Piano - Level 2 SKU: LM.VV169 Composed by Sylvie Decrept. Method, studies...(+)
Piano - Level 2
SKU:
LM.VV169
Composed by
Sylvie Decrept. Method,
studies. Score. Editions
Van de Velde #VV169.
Published by Editions Van
de Velde (LM.VV169).
ISBN
9790560051697.
Mode
s - Pour la main gauche -
Deux en deux - Les cinq
doigts - Passage du pouce
- Six pour quatre - Ex
tension - Intervalles
chantants - Les gammes -
Les silences -
Preparation au mordant -
Gammes chromatiques -
Contrepoint - Pemieres
octaves - La main gauche
- Doubles notes - Accord
brises - Legato par la
pedale - Notes tenues -
Trille - Touches noires -
Croisements - Atonalite -
Les quartes - Agilite et
legato - Ornements -
Passage ou pouce -
Variations - Arpeges -
Arpeges a deux mains.
Piano - advanced to difficult SKU: HL.49004282 A systematically graded...(+)
Piano - advanced to
difficult
SKU:
HL.49004282
A
systematically graded and
progressively arranged
collection of Carl
Czerny's Studies selected
from his entire
works. Composed by
Carl Czerny. Edited by
Adolph Stark and Moritz
Mayer-Mahr. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 48 pages.
Schott Music #ED3725.
Published by Schott Music
(HL.49004282).
ISBN
9790001044363. UPC:
884088108434.
9.0x12.0x0.124 inches.
German - English -
French.
Repeating
notes • Broken
chords • Thirds
• Chromatic
exercises • Chords-
and Staccato-Exercises
• Shake •
Broken thirds and sixths
• Octaves •
In florid counterpoint
• Broken chords
• Silent change of
fingers •
Smoothness in velocity
• Exercises in
skips • Scales in
thirds • Exercises
with notes held down
• Chromatic
exercises • Fouths
and sixths • Broken
chords • Change of
positions •
Skipping accompaniment
chords • Accuracy
in striking with the 5th
finger and the thumb
• Stretching
exercises.
Composed by The Royal Conservatory. Official Examination Papers. Method bo...(+)
Composed by The Royal
Conservatory. Official
Examination Papers.
Method
book. The Frederick
Harris
Music Company #EX2307.
Published by The
Frederick
Harris Music Company
Piano Solo - Medium SKU: BU.EBR-A036 Composed by Johann Sebastian Bach. T...(+)
Piano Solo - Medium
SKU: BU.EBR-A036
Composed by Johann
Sebastian Bach. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A036. Published by
Editions Bourges
(BU.EBR-A036).
Piano Solo - Medium SKU: BU.EBR-A037 Composed by Johann Sebastian Bach. T...(+)
Piano Solo - Medium
SKU: BU.EBR-A037
Composed by Johann
Sebastian Bach. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A037. Published by
Editions Bourges
(BU.EBR-A037).
Piano Solo - Medium SKU: BU.EBR-A038 Composed by Johann Sebastian Bach. T...(+)
Piano Solo - Medium
SKU: BU.EBR-A038
Composed by Johann
Sebastian Bach. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A038. Published by
Editions Bourges
(BU.EBR-A038).
Aulos Volume I Piano seul - Avancé EMB (Editio Musica Budapest)
Piano - advanced SKU: BT.EMBZ14887 Piano pieces for practising polypho...(+)
Piano - advanced
SKU:
BT.EMBZ14887
Piano
pieces for practising
polyphony. Composed
by Gyorgy Orban.
Educational Tool. Book
Only. Composed 2014. 72
pages. Editio Musica
Budapest #EMBZ14887.
Published by Editio
Musica Budapest
(BT.EMBZ14887).
English-Hungarian.
