Pomp And Circumstance * Masterpiece Edition composed by Edward Elgar (1857-1934). Arranged by Russ Lombardi. For piano solo. Solo. Masterpiece Edition series. Classical. Intermediate. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Works include: Pachelbel's Canon in D; Elgar's Pomp and Circumstance, and the Wedding March from Mendelssohn, among others. Level: Elementary - Intermediate. Book. Published by The FJH Music Company Inc.

Piano - Level 2

SKU: LM.26419

Composed by Hans Gunter Heumann. Classical. Score and CD. Editions Henry Lemoine #26419. Published by Editions Henry Lemoine (LM.26419).

ISBN 9790230964197.

BIZE T : Les Toreadors (Carmen) - BEETHOVEN : Concerto pour piano n. 3 Op.37 (theme du 2e mvt) - ELGAR : Land of Hope and Glory (Pomp and Circumstance) - GIORDANI : Caro mio ben - HAENDEL : Rigaudon - LLOYD WEBBER : Memory (Cats) - OFFENBACH : Barcarolle (Contes d'Hoffmann) - Cancan (Orphee aux enfers) - PACHELBEL : Canon - PUCCINI : E Lucevan le stelle (Tosca) - SCHUBERT : Serenade (Chant du cygne) - Valse Op.18a - STRAUSS (fils) : Valse de l'Empereur - TCHAIKOVSKI : Concerto pour piano n. 1 Op.23 (theme du 1e mvt) - TRADITIONNEL : Midnight Special - The House of the Rising Sun.

Pomp and Circumstance * Easy Favorite composed by Edward Elgar (1857-1934). Arranged by Steven Paul. For easy piano solo. Solo. Easy Favorite series. Classical. Easy. Sheet Music. Text Language: English. 2 pages. Published by Santorella Publications

Piano - easy to intermediate

SKU: HL.49018409

Piano Solo. Composed by Edward Elgar. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, March. Op. 39/1. 10 pages. Schott Music #ED09885. Published by Schott Music (HL.49018409).

ISBN 9790001175654. UPC: 841886016361. 9.25x12.0x0.045 inches.

A 'Last Night of the Proms' without this march - unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857-1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.

By Sir Edward Elgar. Arranged by John W. Schaum. For Piano. Piano Solo. Level: Intermediate (grade IV). Sheet. 8 pages. Published by Alfred Publishing.

Piano

SKU: BR.EB-9412

12 Piano Pieces - Urtext. Composed by Joachim Raff. Edited by Ulrich Mahlert. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 56 pages. Duration 30'. Breitkopf and Haertel #EB 9412. Published by Breitkopf and Haertel (BR.EB-9412).

ISBN 9790004188866. 9 x 12 inches.

Joachim Raff's 12 piano pieces Fruhlingsboten op. 55, originating in 1852/53, mark a new creative start in his compositional oeuvre, in which the composer left behind his previously written and published piano works. The title of the work, translated as Heralds of Spring, is multilayered: It refers not only to spring in nature as expressed in the headings of the first two pieces, Winterruhe [Hibernation] and Fruhlingsnahen [Spring's Approach], but the words Heralds of Spring also indicate love's spring, the blossoming of love for his future wife, the actress Doris Genast. This appears in the headings of the pieces as of no. 3, sketching the path of an imaginary couple approaching union via various annoyances. And ultimately, Raff saw in his new piano work the harbingers of his future works, created under happy circumstances. In Fruhlingsboten Raff repeatedly demonstrates his ability to adapt idioms and compositional techniques from works by Liszt, Chopin, Mendelssohn, Schumann, and others. The pieces do nonetheless possess their own thoroughly original diction with a character spectrum just as diverse as their stylistic piano design. Mahlert's new edition, as beautifully presented as ever from this publisher, is exemplary, and can easily be recommended to advanced pianists with a love of nineteenth-century repertoire. Superb.(Andrew Eales, Pianodao).

Piano

SKU: HL.48024396

Piano. Composed by Sergei Bortkiewicz. BH Piano. Classical. Softcover. 24 pages. Simrock #M221122391. Published by Simrock (HL.48024396).

ISBN 9783923051540. UPC: 196288199489. 9.0x12.0x0.93 inches.

Sergei Bortkiewicz (1877-1952) continued the late-Romantic piano tradition with great melodic talent. After studying in St. Petersburg with Anatoly Lyadov and in Leipzig with the Liszt pupil Alfred Reisenauer, the native Ukrainian settled in Berlin. Political times blocked his career several times. Only in 1945 he was able to regain his footing in Vienna. The Fantasy Pieces for Piano op. 61 were to be printed in 1949 by the music publishers Benjamin, but again the political circumstances were not favorable for Bortkiewicz. In 2013, the manuscript was discovered in the Saxon State Archive Leipzig. This first edition finally makes Bortkiewicz's highly pianistic pieces accessible. The fantasy pieces do not deny the role models Chopin, Rachmaninoff and Tchaikovsky and bribe with Slavic tinted melancholy, paired with Viennese charm.

