Lynn Freeman Olson Signature Collection - Volume 2 (Exceptional Piano Solos for ...(+)
Lynn Freeman Olson
Signature Collection -
Volume 2 (Exceptional
Piano Solos for
Developing Pianists). By
Lynn Freeman Olson.
Edited by Elizabeth
Gutierrez. For solo
piano. With historical
recordings by the
composer. Late Elementary
to Early Intermediate.
Book and CD. Standard
notation. Published by
Carl Fischer
Piano Pieces Piano seul EMB (Editio Musica Budapest)
Miniature * Five Little Piano Pieces * Four Sketches * Sonatina. Composed by Mik...(+)
Miniature * Five Little
Piano Pieces * Four
Sketches * Sonatina.
Composed by Miklos Kocsar
(1933-). 20th Century.
EMB. Classical.
Softcover. 32 pages.
Editio Musica Budapest
#EMBZ14655. Published by
Editio Musica Budapest
Piano SKU: BT.EMBZ8377 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano
SKU:
BT.EMBZ8377
Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 88
pages. Editio Musica
Budapest #EMBZ8377.
Published by Editio
Musica Budapest
(BT.EMBZ8377).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ14002 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14002
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 48
pages. Editio Musica
Budapest #EMBZ14002.
Published by Editio
Musica Budapest
(BT.EMBZ14002).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ8378 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano
SKU:
BT.EMBZ8378
Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 60
pages. Editio Musica
Budapest #EMBZ8378.
Published by Editio
Musica Budapest
(BT.EMBZ8378).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ8379 Composed by Gyorgy Kurtag. Contemporary Music. Boo...(+)
Piano
SKU:
BT.EMBZ8379
Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1979. 84
pages. Editio Musica
Budapest #EMBZ8379.
Published by Editio
Musica Budapest
(BT.EMBZ8379).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ20085 Urtext (1932-1939). Composed by Bela Barto...(+)
Piano
SKU:
BT.EMBZ20085
Urtext
(1932-1939). Composed
by Bela Bartok. Arranged
by Yusuke Nakahara. EMB
Music of Bela Bartok.
Educational Tool. Book
Only. Composed 2021. 116
pages. Editio Musica
Budapest #EMBZ20085.
Published by Editio
Musica Budapest
(BT.EMBZ20085).
English-Hungarian.
Bartók's
Mikrokosmos has been one
of the milestones in
pedagogical piano
repertoire for 80 years -
and yet it is also far
more than a classical
piano primer. These 153
piano pieces, organized
in ascending order of
difficulty, engage not
only with technical
aspects of piano playing
but also with the
fundamentals of
composition - from
Imitation and Inversion,
Ostinato, and Free
Variations, concerning
compositional technique,
to mood pieces and pieces
with programmatic ideas
such as Notturno,
Boating, From the Diary
of a Fly, or the famous
Six Dances in Bulgarian
Rhythm. Mikrokosmos first
appeared in 1940 in six
volumes. Based on volume
40 of the Bartók
CompleteEdition published
in 2020(Z. 15040), the
present Urtext edition
offers the series
gathered in three
volumes. This edition
includes Bartók's
preface, exercises, and
notes written for the
first edition.
Furthermore, it also
features a preface and
comments by the editor,
which not only discuss
the genesis and the
compositional sources but
also provide performers,
teachers and pupils
alike, with authentic and
detailed information
about Bartók's
notation and the specific
performing problems of
Mikrokosmos.
Piano SKU: BT.EMBZ20083 Urtext (1932-1939). Composed by Bela Barto...(+)
Piano
SKU:
BT.EMBZ20083
Urtext
(1932-1939). Composed
by Bela Bartok. Arranged
by Yusuke Nakahara. EMB
Music of Bela Bartok.
Educational Tool. Book
Only. Composed 2021. 72
pages. Editio Musica
Budapest #EMBZ20083.
Published by Editio
Musica Budapest
(BT.EMBZ20083).
English-Hungarian.
Bartók's
Mikrokosmos has been one
of the milestones in
pedagogical piano
repertoire for 80 years -
and yet it is also far
more than a classical
piano primer. These 153
piano pieces, organized
in ascending order of
difficulty, engage not
only with technical
aspects of piano playing
but also with the
fundamentals of
composition - from
Imitation and Inversion,
Ostinato, and Free
Variations, concerning
compositional technique,
to mood pieces and pieces
with programmatic ideas
such as Notturno,
Boating, From the Diary
of a Fly, or the famous
Six Dances in Bulgarian
Rhythm. Mikrokosmos first
appeared in 1940 in six
volumes. Based on volume
40 of the Bartók
CompleteEdition published
in 2020(Z. 15040), the
present Urtext edition
offers the series
gathered in three
volumes. This edition
includes Bartók's
preface, exercises, and
notes written for the
first edition.
Furthermore, it also
features a preface and
comments by the editor,
which not only discuss
the genesis and the
compositional sources but
also provide performers,
teachers and pupils
alike, with authentic and
detailed information
about Bartók's
notation and the specific
performing problems of
Mikrokosmos.