Aulos to a certain
degree continues
Orbán's easy piano
pieces for children,
which he composed for
Ãgnes Lakos's piano
tutor and which Editio
Musica Budapest published
in a separate volume
entitled Enchanted Forest
in 2011 (Z. 14742). Yet
on this occasion the
composer took on
something which was both
significantly different
and more than his earlier
pieces for children. On
the one hand, he did not
compose for beginners but
for more advanced
students who have studied
piano for at least three
years. On the other, he
did not set developing
the technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures(imitation,
fugue, stretto,
inversion, augmentation
and diminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
Orbán introduces his
students to the mysteries
of polyphony in a direct
and practical manner, and
thus actually makes them
familiar with the art of
composition.The
educational use of the
series is significantly
increased by the fact
that before each piece
the composer presents and
clarifies with
demonstrative
illustrations the
polyphonic procedure he
introduces. Orbán's
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
Aulos to
a certain degree
continues Orbáns easy
piano pieces for
children, which he
composed for Ãgnes
Lakoss piano tutor and
which Editio Musica
Budapest published in a
separate volume entitled
Enchanted Forest in 2011
(Z. 14742). Yet on
thisoccasion the composer
took on something which
was both significantly
different and more than
his earlier pieces for
children. On the one
hand, he did not compose
for beginners but for
more advanced students
who have studied piano
for at least threeyears.
On the other, he did not
set developing the
technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures (imitation,
fugue, stretto,
inversion, augmentation
and diminution,double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
The educational use of
the series is
significantly increased
by the fact that before
each piece the composer
presents and clarifies
with demonstrative
illustrations the
polyphonic procedure he
introduces. Orbáns
explanations are not
text-book-like atall, but
are deliberately personal
and subjective, full of
lessons and individual
associations taken from
his practice as a
composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purposethey
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
Piano SKU: BT.EMBZ14888 Piano pieces for practising polyphony. Com...(+)
Piano
SKU:
BT.EMBZ14888
Piano
pieces for practising
polyphony. Composed
by Gyorgy Orban.
Educational Tool. Book
Only. Composed 2014. 80
pages. Editio Musica
Budapest #EMBZ14888.
Published by Editio
Musica Budapest
(BT.EMBZ14888).
English-Hungarian.
Aulos to a certain
degree continues
Orbán's easy piano
pieces for children,
which he composed for
Ãgnes Lakos's piano
tutor and which Editio
Musica Budapest published
in a separate volume
entitled Enchanted Forest
in 2011 (Z. 14742). Yet
on this occasion the
composer took on
something which was both
significantly different
and more than his earlier
pieces for children. On
the one hand, he did not
compose for beginners but
for more advanced
students who have studied
piano for at least three
years. On the other, he
did not set developing
the technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures(imitation,
fugue, stretto,
inversion, augmentation
and diminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
Orbán introduces his
students to the mysteries
of polyphony in a direct
and practical manner, and
thus actually makes them
familiar with the art of
composition.The
educational use of the
series is significantly
increased by the fact
that before each piece
the composer presents and
clarifies with
demonstrative
illustrations the
polyphonic procedure he
introduces. Orbán's
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
Aulos is
composed for more
advanced students who
have studied piano for at
least three years. Aim is
a systematic presentation
of different polyphonic
genres and compositional
procedures (imitation,
fugue, stretto,
inversion, augmentation
anddiminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
The educational use of
the series is
significantly increased
by the fact that before
each piece the composer
presents and clarifies
withdemonstrative
illustrations the
polyphonic procedure he
introduces. Orbáns
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - whilethey
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
By Johann Sebastian Bach. Edited by Dr. Richard Jones. For Piano solo Harpsicho...(+)
By Johann Sebastian Bach.
Edited by Dr. Richard
Jones. For Piano solo
Harpsichord Keyboard.
Level: 6, 7, 8. 128
pages. Published by ABRSM
(Associated Board of the
Royal Schools of Music).
Composed by Wolfgang Amadeus Mozart (1756-1791). For solo piano. Format: piano s...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). For solo
piano. Format: piano solo
book. Classical period.
Series: The World's Great
Classical Music. 208
pages. 9x12 inches.
Published by Hal Leonard.
