Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, bassoon, trumpet, 2 horns, trombone, timpani, percussion, 2 violins, viola, cello/double bass, jazz bass, piano

SKU: CA.1060103

Szenische Kantate in zwei Akten. Composed by Peter Schindler. German title: Sonne, Mond und Sterne. Lieder for choir, Sacred vocal music - Jazz, Cantatas. Vocal score. Duration 110 minutes. Carus Verlag #CV 10.601/03. Published by Carus Verlag (CA.1060103).

ISBN 9790007132996. Language: German.

In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler. Score available separately - see item CA.1060100.

Piano

SKU: ZB.ZE-5044

Jazz-Magnificat for gem. Chor (SAM) and Band. Composed by Christoph Schoepsdau. Jazz-Magnificat for gem. Chor (SAM) and Band. Sacred Jazz. Piano score. Zebe Publishing #ZE 5044. Published by Zebe Publishing (ZB.ZE-5044).

A Magnificat in Funk, Jazz and Soul Sound for Mixed Choir (SAM) and Band. A special alternative for the Advent concert! The performance time of the seven English-language movements is around 40 minutes. Piano Score.

A wider sound space, which is no longer so foreign to the congregations, opens up - for those who play and listen ... An inspiring alternative for the Advent and Christmas season. (Musica Sacra).

Piano - Grade 5

SKU: ET.PNO102

Composed by Richard Lane. Contemporary. Editions BIM #PNO102. Published by Editions BIM (ET.PNO102).

ISBN 9790207009760.

The first movement has a dreamy and dramatic impressionistic quality, whereas the second movement is deeply melancholy and religious sounding. The third movement is playful with pulsating rhythms, which demonstrate a symphonic jazz feel.
In 1963, at the age of thirty, Lane quickly formed up a close friendship with Paul Van Ness through their involvement with the Ridgewood Orpheus Glee Club (NJ), an all-male choir for which Lane was appointed accompanist. Lane maintained the accompanist position for this group for forty-one years until his death in 2004. Lane dedicated his Sonata 2 to Van Ness as a high school graduation present in 1965. During this period Lane also composed a piano suite for four hands, and a fantasy for piano and orchestra, along with other solo instrumental, choral and orchestral works. Van Ness performed the world premiere of Piano Sonata 2 at his Senior Recital in 1969, five years after its conception, at the Eastman School of Music, Lane’s alma mater. Karl Tricomi, another student of Lane’s and also graduate of the Eastman School of Music performed this second Sonata in 1976 at Carnegie Hall (NY) as well.