Bassoon; Wind Ensemble - Grade 4 SKU: HL.1455261 Solo and Piano Reduct...(+)
Bassoon; Wind Ensemble -
Grade 4
SKU:
HL.1455261
Solo
and Piano Reduction.
Composed by James Barnes.
Southern Music. Concert.
Softcover. 23 pages.
Duration 540 seconds.
Southern Music Company
#SU849. Published by
Southern Music Company
(HL.1455261).
ISBN
9798892703284. UPC:
196288209379.
9.0x12.0x0.195
inches.
CONCERTINO
FOR BASSOON, Opus 171 was
commissioned by Dr. Mark
Rogers and was premiered
in April 2023 by the
University of Kansas Wind
Ensemble, Dr. Paul Popiel
conductor, with Eric
Stomberg playing bassoon.
The work is in one
movement. Like so many
famous works for bassoon,
it is based in F major.
The piece is in a
modified five-part rondo
form, with the slow
middle portion in Bb
serving as the B theme.
Rather jolly in nature,
the work is intended to
show off not only the
happy nature of the
bassoon, but also to
demonstrate its
expressive lyricism and
dazzling technique.
Music Sales America. Blues. Songbook (softcover). With standard notation, chord ...(+)
Music Sales America.
Blues. Songbook
(softcover). With
standard notation, chord
names, instructional
text, performance notes
and black and white
photos (does not include
words to the songs). 63
pages. Music Sales
#AM35197. Published by
Music Sales
Piano (Piano) SKU: HL.14003446 Music Sales America. Tuition. Book [Softco...(+)
Piano (Piano)
SKU:
HL.14003446
Music
Sales America. Tuition.
Book [Softcover]. 16
pages. Chester Music
#CH55663. Published by
Chester Music
(HL.14003446).
ISBN
9780711954489.
9.0x12.0x0.088 inches.
English.
Repertoire
pieces for the young
beginner, easy tunes
compiled by Carol
Barratt. Contents: Double
Basses * Gigue * I Got
Shoes * Minuet in C *
Moderato * Naomi's Number
* Ober the Hills and Far
Away * Strolling Sam *
Superfrog * The Bagpipers
* The C Major Scale * The
Fox Jumped Over the
Person's Gate * The G
Major Scale * The Juniper
Tree * Twins * Variations
On 'Ah Vous Dirai-Je,
Maman?' (Twinkle,
Twinkle, Little Star) *
What You Will.
Piano (Piano) SKU: HL.14006537 Music Sales America. Jazz. Book [Softcover...(+)
Piano (Piano)
SKU:
HL.14006537
Music
Sales America. Jazz. Book
[Softcover]. 16 pages.
Chester Music #CH61273.
Published by Chester
Music (HL.14006537).
ISBN 9780711962057.
9.0x12.0x0.102
inches.
Twelve easy
pieces for piano with a
difference: not just
blues and rags! Includes
jazz waltz, walking bass,
bossa-nova, shuffle,
stomp and many more.
Specially written for the
young pianist, these
enjoyable original pieces
will help develop a good
sense of rhythm. Suitable
for players of grade 1 to
3 standard.
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370).
ISBN
9781491135075. UPC:
680160686247.
Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022.
(Absolute Beginners: Piano). For Piano/Keyboard. Music Sales America. Softcover ...(+)
(Absolute Beginners:
Piano). For
Piano/Keyboard. Music
Sales America. Softcover
with CD. 40 pages.
Editions Musicales
Francaises #EMF101101.
Published by Editions
Musicales Francaises .
Sheet music CD.
Chamber Music Bass Trombone, Piano SKU: PR.114416440 For Bass Trombone...(+)
Chamber Music Bass
Trombone, Piano
SKU:
PR.114416440
For
Bass Trombone And
Piano. Composed by
Eric Ewazen.
Contemporary. Set of
Score and Parts. With
Standard notation. 32+8
pages. Theodore Presser
Company #114-41644.
Published by Theodore
Presser Company
(PR.114416440).
UPC:
680160620333. 9 x 12
inches.
Songs of
Love and Loss was
originally written for
bass voice and piano, and
premiered by Bryan
Matthews at Juilliard in
1984. Subsequently in
2004, I arranged the work
for Bass Trombone and
Piano for Charlie Vernon,
who premiered the work at
the International
Trombone Association
Festival at Ithaca
College. The poetry of
Edna St. Vincent Millay,
with her beautiful,
sometimes enigmatic, and
always evocative poetry
was the inspiration for
the four songs of this
cycle. (Eric Ewazen).
Chamber Music Bass, Piano SKU: PR.111402630 For Bass Voice and Piano(+)
Chamber Music Bass, Piano
SKU: PR.111402630
For Bass Voice and
Piano. Composed by
Eric Ewazen. Edna St.