Piano SKU: BT.MSC5007 Lesmethode voor piano. Book Only. Composed 2...(+)
Piano
SKU:
BT.MSC5007
Lesmethode voor
piano. Book Only.
Composed 2018. 160 pages.
Music Score #MSC5007.
Published by Music Score
(BT.MSC5007).
Dutch.
Deel 7
van Piano Forte! voert je
langs bijzondere
composities en
arrangementen met een
uitdagend niveau. Een
ontdekkingsreis vol
verrassende technieken en
bijzondere maatsoorten.
Compositievormen en
speeltechnieken als
contrapunt en
quatre-mains laten je
weer een andere muzikale
wereld zien. Geen saaie
kost. Boogie-woogie,
rock, pianoballads en
swing zijn een paar
stijlen die je kunt
verwachten en je
ongetwijfeld veel plezier
zullen bezorgen. Maar je
leert ook begeleidingen
die je nodig hebt wanneer
je pianocomposities van
bijvoorbeeld Einaudi en
Tiersen wilt spelen.
Piano Forte! is te
gebruiken op zowel
akoestische als moderne
elektronische
piano's.
Piano SKU: BT.EMBZ14898 Piano pieces for practising polyphony. Com...(+)
Piano
SKU:
BT.EMBZ14898
Piano
pieces for practising
polyphony. Composed
by Gyorgy Orban.
Educational Tool. Book
Only. Composed 2014. 152
pages. Editio Musica
Budapest #EMBZ14898.
Published by Editio
Musica Budapest
(BT.EMBZ14898).
English-Hungarian.
Aulos to a certain
degree continues
Orbán's easy piano
pieces for children,
which he composed for
Ãgnes Lakos's piano
tutor and which Editio
Musica Budapest published
in a separate volume
entitled Enchanted Forest
in 2011 (Z. 14742). Yet
on this occasion the
composer took on
something which was both
significantly different
and more than his earlier
pieces for children. On
the one hand, he did not
compose for beginners but
for more advanced
students who have studied
piano for at least three
years. On the other, he
did not set developing
the technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures(imitation,
fugue, stretto,
inversion, augmentation
and diminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
Orbán introduces his
students to the mysteries
of polyphony in a direct
and practical manner, and
thus actually makes them
familiar with the art of
composition. The
educational use of the
series is significantly
increased by the fact
that before each piece
the composer presents and
clarifies with
demonstrative
illustrations the
polyphonic procedure he
introduces. Orbán's
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play. The volumes and
the CD are also available
separatly.
Piano SKU: BT.EMBZ20083 Urtext (1932-1939). Composed by Bela Barto...(+)
Piano
SKU:
BT.EMBZ20083
Urtext
(1932-1939). Composed
by Bela Bartok. Arranged
by Yusuke Nakahara. EMB
Music of Bela Bartok.
Educational Tool. Book
Only. Composed 2021. 72
pages. Editio Musica
Budapest #EMBZ20083.
Published by Editio
Musica Budapest
(BT.EMBZ20083).
English-Hungarian.
Bartók's
Mikrokosmos has been one
of the milestones in
pedagogical piano
repertoire for 80 years -
and yet it is also far
more than a classical
piano primer. These 153
piano pieces, organized
in ascending order of
difficulty, engage not
only with technical
aspects of piano playing
but also with the
fundamentals of
composition - from
Imitation and Inversion,
Ostinato, and Free
Variations, concerning
compositional technique,
to mood pieces and pieces
with programmatic ideas
such as Notturno,
Boating, From the Diary
of a Fly, or the famous
Six Dances in Bulgarian
Rhythm. Mikrokosmos first
appeared in 1940 in six
volumes. Based on volume
40 of the Bartók
CompleteEdition published
in 2020(Z. 15040), the
present Urtext edition
offers the series
gathered in three
volumes. This edition
includes Bartók's
preface, exercises, and
notes written for the
first edition.