Piano

SKU: AP.12-0571539181

Composed by Fanny Waterman. Reference Textbooks; Textbook - Piano. Faber Edition. Book. Faber Music #12-0571539181. Published by Faber Music (AP.12-0571539181).

ISBN 9780571539185. English.

Faber Music is celebrating Dame Fanny Waterman's fundamental and vast contribution to music education with the release of her autobiography, Dame Fanny Waterman: My Life in Music. It tells the extraordinary story of one of the twentieth century's most inspirational British women. Born into an artistic family in impoverished circumstances, her prodigious musical talent and sheer determination were her passport out of hardship, leading to recognition as one of the most talented young pianists of her generation. Her emergence as a visionary teacher leads to the founding of the Leeds International Piano Competition and relationships with many internationally renowned pianists whose lives she has touched through her work. Interwoven throughout the story, Dame Fanny shares her inspirational philosophies on life, learning, and music, and her compelling, utter passion for the piano.

Piano - intermediate

SKU: BT.WA-4089-401

Composed by Claude Debussy. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 4 pages. The Walsh Collection #WA 4089-401. Published by The Walsh Collection (BT.WA-4089-401).

ISBN 9789043141963. English.

This beautiful melody from the French master of romance makes an ideal piano which can be used in a great variety of circumstances from weddings to funerals.

Composés entre 1909 et 1912, les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Elles révèlent une grande diversité de styles, de textures, de climats et d’émotions, et constituent un condensé de toutes les particularités du langage de Debussy. La Fille aux Cheveux de Lin est le huitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin, mais cette miniature merveilleusement subtile réveille notre imaginaire.

Piano

SKU: HL.48024719

Piano. Composed by Esa Pietilä. BH Piano. Classical. Softcover. Fennica Gehrman #M550114562. Published by Fennica Gehrman (HL.48024719).

UPC: 888680955625.

This work is inspired by the light and its behavior in different circumstances, appearances and soundings. The three movements are played together attacca.

Composed by Guy Van Nueten. Keyboards - Piano. Metropolis Music Publishers #PN7320EM. Published by Metropolis Music Publishers

Piano solo

SKU: HH.HH566-SOL

Composed by J.N. Hummel and Wolfgang Amadeus Mozart. Edited by Sarah Jenner. Playing score. Edition HH Music Publishers #HH566-SOL. Published by Edition HH Music Publishers (HH.HH566-SOL).

ISBN 9790708185819.

Moza rt’s final three symphonies were composed, according to Mozart’s autograph Verzeichnüß, in the space of a few weeks, from late June to early August 1788. During that year the 11-year-old Hummel was a resident pupil of Mozart and would have been a daily witness to the creation of these foundational works of the Western musical canon. There is an almost total lack of documentary evidence concerning the circumstances of these works, however, which has led to considerable speculation as to their origins, early performances and reception. There are three plausible scenarios for the genesis of these symphonies: that they were written for a series of subscription concerts scheduled for autumn 1788; that Mozart wrote them with the (unfulfilled) intention of publication as an opus; that they may have been prepared in advance of Mozart’s projected visit to London with his British friends the Storace family, Thomas Attwood and Michael Kelly (again unfulfilled). A contemporaray review in The Harmonicum (1823) of Hummel’s piano arrangements of these works notes, approvingly, that they show his perfect knowledge of the instrument and his nice [= fastidious] discrimination in selecting the most effective parts from the score in those places where the whole could not be taken.

Piano solo

SKU: HH.HH531-SOL

Composed by J.N. Hummel and Wolfgang Amadeus Mozart. Edited by Sarah Jenner. Playing score. Edition HH Music Publishers #HH531-SOL. Published by Edition HH Music Publishers (HH.HH531-SOL).

ISBN 9781914137280.

Moza rtâ??s final three symphonies were composed, according to Mozartâ??s autograph VerzeichnüÃ?, in the space of a few weeks, from late June to early August 1788. During that year the 11-year-old Hummel was a resident pupil of Mozart and would have been a daily witness to the creation of these foundational works of the Western musical canon. There is an almost total lack of documentary evidence concerning the circumstances of these works, however, which has led to considerable speculation as to their origins, early performances and reception. There are three plausible scenarios for the genesis of these symphonies: that they were written for a series of subscription concerts scheduled for autumn 1788; that Mozart wrote them with the (unfulfilled) intention of publication as an opus; that they may have been prepared in advance of Mozartâ??s projected visit to London with his British friends the Storace family, Thomas Attwood and Michael Kelly (again unfulfilled). A contemporaray review in The Harmonicum (1823) of Hummelâ??s piano arrangements of these works notes, approvingly, that they show his perfect knowledge of the instrument and his nice [= fastidious] discrimination in selecting the most effective parts from the score in those places where the whole could not be taken.

