Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Keyboard (Piano Solo)

SKU: HL.50488243

Keyboard Music. By Bela Zsoldos. EMB. Film & Musical. Book Only. Editio Musica Budapest #Z50250. Published by Editio Musica Budapest (HL.50488243).

ISBN 9790080502501. Bach (23 x 30,2 cm) inches. Hungarian. Bela Zsoldos.

'...I recommend the arrangements of popular songs in this volume to every child who is learning to play the piano or has some kind of keyboard instrument at home, and is able to read music. The top two parts in each set of three staves in the score are played on the piano, while the top and bottom parts can be played on any synthesizer...' (Bela Zsoldos).

Piano - Beginner, Intermediate, Intermediate-Advanced

SKU: YM.GTP01097982

Composed by Yukie Nishimura. Piano Pop and Vocal. Score. Yamaha Music Media #GTP01097982. Published by Yamaha Music Media (YM.GTP01097982).

ISBN 9784636979824.

This is the matched scorebook of the same name of Yukie Nishimura's CD album, and all works are newly composed for the album. I want as many people as possible to turn on their musical switch to enjoy the piano sound, she created the album with this wish in mind. She speaks gently to the piano and plays melodies that touch the heart, making the listeners' hearts flutter.
This scorebook will bring you even more love towards piano as well as a connection to the wonderful musical world.
There are two bonus arrangements included in the scorebook.
The Quartet on the Keys is arranged for beginners. She has made the Merry-Go-Round - Dedicated to Piazzolla into a slightly gentler arrangement, yet still perfect for performing at recitals and competitions.

Composed by Carol Lander. For piano solo. Playing score. Published by Imagine Music

Piano (Piano)

SKU: HL.50579722

Composed by Jose Martinez. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME8874. Published by Hal Leonard (HL.50579722).

Piano (Piano)

SKU: HL.50579721

Composed by Jose Martinez. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME8870. Published by Hal Leonard (HL.50579721).

Piano/Keyboard

SKU: PE.EP72783

S161, 162; Urtext. Composed by Franz Liszt. Edited by Leslie Howard. Piano (Solo). Edition Peters. Score. 128 pages. Edition Peters #98-EP72783. Published by Edition Peters (PE.EP72783).

ISBN 9790577011097. 232 x 303mm inches. English.

While the first volume of Liszt's Années de pèlerinage ('Pilgrim Years') was inspired primarily by the landscape of Switzerland, the creative impetus for the second volume was the art and literature of Italy.

Edition Peters is proud to continue its acclaimed series of Liszt critical editions from world-renowned Liszt expert and concert pianist Leslie Howard with this new urtext edition of Années de pèlerinage, Deuxième Année - Italie. Containing an extensive critical commentary and introductory notes, the edition (like its predecessor Première année - Suisse, (EP72782)) also contains reproductions of the half-tint illustrations by Robert Kretschmer that appeared in the first edition.

Also included in this prestige volume, a must-have for any serious Liszt pianist, is the supplementary volume Venezia e Napoli, beautiful and ingenious revisions of earlier works based on Italian street music.

Solo Piano

SKU: SU.28030050

For solo Piano. Composed by Jorge Villavicencio Grossmann. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #28030050. Published by Subito Music Corporation (SU.28030050).

Tres piezas or three tableaux is inspired by medieval diptychs. The pieces (except the initial movement) are two-part works in which the formal boundaries are blurred. solo piano Duration: 18' Composed: 2006-7 Published by: Distributed Composer.

Piano - Level 2

SKU: LM.24866

Les plaisirs... Mendels A. Classical. Score. Editions Henry Lemoine #24866. Published by Editions Henry Lemoine (LM.24866).

ISBN 9790230948661.

BACH J.S. : Gavotte 1 et 2 (Musette) - HAENDEL G.F. : Prelude de la Suite n. 14 - DIABELLI A. : Rondo - SCHUBERT F. : Serenade - GRIEG E. : Valse Op.38 n. 7 - PIERNE G. : Farandole Op.14 n. 2 - MEUNIER G. : Joyeuseries - BARTOK B. : Sons harmoniques extr. des Mikrokosmos - PROKOFIEFF S. : Pierre et le loup, n. 1 Petit Pierre - PROKOFIEFF S. : Pierre et le loup, n. 2 L'oiseau - PROKOFIEFF S. : Pierre et le loup, n. 3 La procession - JOPLIN S. : A breeze from Alabama - SATIE E. : 1ere gymnopedie - MANEN C. : 2eme sonatine, 3eme mvt. - BRAHMS J. : Valse Op.39 n. 9.

