. Published by ADG Productions

Piano (Piano)

SKU: HL.14013387

Composed by Ricardo Lamote De Grignon. Music Sales America. Classical. Book [Softcover]. 16 pages. Music Sales #UMP17971. Published by Music Sales (HL.14013387).

UPC: 884088443689. 9.25x12.0x0.088 inches.

'Piezas faciles' - Piano compositions of 1953 by R. Lamote de Grignon.

Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Piano

SKU: LM.29448

Composed by Regis Campo. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29448. Published by Editions Henry Lemoine (LM.29448).

ISBN 9790230994484.

1. Galaxies des cinq soleils (Galaxy of the Five Suns) - 2. Espaces infinis (Infinite Spaces) - 3. Petite galaxie (Little Galaxy) - 4. Galaxie en expansion (The expanding Galaxy) - 5. Galaxie des deux crabes martiens (Galaxy of the Two Martian Crabs) - 6. Galaxie du magicien (Galaxy of the Magician) - 7. Galaxie des arc-en-ciel inquiets (Galaxy of the Distressed Rainbows) - 8. Galaxie bizarre des mains croisees (Bizarre Galaxy of the Crossed Hands - 9. Galaxie des pulsars (Galaxy of the Pulsars).

Piano

SKU: CU.EC3460

Composed by Oscar Palermi. Published by Edizioni Curci (CU.EC3460).

By Ludwig van Beethoven (1770-1827). For Piano. Easy. Published by Editorial de Musica Boileau

Solo piano

SKU: LM.29333

Composed by Regis Campo. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29333. Published by Editions Henry Lemoine (LM.29333).

ISBN 9790230993333.

Piano

SKU: CU.MA3325

Composed by Franz Behr. Published by Edizioni Curci (CU.MA3325).

Piano

SKU: BO.B.1459

Composed by E. Miret De Escuriet. Published by Editorial de Musica Boileau (BO.B.1459).

Piano - Intermediate

SKU: LM.29652

Composed by Regis Campo. Score. Editions Henry Lemoine #29652. Published by Editions Henry Lemoine (LM.29652).

ISBN 9790230996525. 9 x 12 inches. Francais.

Instrumen tal Music.

Piano - Level 2

SKU: LM.29072

Composed by Regis Campo. Classical: 20th Century (Contemporary). Score. 16 pages. Editions Henry Lemoine #29072. Published by Editions Henry Lemoine (LM.29072).

ISBN 9790230990721.

Luci s et umbrae simplicitate (Simplicite de la lumiere et de l'ombre) - Rivi simplicitate (Simplicite du ruisseau) - Saxi et venti simplicitate (Simplicite de la pierre et du vent) - Tristis gaudii simplicitate (Simplicite de la triste joie) - Aerei et stellae simplicitate (Simplicite du cuivre et des etoiles).

Piano

SKU: LM.29270

Composed by Regis Campo. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29270. Published by Editions Henry Lemoine (LM.29270).

ISBN 9790230992701.

Composed by Regis Campo. For piano. Classical: 20th Century (Contemporary). Score. 5 pages. Duration 4 minutes. Published by Editions Henry Lemoine

By Regis Campo. For piano. Classical: 20th Century (Contemporary). Score. 12 pages. Published by Editions Henry Lemoine

Piano

SKU: LM.29229

Composed by Regis Campo. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29229. Published by Editions Henry Lemoine (LM.29229).

ISBN 9790230992299.

Siff lements, soufflements & percussion - Smiley.

By Regis Campo. For piano. Classical: 20th Century (Contemporary). Grade 5. Score. 6 (A3) pages. Published by Editions Henry Lemoine

Piano

SKU: LM.28950

Composed by Gerard Pesson. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #28950. Published by Editions Henry Lemoine (LM.28950).

ISBN 9790230989503.

PESS ON Gerard : Dans le genre eveille - COMBIER Jerome : In bocca al lupo - FONTCUBERTA Carlos : Borodine d'une autre maniere - PESSON Gerard : Cinq strophes et un salut... - PESSON Gerard : O Hands for Orlando ! - BABA Noriko : Harmonieux forgeron - LAGNAU Frederic : Je me souviens de do diese... - PESSON Gerard : Fabliau - PESSON Gerard : Messiaen contemplant le Mississipi - PESSON Gerard : Au drapeau angelinien - JAMET Julien : touche/coule - PESSON Gerard : Buvard - CAMPO Regis : Les harmonies doucement changent - PESSON Gerard : Origami Chopin - PESSON Gerard : Rimes polaires - DURIEUX Frederic : Empreintes - PESSON Gerard : L'avant-bras de Grenade - PESSON Gerard : Labyrinth in love - PESSON Gerard : Carillon pour Jules - PESSON Gerard : Loco et ses freres - CHOUILLET Denis : Between Bells - PESSON Gerard : Vison fugitif - BAILLY Mael : Qu'est-ce qu'on attend ? - PESSON Gerard : Un tribut a Johann Jakob Froberger - PESSON Gerard : Vinteuil, une page retrouvee.

Piano

SKU: BR.EB-8990

After R (A Portrait for Piano and Orchestra). Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf.

He re you will find the concerto R (A Portrait for Piano and Orchestra).

Solo concerto; Music post-1945; New music (post-2000). Score. Composed 2015. 36 pages. Duration 15'. Breitkopf and Haertel #EB 8990. Published by Breitkopf and Haertel (BR.EB-8990).

ISBN 9790004187197. 9 x 12 inches.

A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com).

Piano

SKU: BR.EB-9428

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2021. 8 pages. Duration 4'. Breitkopf and Haertel #EB 9428. Published by Breitkopf and Haertel (BR.EB-9428).

ISBN 9790004189054. 9 x 12 inches.

The Travel Preludes are three short pieces ideally conceived for opening a concert.The first, Urgent Call, is like a bell calling the audience and stressing the importance - and at times the urgency - of making music. The second prelude, The Art of Taking a Seat, has to do with that carefulness, kindness and attention the attendance of a concert requires from the audience. Because to take a seat, to concentrate and to open heart and mind to the music is an art everybody should practice. The third piece, In Praise of Discretion, is an homage to all those musicians, who enter the stage without pretensions or theatrics, being able to concentrate on nothing but the music itself. (Nicola Campogrande, July 2021 ). Sono tre brevi pagine, idealmente pensate per aprire un concerto. La prima, Urgent call, e come un campanello che richiama il pubblico e gli ricorda in modo deciso quanto sia importante - e talvolta davvero urgente - la pratica della musica. La seconda, The Art of Taking a Seat, ha a che fare con la cura, il garbo, l'attenzione che si richiedono a chi assiste a un concerto. Perche sedersi, concentrarsi, aprire il cuore e il cervello alla musica sono davvero un'arte che tutti dovrebbero conoscere. La terza, In Praise of Discretion, e un elogio agli interpreti che salgono sul palcoscenico senza enfasi, senza teatralita, e sanno concentrarsi sulla musica. (Nicola Campogrande, luglio 2021)

World premiere: Cernobbio/Italy, Piazza del Risorgimento, July 1, 2021.

Composed by Heitor Villa-Lobos (1887-1959). For piano. Music For Millions: Volume 62. Format: piano solo book. 20th century. 166 pages. 9x12 inches. Published by Music Sales.

DVD. Performed by Donald Fagen. Homespun Tapes (Instructional). DVD (Digital Video Disk). Size 5.5x7.5 inches. Published by Homespun.

Selected Works for the Piano. Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition. Latin; Masterwork. Level: Intermediate / Early Advanced. Book. 80 pages. Published by Alfred Publishing.