Piano SKU: HU.HN131 Composed by Frederic Chopin. Edited by Ewald Zimmermann. Pi...(+)
Piano
SKU: HU.HN131
Composed by Frederic
Chopin. Edited by Ewald
Zimmermann. Piano Solo,
Piano and Keyboard,
Repertoire, Solos.
Waltzes. Classical,
Romantic. Softcover Book.
112 pages. G. Henle
#HN131. Published by G.
Henle
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano
SKU:
PR.701175060
Arranged
by Edison Quintana.
Peermusic Classical
#70117-506. Published by
Peermusic Classical
(PR.701175060).
UPC:
888680101268.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano
SKU:
PR.701185010
Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010).
UPC:
888680101275.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Piano Solo SKU: HL.51481158 Piano Solo. Composed by Sergei Prokovi...(+)
Piano Solo
SKU:
HL.51481158
Piano
Solo. Composed by
Sergei Prokoviev. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 48 pages. G.
Henle #HN1158. Published
by G. Henle
(HL.51481158).
UPC:
196288209164.
9.0x12.0x0.172
inches.
Prokofiev
did not compose his
Visions fugitives â?? 20
â??fleeting visionsâ?
â?? in one go, but in
clusters between 1915 and
1917, immediately before
the Russian Revolution
that compelled him to
leave his native country
in 1918. We know from his
diaries that at least
some of them owe their
existence to
extra-musical impulses.
Thus several pieces were
inspired by people close
to him. Others impart his
emotional reaction to the
political situation with
its menacing brutality.
According to his own
statement, for example,
no. 19 â??was inspired
by the events of February
1917 in Petrogradâ?,
during the Revolution's
first phase. Technically
the pieces are not too
demanding, and are also
often used in teaching.
They now appear for the
first time in an Urtext
edition that considers
all the musical sources
created during the
composer's lifetime. In
his preface, Prokofiev
specialist Simon Morrison
provides biographical
context for the genesis
of this fantastic piano
cycle.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 ? 3 languages with a
description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano - Grade 3 SKU: FA.MFGT056 Composed by Germaine Tailleferre. Piano M...(+)
Piano - Grade 3
SKU:
FA.MFGT056
Composed
by Germaine Tailleferre.
Piano Music by
Tailleferre.
Classical : Modern.
Score. Musik Fabrik
#MFGT056. Published by
Musik Fabrik
(FA.MFGT056).
Revolutions-Etude. Composed by Frederic Chopin (1810-1849). Edited by Emil von S...(+)
Revolutions-Etude.
Composed by Frederic
Chopin (1810-1849).
Edited by Emil von Sauer.
Arranged by Emil Sauer.
This edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical.
Composed 1831. Op. 10,
No. 12. 12 pages. Schott
Music #ED09574. Published
by Schott Music
Based On William Biling's Hymn and Marching Song of the American Revolution. By ...(+)
Based On William Biling's
Hymn and Marching Song of
the American Revolution.
By William Schuman. Solo
piano. For piano.
Classical. Solo part. 14
pages. Published by
Theodore Presser Company.
Piano - intermediate SKU: HL.49019256 Piano. Composed by Martin Mu...(+)
Piano - intermediate
SKU: HL.49019256
Piano. Composed by
Martin Mundo. Arranged by
Herbert Bonewitz. This
edition: Saddle
stitching. Sheet music.
Piano. Classical.
Softcover. 24 pages.
Duration 10'. Hal Leonard
#ED21299. Published by
Hal Leonard
(HL.49019256).
ISBN
9790001180566.
Wer
kennt es nicht, das
beruhmte Mainzer
Fastnachtslied Heile,
heile Gansje. Weit uber
die Fastnachtsthematik
hinaus wurde es zum Trost
spendenden Lied, das zu
allen moglichen Anlassen
gesungen wird. Herbert
Bonewitz nimmt diese
Melodie mit auf eine
humorvolle Reise durch
die Musikgeschichte und
verbindet sie mit
beruhmten Kompositionen.
Oder haben gar Bach und
Mozart die Melodie schon
gekannt? Jedenfalls
findet sie sich wieder in
Bachs Invention Nr. 13,
Beethovens 5. Sinfonie
und Mondscheinsonate,
Mozarts Nachtm7usik,
Chopins Revolutionsetude,
Debussys Claire de lune,
Liszts Ungarischer
Rhapsodie Nr. 1 und
Tschaikowskys
Klavierkonzert b-Moll.
Ein Spass fur alle
Pianisten, zum eigenen
Vergnugen oder als Zugabe
geeignet.