Furthermore, it also
features a preface and
comments by the editor,
which not only discuss
the genesis and the
compositional sources but
also provide performers,
teachers and pupils
alike, with authentic and
detailed information
about Bartók's
notation and the specific
performing problems of
Mikrokosmos.
Piano SKU: BR.EB-8118 Composed by Richard Wagner. Solo instruments; Softc...(+)
Piano
SKU:
BR.EB-8118
Composed
by Richard Wagner. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
Composed 1831. 24 pages.
Breitkopf and Haertel #EB
8118. Published by
Breitkopf and Haertel
(BR.EB-8118).
ISBN
9790004175019. 9 x 12
inches.
Richard
Wagner (1813-1883) is
rightly considered as the
19th-century music
dramatist whose formal
and harmonic originality,
for example in Tristan
and Isolde, provided a
significant impetus to
the development of
20th-century music.
Despite Wagner's fame,
his reuvre for piano
remains practically
unknown. Tobe sure, these
primarily early works and
occasional compositions
hardly even hint at the
outstanding
characteristics of the
later works such as
leit-motifs, flowing
transitions or original
forms. Nonetheless,
whoever is acquainted
with Wagner's later music
dramas will undoubtedly
not fail to be impressed
by the individual melodic
and harmonic traits of
his piano works. The
Sonata in B-flat Major
Op. 1 is of special
interest to us today
since it is Wagner's
first published work,
composed in 1831 and
printed in 1832 by
Breitkopf & Hartel. At
that time, Wagner was
studying counterpoint
with Theodor Weinlig, the
choral master and music
director of the
Thomasschule in Leipzig.
Weinlig, however, only
agreed to give Wagner
lessons if he promised to
refrain from composing
for half a year. In the
course of his studies,
Wagner was allowed to
compose the piano sonata
in B-flat Major as a kind
of journeyman-work. His
teacher Weinlig succeeded
in having the work
published by Breitkopf &
Hartel. Hence the
dedication of this piece
to Weinlig is not
surprising, since the
18-year-old Wagner would
otherwise have had great
difficulty finding a
publisher. This Sonata in
B-flat Major, which has
long been out of print,
is a reproduction of the
first edition by
Breitkopf & Hartel (plate
number 10433). For this
reprint, obvious
typographical errors have
been corrected (missing
or wrong accidentals and
dynamic indications). The
work presents a
four-movement classical
sonata form and is
stylistically reminiscent
of Mozart and Beethoven.
Shortly before composing
this sonata, Wagner wrote
a piano reduction of
Beethoven's Ninth
Symphony, which was
easily playable and yet
gratifying to hear. This
helps explain the
octave-doublings typical
of piano reductions.
Wiesbaden, Fall
1980
Respectfully
dedicated to Theodor
Weinlig, the choral
master and music director
of the Thomasschule in
Leipzig.
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65
Works from Symphonies,
Operas, Concertos, Piano
Literature and Chamber
Music. World's Greatest
Classical Music. Size
9x12 inches. Published by
Hal Leonard.
Piano Solo SKU: SU.27040260 For Piano Solo. Composed by Gregory J....(+)
Piano Solo
SKU:
SU.27040260
For
Piano Solo. Composed
by Gregory J. Hutter.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#27040260. Published by
Subito Music Corporation
(SU.27040260).
The five
Fantasy Pieces are
manifestations of the
piano in its sundry
traditions. The Prelude
is a response to the
instrument's mechanical
side and timbral
possibilities; the Free
Invention is a wild study
in two-part counterpoint;
the Intermezzo contains
many dense harmonic
textures; the Passacaglia
is a demonstration of
pianistic virtuosity, and
the Postlude explores the
instrument's resonance
and acoustical
properties. Piano Solo
Duration: 20' Composed:
2001 Published by: Hutter
Music.
Pachelbel's Canon for Piano composed by Johann Pachelbel (1653-1706). Arranged b...(+)
Pachelbel's Canon for
Piano composed by Johann
Pachelbel (1653-1706).
Arranged by Jan Harrison.