Piano (Piano Solo) SKU: HL.51481614 Piano Solo. Composed by Arnold...(+)
Piano (Piano Solo)
SKU: HL.51481614
Piano Solo.
Composed by Arnold
Schönberg. Edited by
Ulrich Krä and mer.
Henle Music Folios.
Classical. Softcover. 47
pages. G. Henle #HN1614.
Published by G. Henle
(HL.51481614).
UPC:
196288206934.
9.0x12.0x0.16
inches.
The Five
Piano Pieces op. 23 are a
transitional work in
which Schönberg made
the decisive step from
free atonal music to
composition based on tone
rows, which however did
not yet necessarily have
to contain all twelve
chromatic tones. Begun in
1920 as a contribution to
a memorial album for
Debussy, the cycle was
completed – now as
an independent work
– only in 1923.
The most famous piece in
it is certainly no. 5,
“Waltzâ€, an
ironic playing with genre
traditions that at the
same time is a
swift-moving piece of
music! Our editor, Ulrich
Krämer, is one of the
most distinguished
Schönberg scholars,
while the fingerings are
provided by specialist
Shai Wosner. The clear
and neatly set score is
an ideal basis on which
to explore this
fascinating piano
universe.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano SKU: BT.EMBZ14068 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14068
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 56
pages. Editio Musica
Budapest #EMBZ14068.
Published by Editio
Musica Budapest
(BT.EMBZ14068).
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. We should
trust the picture of the
printed notes and let is
exert its influence upon
us. The graphic picture
conveys an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel
Green Jazzin' About -- Fun Pieces for Piano / Keyboard by Pam Wedgwood. For Pian...(+)
Green Jazzin' About --
Fun Pieces for Piano /
Keyboard by Pam Wedgwood.
For Piano. Book; Piano
Collection; Piano
Supplemental. Faber
Edition: Jazzin' About.
Jazz. Early Elementary;
Elementary. 22 pages.
Published by Faber Music
Piano SKU: BT.EMBZ14655 Composed by Miklos Kocsar. Book Only. Composed 20...(+)
Piano
SKU:
BT.EMBZ14655
Composed
by Miklos Kocsar. Book
Only. Composed 2009. 32
pages. Editio Musica
Budapest #EMBZ14655.
Published by Editio
Musica Budapest
(BT.EMBZ14655).
Hungarian-English-Germ
an-French.
This
volume contains the first
experimental flights of
Miklós Kocsár
(*1933). It may seem
surprising that the
pieces do not reveal the
stylistic features that
typified Hungarian
composition in the
mid-nineteen-fifties.
These finely-proportioned
miniatures reflect the
composer s diverse,
many-faceted interests:
definite tonal relations
and free use of the
twelve-tone scale, or
even dodecaphony are all
equally characteristic of
them, yet their musical
language is fundamentally
Hungarian. The character
pieces of varying length
offer material for piano
students to play from the
upper music school level
to intermediate
level.
Der Band
beinhaltet die ersten
Gehversuche von Miklós
Kocsár (*1933). Es mag
uns überraschend
vorkommen, dass die
Stücke überhaupt
nicht die Stilmerkmale
aufweisen, von denen die
Tonkunst in Ungarn Mitte
der 1950er Jahre
geprägt war. Diese
proportional geformten
Miniaturen spiegeln die
vielfältigen
Interessen des
Komponisten wider: Die
schlüssigen tonalen
Verhältnisse, die
freie
Zwölftönigkeit oder
sogar die Anwendung der
Dodekaphonie ist ebenso
charakteristisch für
sie, dennoch ist ihre
musikalische Sprache
grundsätzlich
ungarisch. Die mehr oder
weniger kurzen
Charakterstücke bieten
den Klavierschüler von
der höheren Klassen
der Musikschulen bis zur
Mittelstufe hingeeignetes
Spielmaterial.
(8 Early Intermediate Pieces in a Variety of Styles). By Robert D. Vandall. For ...(+)
(8 Early Intermediate
Pieces in a Variety of
Styles). By Robert D.
Vandall. For Piano. Book;
Graded Standard
Repertoire; Piano
Collection; Piano
Supplemental. Piano
Extravaganza. Early
Intermediate. 24 pages.
Published by Alfred Music
(9 Late Intermediate Pieces in a Variety of Styles). By Robert D. Vandall. For P...(+)
(9 Late Intermediate
Pieces in a Variety of
Styles). By Robert D.
Vandall. For Piano. Book;
Graded Standard
Repertoire; Piano
Collection; Piano
Supplemental. Piano
Extravaganza. Late
Intermediate. 32 pages.
Published by Alfred Music
(7 Intermediate Pieces in a Variety of Styles). By Robert D. Vandall. For Piano....(+)
(7 Intermediate Pieces in
a Variety of Styles). By
Robert D. Vandall. For
Piano. Book; Graded
Standard Repertoire;
Piano Collection; Piano
Supplemental. Piano
Extravaganza.
