Piano seul [Partition] - Intermédiaire Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
Autumn Inspirations Piano seul [Partition] - Intermédiaire Alfred Publishing
Autumn Inspirations is a collection of 10 piano solos that capture special recol...(+)
Autumn Inspirations is a
collection of 10 piano
solos that capture
special recollections of
the fall season, when
summer is a fading memory
and falling leaves are
showing off their colors.
From "Harvest Hoedown" to
"The Legend of Sleepy
Hollow," each piece has a
distinctive autumn hue.
For piano solo. Keyboard. Level: Early Elementary (1A). Published by Alfred Publ...(+)
For piano solo. Keyboard.
Level: Early Elementary
(1A). Published by Alfred
Publishing. Welcome
spring with this
"delicious" solo with
lyrics that depict the
many colors and flavors
of jelly beans. Written
in Middle C position, the
single-line melody is
divided between the
hands. An optional
teacher duet adds harmony
and aids in developing
rhythmic security. This
would be a fun addition
to any spring recital!
Why not serve jelly beans
at the reception?
Piano SKU: FV.FUE-10390 Composed by Florentine Mulsant. Contemporary. Sco...(+)
Piano
SKU:
FV.FUE-10390
Composed
by Florentine Mulsant.
Contemporary. Score.
Furore Verlag #FUE 10390.
Published by Furore
Verlag (FV.FUE-10390).
ISBN
9790501826902.
The
work, with a duration of
5 mn 20 has been composed
on June 2021. The Garden
of Colors is dedicated to
the young pianists, and
proposes six short works
with a contrasting
universe.
(A Step-by-Step Guide for Learning to Compose). By Wynn-Anne Rossi. For Piano. B...(+)
(A Step-by-Step Guide for
Learning to Compose). By
Wynn-Anne Rossi. For
Piano. Book; Piano
Supplemental; Piano
Theory Supplement;
Theory. 24 pages.
Published by Alfred Music
Publishing
Piano SKU: FV.FUE-10360 Composed by Ann Helena Schlüter. Contemporary....(+)
Piano
SKU:
FV.FUE-10360
Composed
by Ann Helena
Schlüter.
Contemporary. Score.
Furore Verlag #FUE 10360.
Published by Furore
Verlag (FV.FUE-10360).
ISBN
9790501826605.
In
my music I represent the
colors of my imagination
and also real experiences
in sound –
glittering or lamenting,
wild or wistful,
impulsive or meditative.
The spectrum of my
emotional world is large
and accordingly my sound
colors.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano
SKU: PR.110418480
Composed by Chen Yi.
Performance Score.
Duration 6 minutes.
Theodore Presser Company
#110-41848. Published by
Theodore Presser Company
(PR.110418480).
ISBN
9781491136294. UPC:
680160688784.
Chen
Yi’s beautiful and
highly-textured tone poem
was inspired by ancient
Chinese poetry; its
melodic ideas were
developed from musical
phrases characteristic of
Chinese opera. Wang
Ya’s original verse as
translated by Chen Yi
reads:“SONG OF SPRING
OUTING”Ten thousand
apricot trees by the
riverside,Spring flowers
bloom after the wind at
night.Covered over the
garden, colors dark and
light,Mirrored in the
green water
ripples. SONG OF
SPRING OUTING was
commissioned by the
Center for East Asian
Studies and the Asian
Classical Music
Initiative at the
University of Kansas in
2022 for Dr. Yi-Yang Chen
to premiere in 2023.The
work was inspired by an
ancient Chinese poem with
the same title:Song of
Spring Outingby Wang Ya
(Tang Dynasty)English
translation by Chen YiTen
thousand apricot trees by
the riverside,Spring
flowers bloom after the
wind at night.Covered
over the garden, colors
dark and light,Mirrored
in the green water
ripples.This inspiring
image is like taking a
walk through a beautiful
garden with layers of
colorful trees and
flowers, mirrored in the
green water.The opening
phrase of the music
introduces the signature
intervals, the leap of a
seventh found in Beijing
Opera fiddle’s
language, followed by
melodic material with a
major 2nd and perfect 4th
in pentatonic style as
the thematic materials.