For piano solo. This
edition: Paperback. Solo.
Signature Series.
Classical. Intermediate.
Sheet Music. Text
Language: English. 8
pages. Published by
Santorella Publications
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace....(+)
Piano
SKU:
PR.510076960
Pour
Piano. Composed by
Stephane Delplace. Full
score. With Standard
notation. 28 pages.
Duration 25 minutes, 37
seconds. Gerard Billaudot
Editeur #510-07696.
Published by Gerard
Billaudot Editeur
(PR.510076960).
1. Choral: An
improbably superimposing
of Beethoven and Brahms.
At the end of the first
performance of the
latter's 1st Symphony,
someone asked the
composer: Don't you find
that your main theme
remin ds one of the Ode
to Joy? To which he
retorted: Even an idiot
would have noticed it! 2.
Fugue: in the last
exposition, the subject
of Fugue I from volume 1
of Bach's Well-Tempered
Keyboard is super imposed
on the theme from
Mozart's so-called easy
sonata. 3. Passion: In
his Violin Concerto,
Mendelssohn, to whom we
owe the rediscovery of
Bach's Passions, seems to
have borrowed a theme
from a lost Passion. 4.
Recitativo: Tribute to
Franck's tribute to Bach
in his Sonata for violin
and piano. 5. Invention:
A private revenge, after
a bitter failure.
Debussy's Toccata was on
the compulsory list for
the Conservatory piano
class entrance exam. 6.
Arpeggione: In which the
listener realizes the
similarity in the
introduction to
Schubert's Unfinished
Symphony and Arpeggione
Sonata. 7. Sarabande: The
most iconoclastic, for
Bach's 5th Cello Suite is
already suffused with
harmony. There might be
an evocatioin of a
Brahms-like overarching
structure, though... 8.
Variation: The slowest
variation ever written on
Paganini's 24th Caprice.
9. Scene: Schumann's
Reverie as a Prelude. 10.
Finale: In order to
capture the elusive
harmony of the Finale of
Chopin's Sonate Funebre.
11. Fugue on Au clair de
la lune: Our greatest
nursery rhymes, fugue
fitted and choralized.
12. Fugue de Noel
(Christmas fugue): Quite
appropriate. 13. Fugue on
J'ai du bon tabac:
Prohibited counterpoint.
14. Fugue on La
Marseillaise:
Franco-German
reconciliation. 15. Pedal
- Exercitium: Realization
and conclusion of Bach's
organ pedal exercies.
Edited by Nancy Bachus. Collection for piano solo. With performance CDs and hist...(+)
Edited by Nancy Bachus.
Collection for piano
solo. With performance
CDs and historical
background information.
Series: A History of
Piano Masterworks. 128
pages. Published by
Alfred Publishing.
Piano (Piano) SKU: HL.48181241 Composed by Marcel Bitsch. Leduc. Classica...(+)
Piano (Piano)
SKU:
HL.48181241
Composed
by Marcel Bitsch. Leduc.
Classical. Softcover. 8
pages. Alphonse Leduc
#AL20583. Published by
Alphonse Leduc
(HL.48181241).
UPC:
888680868239.
9.0x12.0x0.096
inches.
For Noami -
The anthology is a set of
ten easy studies for
Piano two-hand by Marcel
Bitsch. Great for
beginner pianists, each
study focuses on a
specific aspect. These
ten lovely studies and
the aspects they
highlight are: 1. Duet ?
Legato 2. The little
railway ? Staccato 3.
When there were coaches ?
Loure 4. On the water ?
Passage of the thumb 5.
Invention ? Scale 6. In
the meadow ? Arpeggios 7.
Lullaby ? Sustained notes
8. Chase ? Chromatic
scale 9. Fanfare ? Chords
10. Ring for Matins ? The
double notes with the
wrist Marcel Bitsch is a
French musician who
specialised in teaching
the counterpoint and the
fugue. He composed many
orchestral pieces and
some chamber music. He
also wrote the analysis
of some works by J. S.