Intermediate. 24 pages.
Published by Alfred Music
Piano SKU: FG.55011-602-3 Kaksi pianokappaletta - Pensamientos 1974 & ...(+)
Piano
SKU:
FG.55011-602-3
Kaksi pianokappaletta
- Pensamientos 1974 &
Toccata-fantasia.
Composed by Ann-Elise
Hannikainen. Fennica
Gehrman #55011-602-3.
Published by Fennica
Gehrman (FG.55011-602-3).
ISBN
9790550116023.
Ann-
Elise Hannikainen
(1946-2012) was born in
Hanko, Southern Finland,
but lived mainly abroad,
her father working as
diplomat. Her
grandfather's father was
P.J. Hannikainen, the
head of a prominent
Finnish musical family.
Ann-Elise's attraction to
music was first found at
age of five, when her
family, then living in
Warsaw, bought a grand
piano. Hannikainen
started to study piano
playing at the Sibelius
Academy in 1967, but
rheumatoid arthritis
prevented her from
pursuing a carrier as a
concert pianist. In 1972
she moved to Madrid and
started to study
composition with Ernesto
Halffter Ercriche, a
student of Manuel de
Falla. Hannikainen
advanced quickly in her
career, and her piano
concerto was premiered in
Helsinki Festival in
1976. Her composing style
evolved into luminous
melodies, free atonal
harmonies and
improvisatory forms.
Hannikainen wrote the two
piano pieces Pensamientos
1974 (1974) and
Toccata-fantasia (1975)
in El Escorial. The first
one carries features
typical for piano writing
of the Late Romantic,
whereas the playful and
improvisatory
Toccata-fantasia gives a
neoclassical
impression.
Piano Solo Piano Solo; Piano/Keyboard SKU: HL.244643 Over 60 Popular P...(+)
Piano Solo Piano Solo;
Piano/Keyboard
SKU:
HL.244643
Over 60
Popular Pieces &
Songs. By Naomi Cook.
By Various. Piano Solo
Songbook. Classical, Pop,
Standards. Softcover.
Composed 2017. 276 pages.
Duration 116 seconds. Hal
Leonard #AM1012836.
Published by Hal Leonard
(HL.244643).
ISBN
9781785585005. UPC:
888680747336.
9.0x12.0x0.61 inches.
English.
This
comprehensive collection
contains the most
well-known, best-loved
pieces of music that
every pianist should have
in their repertoire.
You'll find classical
favorites, famous film
themes, laid-back jazz,
chart hits, wedding
music, Christmas classics
and handy must-haves like
“Auld Lang
Syne†and
“Happy Birthday to
You,†all organized
into themed sections for
navigation. With
everything from Mozart to
Mariah Carey, Einaudi to
Elton John and John
Williams to Justin
Bieber, this is the
ultimate dip-in resource
for pianists!
Piano Solo SKU: SU.27040260 For Piano Solo. Composed by Gregory J....(+)
Piano Solo
SKU:
SU.27040260
For
Piano Solo. Composed
by Gregory J. Hutter.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#27040260. Published by
Subito Music Corporation
(SU.27040260).
The five
Fantasy Pieces are
manifestations of the
piano in its sundry
traditions. The Prelude
is a response to the
instrument's mechanical
side and timbral
possibilities; the Free
Invention is a wild study
in two-part counterpoint;
the Intermezzo contains
many dense harmonic
textures; the Passacaglia
is a demonstration of
pianistic virtuosity, and
the Postlude explores the
instrument's resonance
and acoustical
properties. Piano Solo
Duration: 20' Composed:
2001 Published by: Hutter
Music.
(15 Jazz Variations in the Style of the Masters (incl. free mp3-download)). By M...(+)
(15 Jazz Variations in
the Style of the Masters
(incl. free
mp3-download)). By
Michael Publig. For
piano. Level 3 to 4. 60
pages. Published by
Doblinger Music
Publishers
Piano SKU: HL.50512030 Composed by Laszlo Dubrovay. Contemporary Music. E...(+)
Piano
SKU:
HL.50512030
Composed
by Laszlo Dubrovay.
Contemporary Music. EMB.
Contemporary Hungarian
Works. Score Only. 12
pages. Editio Musica
Budapest #Z14760.
Published by Editio
Musica Budapest
(HL.50512030).
ISBN
9790080147603. A/4
inches. Laszlo
Dubrovay.
This
work, composed in 1971,
was intended for
professional performers.
It was written with
post-Webern, free
twelve-tone technique;
its sound is
characterized by frequent
use of all twelve notes
in the construction of
the harmony, and by wide
spacing of dissonant
intervals or the crowding
of them into dense
blocks. These short
character pieces contain
a great variety of
gestures and emotions,
ranging from witty
playfulness through
violent -Sturm und Drang-
behaviour that shatters
every framework, to
mournful lamentation and
hope of hymnic
redemption.