Vincent Millay.
Performance Score. With
Standard notation. 28+32
pages. Theodore Presser
Company #111-40263.
Published by Theodore
Presser Company
(PR.111402630).
UPC:
680160641789. Edna St.
Vincent
Millay.
Songs of
Love and Loss was
originally written for
bass voice and piano, and
premiered by Bryan
Matthews at Juilliard in
1984. Subsequently in
2004, I arranged the work
for Bass Trombone and
Piano for Charlie Vernon,
who premiered the work at
the International
Trombone Association
Festival at Ithaca
College. The poetry of
Edna St. Vincent Millay,
with her beautiful,
sometimes enigmatic, and
always evocative poetry
was the inspiration for
the four songs of this
cycle. (Eric Ewazen).
By Wynn-Anne Rossi. For Piano. Piano Suite; Piano Supplemental; Sheet; Solo. Rec...(+)
By Wynn-Anne Rossi. For
Piano. Piano Suite; Piano
Supplemental; Sheet;
Solo. Recital Suite
Series. Form: Suite.
Recital. Intermediate. 12
pages. Published by
Alfred Music
Piano SKU: CJ.A121900903 Secular. Instrumental parts. 28 pages. Published...(+)
Piano
SKU:
CJ.A121900903
Secular. Instrumental
parts. 28 pages.
Published by Editions a
Coeur Joie
(CJ.A121900903).
For 2 treble
voices choir and
instrumental
accompaniment Lyrics
and music : Eric
NOYER
10
movements : -
Banlieue -
Kumbaya - Melodie
- J'ai reve - La
samba du velo -
S'ecouter - Doux,
doux ! - Un vieil
album - Slow -
Final.
2 possible
performances : 1.
Choir, piano, bass and
batterie Choir part,
32 pages Full score,
60 pages Bass part,
20 pages Piano part,
28 pages Batterie
part, 20 pages 2.
Choir and big band
For choir (different from
the other one), flute and
piccolo, oboe and english
horn, saxophone alto and
baryton, horn, 3
trumpets, 2 trombones,
tuba, piano, synthetizer,
jazz guitar, bass, drums
+ vibraph. + xylo,
batterie, tape (ad lib.)
Choir part, 44
pages Miniscore
(choir and piano), 70
pages Full score and
instruments for hire.
Let's Play Jazz and More * Book 2 composed by Jay Latulippe and Sonny Doss. For ...(+)
Let's Play Jazz and More
* Book 2 composed by Jay
Latulippe and Sonny Doss.
For easy piano. This
edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
Basso Continuo
Part. Composed by
Henry Purcell. Music
Sales America. Classical.
Softcover. Novello & Co
Ltd. #NOV46002201.
Published by Novello & Co
Ltd. (HL.267696).
Henry Purcell's
Close Thine Eyes for
Soprano (or Tenor) and
Bass soli with Organ (or
Harpsichord) and Basso
Continuo.
Piano seul [Partition + CD] - Débutant Alfred Publishing
Alfred's Basic Adult Piano Course Lesson Book, Book 1 by Willard A. Palmer, Mort...(+)
Alfred's Basic Adult
Piano Course Lesson Book,
Book 1 by Willard A.
Palmer, Morton Manus, and
Amanda Vick Lethco. For
Piano.
Method/Instruction; Piano
- Alfred's Basic Adult
Piano Course. Alfred's
Basic Adult Piano Course.
Book and CD. 112 pages.
Published by Alfred Music
Publishing
Piano seul [Partition + CD] - Débutant Alfred Publishing
The new, easy and fun way to teach yourself to play. Willard A. Palmer and Morto...(+)
The new, easy and fun way
to teach yourself to
play. Willard A. Palmer
and Morton Manus. For
Piano. Piano Method. Book
and CD. 192 pages.
Published by Alfred
Publishing.
Beginning Jazz Style and Interpretation for Piano - Vol. 1 (Audio CD Included). ...(+)
Beginning Jazz Style and
Interpretation for Piano
- Vol. 1 (Audio CD
Included). By Carl
Strommen. Solo piano. For
Piano Solo. Score and
Audio CD. 16 pages.
Published by Carl
Fischer.
Piano seul [Partition] - Facile Faber Music Limited
By Nancy and Randall Faber. For Piano. Introduces 3/8 and 6/8 time signatures an...(+)
By Nancy and Randall
Faber. For Piano.
Introduces 3/8 and 6/8
time signatures and the
triplet. Level: 3A. Book.
Published by The FJH
Music Company Inc.