Bach..
Piano SKU: HL.48025141 Series 1, Volume 1. Composed by Norbert von...(+)
Piano
SKU:
HL.48025141
Series
1, Volume 1. Composed
by Norbert von
Hannenheim. Edited by
Moritz Ernst. BH Piano.
Classical. Softcover. 68
pages. Bote & Bock
#M202536476. Published by
Bote & Bock
(HL.48025141).
UPC:
196288096009.
As
part of the Hannenheim
Edition, pianist Moritz
Ernst, following his CD
recording on the eda
records label (EDA 38),
presents thisanthology of
all known piano sonatas
by Arnold Schoenberg's
master-class pupil.
Coming from different
creative phases, they
show thewhole variety of
Hannenheim's original,
often experimental style.
The intellectually sound
structure of his music is
contrasted witha sombre,
unsteadily fluctuating
level of expression. The
pianistic interpretation
of the pieces, which are
preferably in two
movements, sometimes
demands fine dynamic
nuances, sometimes a
great breath for
exuberant
counterpoint.
Piano Solo SKU: AY.MIG18 Composed by Paul Schoenfeld. Keyboards - Piano. ...(+)
Piano Solo
SKU:
AY.MIG18
Composed by
Paul Schoenfeld.
Keyboards - Piano. Alry
Publications #MIG18.
Published by Alry
Publications (AY.MIG18).
ISBN
9790302116707.
From
program notes by
Christina Dahl:
Schoenfeld has described
his Three Intermezzi (for
Piano Solo) as one of a
very few works he has
written simply to please
himself. In his words,
'Here is music my hands
feel like touching with
sounds my ears enjoy
perceiving.' Its three
movements were written at
different times, but
coalesced into a single
work. The Three
Intermezzi explore an
interior world devoid of
anything ostentatious.
Schoenfeld's signature
counterpoint--echoing
both Bach and Brahms--is
evident throughout. The
music is intimate, serene
and contemplative. 'It's
the sort of music I
improvise at night with
the lights out and the
house empty,' he says.
The first Intermezzo
quotes a bit of a Bach
prelude, then develops it
in waves and spirals that
course up and down the
keyboard. The second
Intermezzo emerges from a
single repeated note into
an oscillating minor
third and finally into a
dark and soulful
Sicilienne. The third
Intermezzo, as long as
the other two combined,
explores the boundaries
where decidedly crafted
music and mediation
combine..
Bach's Two Minuets * Piano Solo composed by Jonathon Robbins. For piano solo. So...(+)
Bach's Two Minuets *
Piano Solo composed by
Jonathon Robbins. For
piano solo. Solo.
Classical. Intermediate.
Sheet Music. Text
Language: English. 4
pages. Published by
Santorella Publications
Leduc.
CD. 24 pages. Heugel &
Cie #HE33888. Published
by Heugel & Cie
(HL.48188982).
UPC:
888680874216. 9x12
inches.
“Comp
osed by Reynaldo Hahn,
Sonatina in C major
(1907) is a piece for
Piano for intermediate
players. This really
melodious piece is
divided in three main
movements. 1. Allegro
Moderato in C The main
theme starts the piece
with an accent on the
tonic arpeggio.
Counterpoint principle is
also used thanks to a
canon in two measures. 2.
Andantino Rubato in G
Written in the form ABA,
this movement is then
continued by four
variations of the theme.
3. Final in G The piece
ends on a coda with
harmonious arpeggios,
played after a ternary
dance. Reynaldo Hahn was
a naturalised French
composer, conductor,
theatre director and
singer. Best known as a
composer of songs, he
also wrote many pieces
and melodies for
different
instruments.&rdquo.
Great Themes Of The Baroque Era composed by Various. Arranged by Steven Paul. Fo...(+)
Great Themes Of The
Baroque Era composed by
Various. Arranged by
Steven Paul. For easy
piano. This edition:
Paperback. Collection.
Classical. Book. Text
Language: English. 48
pages. Published by
Santorella Publications