(Vier Marsche, Op. 76). By Robert Schumann. Edited by Ernst Herttrich. For piano solo. This edition: Urtext edition. Henle Music Folios. Solo book, paperbound. 34 pages

Piano solo

SKU: HH.HH131-SOL

Composed by Jeremy Arden. Piano Solo. Playing score. Duration 27 minutes. Edition HH Music Publishers #HH131-SOL. Published by Edition HH Music Publishers (HH.HH131-SOL).

ISBN 9790708041672.

Infi nite Sets And Double Binds is a term coined by Margaret Arden in her book The Midwifery Of The Soul(1). It refers to the circumstances of human relationships where communications are so full of emotional confusions that people drive one another mad. Let me say here that there is no direct equivalence between the psychoanalytical theory and the music and I certainly don’t want to drive listeners to madness.

Composed by Ludwig van Beethoven (1770-1827). Edited by Bertha Antonia Wallner. Henle Music Folios. Classical. Softcover. 12 pages. G. Henle #HN1311. Published by G. Henle (HL.51481311).

Piano

SKU: BR.SON-510

Klaviermusik Band 1. Composed by Hanns Eisler. Edited by Christoph Keller and Johannes C. Gall. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 192 pages. Breitkopf and Haertel #SON 510. Published by Breitkopf and Haertel (BR.SON-510).

ISBN 9790004803356. 9 x 12 inches.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

By Martino Bohuslav. Czech title: Loutky III (nove, revidovane vyd.). Published by Praha.

Piano - Grade 4

SKU: FA.MFCD007PN

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical, Impressionistic. Score. Musik Fabrik #MFCD007PN. Published by Musik Fabrik (FA.MFCD007PN).

8.27 x 11.69 inches.

Debussy's friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bedier's adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner's Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its 'legendary character' and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan's death. Even if he thought that Mourey's poetry was 'not very lyrical and many passages do not exactly invite music', he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, 'one of the 363 themes for the Roman de Tristan' in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussy's dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy's opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunat ely, Mourey's actual libretto has been lost and the project eventually foundered because Bedier's cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey's version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Piano

SKU: FG.55011-456-2

Composed by Esa Pietila. Fennica Gehrman #55011-456-2. Published by Fennica Gehrman (FG.55011-456-2).

ISBN 9790550114562.

Thre e Strides of Light is inspired by the light and its behaviour in different circumstances, appearances and surroundings. The work is in three movements, but they are played together attacca.

The first movement starts off with a headstrong theme on the left hand. This motif has persistent momentum, like a train, and one could think of it as the rays of a setting sun. The beams are straight and relentlessly penetrate our eyes. The seven-bar repetition on the left hand supports this mental image, until the repetition ends and a new thematically central motive starts to emerge, bringing new kind of texture for the last rays and dance of the setting sun. At the end, the light vanishes into the night.

Second movemement, slow rubato, depicts the first rays of the rising sun, they drop behind a morning cloud into the day, growing, developing and becoming yet faster. Eventually the day opens up in all of it sunny glory. The music leads us towards the third movement, in which one bathes in the rays of the sun. The repetative motive of the first movement returns, but by now it has been transformed into something else. A pensive quintuplet-passage emerges, paving ground for the final themes of the work. The ending of the work is thick in sound, depicting the relentless glare of the sun and the heat sun creates. Within the entire work, one can imagine to have gone through a whole 24-hour period on the sea, in which the three strides of light are apparent in different parts of the day.

Des musiques de soie. Composed by Francis Poulenc (1899-1963). Classical. Book Only. Composed 2021. 8 pages. Editions Salabert #SLB 02048200. Published by Editions Salabert

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

(Easy Piano). For Piano. This edition: Easy Piano. Book; Masterworks; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Masterwork Arrangement; Recital. Easy Piano. 296 pages. Published by Alfred Music

Piano - Easy-Intermediate

SKU: YM.GTP01098166

Keyboard. Arranged Classic. Score. Yamaha Music Media #GTP01098166. Published by Yamaha Music Media (YM.GTP01098166).

ISBN 9784636981667.

Ther e are many music sheet books available for children, but not many for adults who have just started playing the piano. The Otona Piano series is designed for those adults who are beginner piano players.
Here is a great piano collection for those who want to take their piano playing to the next level! It is also a great selection for live performances!