For piano. Piano. Method. Level: Primer. Music Book. Published by Neil A. Kjos Music Company.

For Piano. Paperback. Teaching Aid, Educational. Certificate. 10 pages. Published by Santorella Publications

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Daniel Meyer. For Keyboard. Music Collection. Instructional. Level: Easy/Medium. Book and CD. Text language: English. 136 pages. Published by GIA Publications.

Jingle Bells, Silver and Gold, Away In A Manger composed by Various. Arranged by Craig Stevens. For easy piano solo. Solo. Best of Christmas series. Christmas. Easy. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Holly and The Ivy, Good King Wenceslas, Away In A Manger (EP). Published by Santorella Publications

More Easy Classical Themes composed by Various. Arranged by Alexander Cole. For easy piano. This edition: Paperback. Collection. Classical. Book. Text Language: English. 48 pages. Published by Santorella Publications

101 Popular "Three Chord" Easy Favorites for Piano arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Easy Favorite series. Popular. Collection. Text Language: English. 176 pages. Published by Santorella Publications

Basic Piano Chord Chart composed by Tina Tomlins. For piano. This edition: Paperback. Reference. Chords. Chord chart. Text Language: English. 2 pages. Published by Santorella Publications

By Bert Konowitz. For piano (or keyboard). Electronic Keyboard. Teach Yourself Series. Everything you need to know to start improvising now. CD. Published by Alfred Publishing.

(A Polyrhythmic Journey in 6/8 Time). By Alan Dworsky. For Keyboard (Piano). Methods. Dancing Hand. World Music. Intermediate-Advanced. Book/CD Set. 96 pages. Published by Dancing Hands

(for Piano Ensemble, or with Violin, Viola and/or Cello). By Constance and William Starr. For Piano. Piano - Suzuki Method Supplement. Book. 44 pages. Published by Alfred Publishing.

By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

Scales, Chords and Arpeggios for Piano composed by Margaret White. For easy piano. This edition: Paperback. Instructional. Exercises. Book. Text Language: English. 64 pages. Published by Santorella Publications

11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven short piano pieces, the composer follows the cue of such modern-day masters as Olivier Messiaen, Karlheinz Stockhausen, Helmut Lachenmann and Nicolaus A. Huber. Pedagogical. Breitkopf and Haertel #EB-9175. Published by Breitkopf and Haertel

Entertainer and Maple Leaf * 2 in 1 * Easy Piano Solo composed by Scott Joplin (1868-1917). Arranged by Tony Santorella. For easy piano solo. This edition: Paperback. Solo. Ragtime. Sheet Music. Text Language: English. 12 pages. Published by Santorella Publications

Composed by John Brimhall and Raquel Abril. For Piano. Paperback. Reference, Method. Book. 88 pages. Published by Santorella Publications

Piano

SKU: FP.FNH09

Composed by Heller Nichols. Published by Forsyths Publications (FP.FNH09).

ISBN 979-0-57050-231-8.

These tunes have been selected from throughout the Church calendar and form a useful collection.

Grade 4 and Grade 5. Composed by Sonny Chua. Piano Solo. Softcover with CD. 28 pages. Hal Leonard #0101137040. Published by Hal Leonard

Basic Keyboard Chords . For Piano. Published by Santorella Publications (SP.OEP40). ISBN 1-890281-12-3. Basic Keyboard Chords published by Santorella Publications is our best selling chord book for easy piano and an absolute must for any beginning student. Learn all your basic chords with shaded diagrams of the keyboard and understand the construction of each chord with the appropriate notes written on a staff. From the most basic major and minor chords for one hand to the more complex altered chords and inversions for two hands. This best selling Santorella Publication is reasonably priced, easy to understand and thoughtfully laid out for pianists at every level.

Composed by Guy Van Nueten. Keyboards - Piano. Metropolis Music Publishers #PN7320EM. Published by Metropolis Music Publishers

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

(Something New Every Lesson) Written by John Thompson. Instructional book for piano. With introductory text, instructional text, instructional photos, illustrations, standard notation and fingerings. 90 pages. Published by Willis Music Company.