with a Preface by Fr. Lesure. By Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: V and 14. Urtext edition-paper bound. Published by G. Henle.

By Claude Debussy (1862-1918). Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Advanced (grade 6 ). Book. 32 pages. Published by Alfred Music Publishing

By Claude Debussy (1862-1918). Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Advanced (grade 6 ). Book. 32 pages. Published by Alfred Music Publishing

By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

By Claude Debussy. Keyboard. Level: Advanced (6 ). Published by Alfred Publishing.

By Claude Debussy. Piano Collection. Book only. 240 pages. Published by G. Schirmer, Inc.

Composed by Claude Debussy (1862-1918). Collection for solo piano. 175 pages. Published by Dover Publications.

Piano Solo. Composed by Claude Debussy (1862-1918). Edited by Edmond Lemaître. MGB. Softcover. 40 pages. Editions Durand #DD16230. Published by Editions Durand

By Claude Debussy (1862-1918), edited by Claude Helffer, Roy Howat. Collection for solo piano. 139 pages. Published by Editions Durand.

with a Preface by Fr. Lesure. By Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: VII and 21. Urtext edition-paper bound. Published by G. Henle.

with a Preface by Fr. Lesure. By Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: VI and 28. Urtext edition-paper bound. Published by G. Henle.

Composed by Claude Debussy (1862-1918). For piano. Format: piano solo book. With thematic index. Impressionistic. 136 pages. 9x12 inches. Published by Schirmer.

By Claude Debussy. For piano. Collection. 64 pages. Published by Dover Publications.

Piano. By Claude Debussy. Arranged by Roy Howat. (Piano). Editions Durand. Book only. Published by Durand.

Composed by Claude Debussy (1862-1918), edited by Hans Swarsenski. Instrumental solo book for solo piano. With editors notes. Composed 1900-10. 56 pages. Published by C.F. Peters.

By Claude Debussy. Keyboard. Size 8 3/8 x 11 1/4. 128 pages. Published by Dover Publications.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

By Claude Debussy. For Piano. Piano Collection. Masterwork. Book. 80 pages. Published by Alfred Publishing.

Piano - intermediate

SKU: BT.WA-4089-401

Composed by Claude Debussy. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 4 pages. The Walsh Collection #WA 4089-401. Published by The Walsh Collection (BT.WA-4089-401).

ISBN 9789043141963. English.

This beautiful melody from the French master of romance makes an ideal piano which can be used in a great variety of circumstances from weddings to funerals.

Composés entre 1909 et 1912, les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Elles révèlent une grande diversité de styles, de textures, de climats et d’émotions, et constituent un condensé de toutes les particularités du langage de Debussy. La Fille aux Cheveux de Lin est le huitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin, mais cette miniature merveilleusement subtile réveille notre imaginaire.

Composed by Claude Debussy (1862-1918). Masterworks; Piano Collection. Kalmus Edition. Impressionistic; Masterwork. Book. 32 pages. Kalmus Classic Edition #00-K09956. Published by Kalmus Classic Edition

World's Favorite Series #74. By Alexander Shealy. By Claude Debussy (1862-1918). Edited by Alexander Shealy. World's Favorite (Ashley). Classical. Book Only. Composed 2005. 159 pages. Music Sales #MUSAS10074. Published by Music Sales

By Claude Debussy (1862-1918). Edited by Maurice Hinson. For Piano. Masterworks; Piano Collection. Alfred Masterwork Edition. Form: Prelude. Impressionistic; Masterwork. Advanced; Early Advanced; Late Intermediate. Book. 40 pages. Published by Alfred Music Publishing

Piano - Level 2

SKU: LM.27938

Composed by Michel Leclerc and Thierry Masson. Michel Leclerc. Pop, jazz. Score and CD. Editions Henry Lemoine #27938. Published by Editions Henry Lemoine (LM.27938).

ISBN 9790230979382.

LE FORESTIER Maxime : Education sentimentale - La Visite - Ambalaba - DUTEIL Yves : La Tarentelle - L'opera - Le petit pont de bois - MITCHELL Eddy : La derniere seance - Couleur menthe a l'eau - J'ai oublie de l'oublier - NOUGARO Claude : Le Jazz et la java - Armstrong - Toulouse.

SKU: HL.346528

For Piano. Composed by Olivier Messiaen. Edited by Roger Muraro. Piano. Softcover. Alphonse Leduc #AL30829. Published by Alphonse Leduc (HL.346528).

ISBN 9781540094223. UPC: 840126924565.

Aroun d 1960, Olivier Messiaen began a large-scale concerto based on the birds of the Herault region (Oiseaux de l'Herault) for piano, various soloists and orchestra. Although the project remained unfinished, the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro, a renowned interpreter of Messiaen's piano works, with organizing the sketches and manuscripts found in the composer's archives. This new publication emerged from Muraro's research. The study that opens the volume describes his methods in detail, discussing, among other issues, the relationship of this work to the later Sept Haikai. Richly illustrated with a number of facsimiles, musical examples and photographs, Muraro's introduction retraces the origins and historic context of the work, invites the reader to enter the composer's workshop, and offers suggestions for performance. Fauvettes de l'Herault - Concert des garrigues for solo piano is a concerto without orchestra that blends reference to Claude Debussy, a thinly veiled homage to Yvonne Loriod, new birdsong from the Herault region, and the vast palette of rhythm, timbre, and colour that are typical of Olivier Messiaen's musical universe.

(Schirmer's Library of Musical Classics Volume 2105). By Claude Debussy (1862-1918). For Piano. Piano Collection. 488 pages. Published by G. Schirmer

(Pour L'oeuvre Du 'vetement Du Blesse'), Piano Solo. By Claude Debussy. Solo piano. For Piano Solo. Classical. Solo part. 3 pages. Published by Theodore Presser Company.

(By Claude Debussy / ed. Maurice Hinson). By Claude Debussy (1862-1918). Edited by Maurice Hinson. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork Edition. Form: Prelude. Impressionistic; Masterwork. Advanced; Early Advanced. 64 pages. Published by Alfred Music Publishing

By Claude Debussy. For Piano. Piano Collection. Kalmus Edition. Masterwork. Level: Advanced. Book. 24 pages. Published by Alfred Publishing.