[C-Bb-G in bars 1-2,
followed by the top
pitches A-B and Ab-E( in
bars 2-3]. This statement
is brought back
(Rehearsal F) in a
retrograded form of the
introduction at the
climatic end of the
piece.The musical form is
a combination of
variations on thematic
materials, and a rondo.
After the introductory
section, Rehearsal A
introduces an
improvisation-like
mountain song melody
(developed from the
pentatonic material in
the
introduction).Rehearsal B
brings in a lively
texture in short
groupings with staccato
in both hands (using the
seventh leap interval
introduced in the opening
of the piece).Rehearsals
C and D develop the
introduction’s
pentatonic melody and the
mountain tune (introduced
in Rehearsal A) with more
layers in the
texture.Rehearsal E
develops the material
presented in Rehearsal B,
with an extended range in
both ends of the
keyboard, increasing the
freshness and
excitement.
Piano SKU: HL.291107 Sketches and Watercolors, Essays and Facsimilies ...(+)
Piano
SKU:
HL.291107
Sketches
and Watercolors, Essays
and Facsimilies for Piano
Solo. Composed by
Tadeusz Kosciuszko. PWM.
Art Collections,
Classical Reference,
Facsimile, Polish.
Hardcover. 170 pages.
Polskie Wydawnictwo
Muzyczne #12117010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.291107).
ISBN
9788322450703. 9.5x12.5
inches.
In 2017,
PWM commemorated the
bicentenary of the death
of Tadeusz Kosciuszko, a
great hero of Poland. To
mark the occasion, PWM
Edition presented this
publication revealing a
different side to
Kosciuszko to that which
is widely familiar. We
usually hear and read
about his military
accomplishments, which
certainly deserve to be
remembered, yet
Kosciuszko was a
multi-faceted person who
cannot be fully
appreciated from just a
single perspective. This
leader of a national
insurrection was a pupil
of the Royal Academy of
Painting and Sculpture in
Paris. He also played the
piano and may possibly
have composed and
arranged music as well.
The aim of this
publication is to shoaw
Kosciuszko both as a
creative artist and also
as a source of
inspiration for composers
of the early nineteenth
century. Comprising three
separate components, this
hard-bound boxed set with
three books is divided
into two parts, dealing
with art and music.
Presented in the first
part are drawings and
watercolors that appear
independently, as a
selection of
reproductions, or else as
illustrations of Pawel
Ignaczak's essay on
Kosciuszko's works of
art. In the second part,
Adam Tomasz Kukla's
article introduces
readers to the world of
music composed or
arranged by Kosciuszko
and music referring to
him. Musically gifted
readers are encouraged to
play selected
compositions from those
discussed in the essay,
thanks to the music
accompanying the book.
Text in Polish and
English.
Piano SKU: BR.EB-8833 Pieces and Ideas for the First Group Teaching at...(+)
Piano
SKU:
BR.EB-8833
Pieces
and Ideas for the First
Group Teaching at the
Piano. Composed by
Barbara Otsch and Martina
Schneider. Solo
instruments; Softcover.
Edition Breitkopf. This
concept can be combined
with many piano methods:
With these 48
progressively arranged
pieces and musical ideas
for group teaching at the
piano, children can have
fun making music together
from the very start.
Music pedagogy. Score. 60
pages. Breitkopf and
Haertel #EB 8833.
Published by Breitkopf
and Haertel (BR.EB-8833).
ISBN 9790004183977. 12
x 9 inches.
German.
Red Yellow
Green and go! With these
48 progressively arranged
pieces and musical ideas
for group teaching at the
piano, children can have
fun making music together
from the very start. The
concept can be combined
with many piano methods,
and gives free rein to
childrens imaginations:
youngsters are given
ample opportunity to try
things out, invent,
listen and re-play what
the teacher plays. The
tasks are arranged
according to the three
traffic-light colors red,
yellow and green, and are
constantly redistributed
anew. Teachers can also
use Red Yellow Green with
only one
piano.