Piano SKU: M7.ART-42195 Der spielerisch-leichte Einstieg am Klavier f...(+)
Piano
SKU:
M7.ART-42195
Der
spielerisch-leichte
Einstieg am Klavier
für Kinder ab 6
Jahren. Score with
online audio files. 60
pages. MDS (Music
Distribution Services)
#ART 42195. Published by
MDS (Music Distribution
Services) (M7.ART-42195).
ISBN
9783866421950.
Jens
Rupp ist bekannt als
Autor erfolgreicher
Klavier- und
Keyboardschulen sowie
zahlreicher
Spielbücher für
Klavier. Mit dieser
Erfahrung und der fast
30-jährigen
Tätigkeit als
Klavierdozent hat er eine
neue Klavierschule
geschaffen, die einen
kindgerechten,
spielerisch-leichten
Einstieg in die Welt des
Klavierspiels
ermöglicht.'Der
Pianostarter für
Kinder'ist eine
Klavierschule für
Anfänger, die speziell
für Kinder ab 6 Jahren
konzipiert wurde. Das
methodische Konzept, mit
seinem logisch
strukturierten Aufbau und
den sorgfältig
aufeinander abgestimmten
Lektionen, führt
bereits bei kleinem
Ãœbeaufwand schnell zu
hörbaren und
motivierenden
Erfolgserlebnissen am
Klavier. Mit dem
'Pianostarter' haben
Kinder die Möglichkeit
ihr musikalisches Talent
zu entdecken und das
Klavierspielen auf
einfache Art und Weise
(lieben) zu lernen.
Insgesamt 100 Stücke -
bekannte Lieder mit
Texten und schöne
Eigenkompositionen,
Ãœbungen,
Erklärungen,
Griffbilder sowie weitere
Orientierungshilfen
vermitteln behutsam und
spielerisch die
Grundlagen für das
Musizieren am Klavier.
Diese Klavierschule
bietet auch Eltern die
Möglichkeit, ob mit
oder zunächst ohne
Klavierlehrer, das
Klavierspielen mit zu
erlernen und zeitgleich
herauszufinden, wieviel
Freude das Klavierspielen
ihrem Kind bereitet. 'Der
Pianostarter für
Kinder'beschränkt sich
auf die Tonart C-Dur und
zunächst auf die
Töne der
C-Dur-Grundposition. Im
Violinschlüssel sind
dies die Töne c', d',
e', f', g' und im
Bassschlüssel die
Töne c, d, e, f, g.
Der Tonumfang im
Violinschlüssel wird
gegen Ende der Schule um
die Töne a', h' und
c'' erweitert, während
im Bassschlüssel zwei
weitere Noten, das
große H und das kleine
a hinzukommen. Die
behutsame
Herangehensweise soll
jegliche Ãœberforderung
ihres Kindes vermeiden,
sodass ein kindgerechtes
und didaktisch wertvolles
Lernen möglich ist.
'Der Pianostarter für
Kinder' - die
zeitgemäße
Klavierschule, welche
Kinder motiviert und mit
jeder Menge Spielspaß
schnell und zielgerichtet
zum erfolgreichen
Klavierspielen
führt.
Bass Clarinet; Piano SKU: HL.14041304 For Bass Clarinet and Piano....(+)
Bass Clarinet; Piano
SKU: HL.14041304
For Bass Clarinet and
Piano. Composed by
Markus Fagerudd. Music
Sales America. Classical.
Softcover. Hal Leonard
#JMU00006. Published by
Hal Leonard
(HL.14041304).
Let's Play Jazz and More * Primer composed by Jay Latulippe and Sonny Doss. For ...(+)
Let's Play Jazz and More
* Primer composed by Jay
Latulippe and Sonny Doss.
For easy piano. This
edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
Piano SKU: HL.14018940 Composed by Johann Sebastian Bach. Music Sales Ame...(+)
Piano
SKU:
HL.14018940
Composed
by Johann Sebastian Bach.
Music Sales America.
Classical. Book
[Softcover]. Composed
2007. 12 pages. Chester
Music #CH02145. Published
by Chester Music
(HL.14018940).
This
composition is taken from
the well-known Secular
Cantata for Bass Voice
Amore Traditore. In
playing over this Cantata
the writer was impressed
by the sparkling vivacity
and brilliance of the
Cembalo obbligato in the
Bass Aria. This piece
makes an excellent study
for strengthening the
individual fingers and
can be practised in
various rhythms. Lass
dich nimmer von der liebe
berucken.
Techniques pour l'interpretation en solo de jazz et de musique moderne....(+)
Techniques pour
l'interpretation en
solo de
jazz et de musique
moderne.
Composed by Gene Rizzo.
Studies & Exercises.
Book
Only. Composed 2010. 36
pages. Hal Leonard
#1703-09-
401 DHE. Published by Hal
Leonard