Upper Voices a Cappella (I,II/I,II,III/SMA/SMAA/S A/SAA/SS/SSA/SSAA) SKU: HL....(+)
Upper Voices a Cappella
(I,II/I,II,III/SMA/SMAA/S
A/SAA/SS/SSA/SSAA)
SKU: HL.645794
No. 35 for Brass
Quartet. Composed by
Zoltan Kodaly. Arranged
by Ray Woodfield.
Educational Piano.
Classical. Softcover. 272
pages. Duration 7200
seconds. Schaum
Publications, Inc. #6724.
Published by Schaum
Publications, Inc.
(HL.645794).
ISBN
9790080067246. UPC:
008148067244.
9.0x12.0x0.013 inches.
Hungarian.
This
edition was prepared with
the assistance of Lajos
Bardos.
Diese
Ausgabe entstand unter
der Mitwirkung von Lajos
Bardos.
Piano / keyboard - easy to intermediate SKU: M7.MF-2063-01 6 Chart-Hit...(+)
Piano / keyboard - easy
to intermediate
SKU:
M7.MF-2063-01
6
Chart-Hits: Standing
Still - Jar Of Hearts -
Do You Like What You See
- Ai Se Eu Te Pego (Nossa
Nossa) - Anti Hero (Brave
New World) - Born To Die.
Noten für Klavier und
Keyboard. Mit Play-.
Arranged by Uwe Bye. This
edition: Saddle-wire
stitching. Sheet music
with CD. Music Factory.
CD with MIDI-Files and
Play-Along-Tracks. 32
pages. Music Factory #MF
2063-01. Published by
Music Factory
(M7.MF-2063-01).
ISBN
9783795790394.
Hier
sind die aktuellen Hits
aus dem Frühjahr 2012:
Roman Lob wird
Deutschland mit 'Standing
Still' beim Grand Prix
d'Eurovision in Baku
vertreten, Christina
Perri ist mit ihrer
Ballade 'Jar Of Hearts'
jetzt auch bei uns ein
Star, Ivy Quainoo hat mit
'Do You Like What You
See' den
Castingwettbewerb 'The
Voice of Germany'
gewonnen und Lana Del Ray
ist mit ihrem zweiten Hit
'Born To Die' wieder in
allen Radios präsent.
Seit Wochen die Nr. 1 -
'Ai Se Eu Te Pego (Nossa
Nossa)' von Michel
Teló ist d-e-r Hit des
Frühjahrs und 'Anti
Hero (Brave New World)',
der Nachfolgehit von 'New
Age' beschert Marion
Roudette wieder Heavy
Rotation auf allen
Kanälen. 2 Hefte in
einem: Klavierarrangement
sowie Melodieausgabe
für Klavier, Keyboard,
Gitarre, Gesang, Flöte
oder Violine zum
Herausnehmen. Keyboarder,
Pianisten, Gitarristen
und Sänger werden ihre
Freude daran haben. Alle
MIDI-Files der CD gibt es
auf der Website von
Schott Music auch als
kostenpflichtige
Downloads. Die MIDI-Files
sind in Tonart /
Geschwindigkeit passend
zu den
Top100-Arrangements
optimiert!
Piano SKU: BT.EMBZ14501A Suppl. 6. EMB New Listz Edition. Book Har...(+)
Piano
SKU:
BT.EMBZ14501A
Suppl. 6. EMB New
Listz Edition. Book
Hardcover. Composed 2009.
244 pages. Editio Musica
Budapest #EMBZ14501A.
Published by Editio
Musica Budapest
(BT.EMBZ14501A).
Arranged by Pam Wedgwood. For Piano. Book; Piano Collection; Piano Supplemental....(+)
Arranged by Pam Wedgwood.
For Piano. Book; Piano
Collection; Piano
Supplemental. Faber
Edition: After Hours.
Christmas; Secular;
Winter. Early
Intermediate;
Intermediate; Late
Intermediate. 32 pages.
Published by Faber Music
Piano - Level 4 SKU: DB.01-00338 Einzelausgabe Auch enthalten im Samme...(+)
Piano - Level 4
SKU:
DB.01-00338
Einzelausgabe Auch
enthalten im Sammelband
Die Etude, Heft 4.
Composed by Ernst Ludwig
Uray. Keyboard music.
Doblinger Music
Publishers #01-00338.
Published by Doblinger
Music Publishers
(DB.01-00338).
Piano - Level 3 SKU: DB.01-00575 Einzelausgabe. Composed by Ernst ...(+)
Piano - Level 3
SKU:
DB.01-00575
Einzelausgabe.
Composed by Ernst Ludwig
Uray. This edition:
Archive edition. Keyboard
music. 10 pages pages.
Doblinger Music
Publishers #01-00575.
Published by Doblinger
Music Publishers
(DB.01-00575).
Tonal, etwa
mittelschwer,
musikantisch, klanglich
apart, dankbar. Oisterr.
Musikzeitschrift.
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4
SKU:
FA.MFCD007PN
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN).
8.27 x
11.69
inches.
Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)!