The Piano Bench Of Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's greatest inventions, movements, nocturnes, valses, mazurkas, intermezzos, romantic short pieces, impressionist works, and light classics - as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas and ballets by the master composers of the past four centuries. / Piano

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Piano

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Piano

Avec la série de films Harry Potter maintenant terminée, Alfred Music Publishing et Warner Bros Entertainment sont fiers de vous présenter les pièces musicales de huit films épiques dans un seul volume piano Partition de collection de musique. Pour la première fois, 36 sélections partitions de John Williams, Patrick Doyle, Nicholas Hooper, et Alexandre Desplat sont collectées avec huit pages d'alambics couleurs de l'école des sorciers à Reliques de la Mort, Partie 2. À la demande générale, 'Leaving Poudlard' de l'école des sorciers apparaît dans le journal de cette collection pour la première fois. C'est un cadeau parfait pour intermédiaire à pianistes de niveau avancé de tous âges qui aiment la musique de Harry Potter. / Piano

Alberto Iglesias began his film music career in the 1980s. His early pieces were for modest Spanish productions, several of them shorts, but an alliance with Julio Medem would take him on to bigger things in the 1990s. / Piano

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano

for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'one of the worlds leading young composers' and by the New York Times for having “a distinctive style. ” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls “Dimensionalism. ” Huang Ruo’s diverse compositional works span fromorchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film. / Niveau : Intermédiaire / Répertoire / Piano

Tagebucheintragungen, persönliche Botschaften. Par KURTAG GYORGY. The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well.Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way./ Etude / Piano

Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your piano playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes, and duets too - this carefully graded volume is guaranteed to liven up your practice no end. So whether practising at home or performing to your friends, take you playing to another with Step It Up! - and prepare to step up a grade at the same time! Pamela Wedgwood writes as Louise Chamberlain for the Step It up! Series. She is recognised around the world as one of the UK's most prolific and successful composers of popular repertoire for young instrumentalists. / Instrumental Music / Etude / Piano

Par ROZYCKI LUDOMIR. It is surprising that in undoubtedly too few publications discussing the life and art of Ludomir Rózycki the attention is paid primarily to his operatic and symphonic works, while piano pieces as well as chamber music are pushed to the margins, analysed incidentally. Meanwhile, they constitute a significant part of his legacy. Rózycki was a composer who magnificently operated with changing moods; he painted colourful musical pictures, packed with symbols, meanings, inspirations, depicting his brilliant imagination and stimulating the minds of his listeners. A cumulation of all these elements of his style in solo and chamber pieces is indeed a sign of his technique. The presented volume, consisting of the poems for the piano, is a great example of it. The publication intended for professional pianists. / Date parution : 2023-10-31/ Recueil / Piano

Par DIVERS AUTEURS (ARR.HEUMANN HANS-GUENTER). Following the success of the first volume of Best of Piano Classics (ED 9060), Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years. The contents include great works from Bach to Gershwin, ranging from chamber music, symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century, from 'Air' to 'Rhapsody in Blue'. With fingerings, tempo and pedal suggestions added, these appealing arrangements for advanced players are in easy to read modern printed scores. Recommended not only for tuition purposes, but for all those who enjoy playing the piano in their leisure time./ Répertoire / Piano

This collection presents a selection of Franz Schubert's works that will delight every pianist. In addition to the Longing Waltz and the popular Impromptu in E-flat major, the volume also contains arrangements of his best-known symphonies, chamber music works and songs. All pieces have an intermediate level of difficulty and have been supplemented with fingerings and metronome suggestions. The reader-friendly print is recommended not only for lessons but also for all amateur piano players.Sehnsuchts-Walzer As-Dur, D 365/2Ländler A-Dur, D 366/1 - Ländler B-Dur, D 378/4 - Ecossaise h-Moll, D 145/8Ecossaise G-Dur, D 145/9 - Walzer E-Dur, D 145/1 - Ecossaise As-Dur, D 421/1 - Variation über einen Walzer von A. Diabelli in c-Moll, D 718 - Valse sentimentale G-Dur, D 779/3 - Valse sentimentale A-Dur, D 779/13 - Deutscher Tanz D-Dur, D 783/2 - Deutscher Tanz B-Dur, D 783/7 - Grazer Walzer A-Dur, D 924/10 - Valse noble G-Dur, D 969/4 - Impromptu Es-Dur, D 899/2 - Impromptu As-Dur, D 899/4 - Moment musical C-Dur, D 780/1 - Moment musical f-Moll, D 780/5 - Impromptu As-Dur, D 935/2 - Klaviersonate A-Dur, D 959 2. Satz - Sinfonie Nr. 5 B-Dur, D 485 1. Satz - Sinfonie Nr. 7 h-Moll „Unvollendete“, D 759 1. Satz - Sinfonie Nr. 8 C-Dur „Die Große“, D 944 1. Satz - Heidenröslein, D 257/3 - Ave Maria, D 839/6 - Der Lindenbaum, D 911/5 - Ständchen, D 957/4 - Forellenquintett, D 667 4. Satz - Der Tod und das Mädchen / Streichquartett d-Moll, D 810 2. SatzBallettmusik „Rosamunde“, D 797 - Sanctus, D 872/5 / Piano / Schott

for pianist(s). Par TAKEMITSU TORU. Corona for pianist(s) premiered by Yuji Takahashi andToshi Ichiyanagi in Tokyo on February 1962. It is an experimental classical composition and the player is requested to play the music though he is at liberty to repeat the same piece if necessaryand not to follow the numerical order. Toru Takemitsu tends to the universal through the large range of forms and instrumental groups that he has handled: orchestral music with or without a soloist, aleatory music, vocal and choral music, chamber music or music for soloists, scenic or electronic music. / Niveau : Intermédiaire / Répertoire / Piano

Canon in D is the most famous piece of music by Johann Pachelbel, written in or around 1680 as a piece of chamber music for three violins and basso continuo. Willard A. Palmer's simplified arrangement is for the intermediate pianist. / Piano