This
concept can be combined
with many piano methods:
With these 48
progressively arranged
pieces and musical ideas
for group teaching at the
piano, children can have
fun making music together
from the very start.
Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. D...(+)
Arranged by Dan Coates.
For Piano. Book; Piano
Collection; Piano
Supplemental. Dan Coates
Popular Piano Library.
Pop. Advanced. 208 pages.
Published by Alfred Music
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Arrangements of the Most- Requested Popular Classics (Easy Piano). Arranged by ...(+)
Arrangements of the Most-
Requested Popular
Classics
(Easy Piano). Arranged by
Dan Coates. This edition:
Easy Piano. Book; Piano -
Easy Piano Collection;
Piano
Supplemental; Sing-Along.
Timeless Popular
Classics.
Movie; Pop; Standard. 132
pages. Published by
Alfred
Music
(Piano Exercises and Repertoire that Develop Colorful Tonal Qualities). Composed...(+)
(Piano Exercises and
Repertoire that Develop
Colorful Tonal
Qualities). Composed by
Joanne Haroutounian. For
piano. IPS: Interactive
Practice Studio.
Elementary. Book. 53
pages. Published by Neil
A. Kjos Music Company
Ten Years of Popular Hits Arranged for EASY PIANO. Arranged by Dan Coates. For P...(+)
Ten Years of Popular Hits
Arranged for EASY PIANO.
Arranged by Dan Coates.
For Piano. Piano - Easy
Piano Collection. Decade
by Decade. Nostalgia;
Pop. Level: Easy Piano.
Book. 144 pages.
Published by Alfred
Publishing.
Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemen...(+)
Arranged by Dan Coates.
For
Piano. Book; Piano
Collection; Piano
Supplemental. Dan Coates
Popular Piano Library.
Movie. Intermediate; Late
Intermediate. 48 pages.
Published by Alfred Music
(Enhanced CD with MIDI Files). For Piano/Keyboard. Faber Piano Adventures�®...(+)
(Enhanced CD with MIDI
Files). For
Piano/Keyboard. Faber
Piano Adventures�®.
Popular. 3A-3B. CD only.
Faber Piano Adventures
#CD1010. Published by
Faber Piano Adventures
(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collec...(+)
(Easy Piano). Arranged by
Dan Coates. For Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental. Top 50.
Movie; TV. Easy Piano.
188 pages. Published by
Alfred Music Publishing
Solo Repertoire and Lead Sheets from Movies, TV, Radio, and Stage. Edited by...(+)
Solo Repertoire and Lead
Sheets from Movies, TV,
Radio, and Stage. Edited
by
E. L. Lancaster and Kenon
D.
Renfrow. Book;
Method/Instruction; Piano
-
Alfred's Group Piano for
Adults. Alfred's Group
Piano
for Adults. Pop. 64
pages.
Published by Alfred Music
(All New Original Music). By Martha Mier. For Piano. Book; Method/Instruction; P...(+)
(All New Original Music).
By Martha Mier. For
Piano. Book;
Method/Instruction; Piano
- Alfred's Premier Piano
Course. Premier Piano
Course. Blues; Jazz;
Ragtime. 24 pages.
Published by Alfred Music
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
(All New Original Music). By Martha Mier. For Piano. Book; Method/Instruction; P...(+)
(All New Original Music).
By Martha Mier. For
Piano. Book;
Method/Instruction; Piano
- Alfred's Premier Piano
Course. Premier Piano
Course. Blues; Jazz;
Ragtime. 32 pages.
Published by Alfred Music
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Ma...(+)
By Dennis Alexander,
Gayle Kowalchyk, E. L.
Lancaster, Victoria
McArthur, and Martha
Mier. For Piano. Book;
Method/Instruction; Piano
- Alfred's Premier Piano
Course. Premier Piano
Course. Children; Movie;
Pop. Beginner. 32 pages.
Published by Alfred Music
Publishing