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

Piano (Piano)

SKU: HL.50579487

Composed by Alain Auda. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME8098. Published by Hal Leonard (HL.50579487).

Piano

SKU: SU.92050393

Composed by Roberto Sierra. Score. Subito Music Corporation #92050393. Published by Subito Music Corporation (SU.92050393).

Volume 3: A collection of 8 short pieces for Piano.Instrumentation: Piano
Composed: 2020
Published by: Subito Music Publishing.

Piano

SKU: SU.92050390

Composed by Roberto Sierra. Score. Subito Music Corporation #92050390. Published by Subito Music Corporation (SU.92050390).

Volume I: A collection of 9 short pieces for piano
Instrumentation: Piano
Composed: 2017
Published by: Subito Music Publishing.

Piano

SKU: SU.50028100

For Piano. Composed by Alberto Sarda. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50028100. Published by Seesaw Music Corp (SU.50028100).

Copyright 1973. Published by: Seesaw Music.

Piano

SKU: PR.510000500

Composed by Albert Beaucamp. Full score. With Standard notation. Gerard Billaudot Editeur #510-00050. Published by Gerard Billaudot Editeur (PR.510000500).

UPC: 680160123353.

Piano (Piano)

SKU: HL.50583256

Composed by Enrique Granados. Salabert. Score Only. Composed 2002. Editions Salabert #SLB1622. Published by Editions Salabert (HL.50583256).

Piano

SKU: SU.92050410

Composed by Roberto Sierra. Score. Subito Music Corporation #92050410. Published by Subito Music Corporation (SU.92050410).

Instrumentation : Piano
Duration: 5'
Composed: 2018
Published by: Subito Music Publishing.

Piano

SKU: SU.92070530

Composed by Roberto Sierra. Score. Subito Music Corporation #92070530. Published by Subito Music Corporation (SU.92070530).

Instrumentation : Piano
Duration: 9'
Composed: 2017
Published by: Subito Music Publishing.

Piano

SKU: NR.93447

Para piano, 2013. Composed by Carlos Peron Cano. Keyboard instruments. Score. Composed 2013. Noten Roehr #93447. Published by Noten Roehr (NR.93447).

Bluesing, El vuelo del colibri, The gentleman.

Piano (Piano)

SKU: HL.50585802

Composed by Oscar Espla. Salabert. Score Only. Composed 2002. Editions Salabert #SLB5637. Published by Editions Salabert (HL.50585802).

Piano

SKU: NR.92752

Para piano, 2013. Composed by Carlos Peron Cano. Keyboard instruments. Score. Composed 2013. Noten Roehr #92752. Published by Noten Roehr (NR.92752).

A little bossa nova, Habanera.

Piano

SKU: NR.92711

Para piano, 2013. Composed by Carlos Peron Cano. Keyboard instruments. Score. Composed 2013. Noten Roehr #92711. Published by Noten Roehr (NR.92711).

Danzon cubano, Recordatorio por Begona, Mambo, Rumba.

Piano

SKU: SU.92050392

Composed by Roberto Sierra. Score. Subito Music Corporation #92050392. Published by Subito Music Corporation (SU.92050392).

Volume 2: A collection of 13 short pieces for pianoInstrumentation: Piano
Duration: 21'
Composed: 2018
Published by: Subito Music Publishing.

Piano (Piano)

SKU: HL.50583244

Composed by Enrique Granados. Salabert. March. Score Only. Composed 2002. Editions Salabert #SLB1605. Published by Editions Salabert (HL.50583244).

Piano (Piano)

SKU: HL.50585806

Composed by Enrique Granados. Salabert. Score Only. Composed 2002. Editions Salabert #SLB5644. Published by Editions Salabert (HL.50585806).

Piano

SKU: NR.94890

Para piano, 2014. Composed by Carlos Peron Cano. Keyboard instruments. Score. Noten Roehr #94890. Published by Noten Roehr (NR.94890).

Tango triste, 2014, Piece for Jiddu, 2014.