Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370).
ISBN
9781491135075. UPC:
680160686247.
Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022.
Piano SKU: BO.B.3661 Composed by Joan Comellas. Published by Editorial de...(+)
Piano
SKU:
BO.B.3661
Composed by
Joan Comellas. Published
by Editorial de Musica
Boileau (BO.B.3661).
The Sonatas de
Paris are divided into
two books. Comellas began
the series in early 1952
and they were finished in
1955. As with most of his
works, he composed
without having a plan to
premier them or a
commission. So upon
having them completed, he
filed them away. On many
occasions, his close
friend Jordi Giro would
read thrue the pieces or
Anna Ricci would sing his
songs, but very little of
his music was performed
during his life
time.
The two
books entitled Sonatas de
Paris are really to books
with totally different
character. The first book
is made up of short piano
pieces in a neo baroque
style. More than
following strict forms of
the baroque suite, the
pieces are more a evoking
of the baroque style.
Book one loosely follows
the idea of a suite or
ordre, where as book two
is much freer in
structure being made up
of various pieces, a few
in memory of his favored
composers (Albeniz,
Debussy, and Granados)
ending with a group of
four dances, Las indias
danzantes [Dances of the
Indian girls], that refer
to an Indian dance. This
group of dances is not
really playable by one
pianist and seems to be
really meant to be
performed piano 4 hands,
but since there is no
note about this in the
score it is hard to say.
A few of these pieces
were performed by Rosa
Sabater in Paris in
1980.
The
present edition is based
on manuscripts that are
in the Joan Comellas
deposit in the National
Catalonian Library in
Barcelona.
Piano SKU: YM.GTP01101657 Japanese Cinema Music Piano Collection: Inte...(+)
Piano
SKU:
YM.GTP01101657
Japanese Cinema Music
Piano Collection:
Intermediate-Advanced
Level. Arranged by
Suguru Matsutani. Artist
Folio; Japanese Film
Music. Japanese Film,
Japanese Drama, Japanese
TV. Book. Yamaha Music
Media #GTP01101657.
Published by Yamaha Music
Media (YM.GTP01101657).
ISBN 9784636949834.
8.75 x 12
inches.
Features
the music from hit
Japanese films such as I
Want to Eat Your
Pancreas, along with the
soundtracks of numerous
best-selling works.
Renowned Japanese
composer Takashi
Matsutani, known for
scoring films such as I
Want to Eat Your
Pancreas, My Tomorrow,
Your Yesterday, Sing Lip,
Omoinokoshi, and more,
has fully supervised this
collection of piano sheet
music. Matsutani's world,
which beautifully
portrays scenes and
emotions with sparkling
youth stories, poignant
feelings, and the surging
climax scenes, creates a
delightful experience for
both listeners and
pianists. The special
score TAKUMI (2016)
includes solo piano and
ensemble parts for violin
and cello (for duos and
trios).
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Piano SKU: BT.EMBZ15000N Facsimile numbered edition with CD. Compo...(+)
Piano
SKU:
BT.EMBZ15000N
Facsimile numbered
edition with CD.
Composed by Gyorgy
Kurtag. Book with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#EMBZ15000N. Published by
Editio Musica Budapest
(BT.EMBZ15000N).
English-Hungarian.
In the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who was
his student in earlier
years and who, throughout
his entire life, was one
of its most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades however, he
always used this
collection - expanded
over 32 years since by
Kurtág - whenever he
played pieces from Games
in concert. Since the
time of this 1974
concert, as Kocsis wrote
later: ''I didn't know
that the spiral notebook
I received at thepremiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.''The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score.The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Piano - easy SKU: HL.50600649 Facsimile with CD. Composed by Gyorg...(+)
Piano - easy
SKU:
HL.50600649
Facsimile with CD.
Composed by Gyorgy
Kurtag. Contemporary
Music. EMB. Classical,
Facsimile, Hungarian.
Softcover with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#Z15000. Published by
Editio Musica Budapest
(HL.50600649).
ISBN
9790080150009. UPC:
888680895518.
10.25x13.5x0.622 inches.
Hungarian, English.
Gyorgy Kurtag.
In
the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who had
been his student in
earlier years and who,
even today, is one of its
most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades; however, since
then he has used this
collection - expanded
over 32 years since by
Kurtág - whenever he
plays pieces from Games
in concert. Since the
time of this 1974
concert, as he writes: 'I
didn't know that the
spiral notebook I
received at the premiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.' The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score. The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Piano - Grade 4 SKU: HL.233151 Solo Piano Part. Composed by Poul R...(+)
Piano - Grade 4
SKU:
HL.233151
Solo
Piano Part. Composed
by Poul Ruders. Music
Sales America. Classical.
Softcover. Composed 2017.
20 pages. Edition Wilhelm
Hansen #WH32201C.
Published by Edition
Wilhelm Hansen
(HL.233151).
ISBN
9788759886427. 10.0x14.5
inches.
English.
Piano solo
part for Paganini
Variations - Piano
Concerto No.3 by Poul
Ruders (2014). Score
available: WH32201
Programme note: In 1999
my friend, American
guitar virtuoso David
Starobin, wanted me to
write a concerto for
guitar and orchestra. It
quickly dawned on me,
that this commission
presented a golden
opportunity to contribute
to the time-honoured
tradition of composing a
series of variations on
Nicolo Paganini's famous
24th Caprice for violin
solo, a work which itself
is a set of variations.
The 16 bar (with the
first 4 bars repeated)
theme is not particularly
sophisticated or
intricate, but its
inherent simplicity and
logic just grow on you,
almost to the point
ofdistraction - and the
secret behind it being
hauled through the
wringer by composers as
disparate as Liszt,
Brahms, Rachmaninoff and
Lutoslawski is perhaps
found in its - what I'll
call, with a quick
nervous look over my
shoulder: brilliant
banality. You can do
anything with that tune,
it'll always be
recognizable and just
there, however much you
maul it. The piece
(subtitled Guitar
Concerto no 2) was
written pretty quickly,
premiered and
subsequently recorded for
Bridge Records with David
and the Odense Symphony
Orchestra conducted by
Jan Wagner, and everybody
was happy. But the story
didn't end there, and it
must be the ultimate
proof of the durability
of the theme, not to
mention the flexibility
and far-sightedness of
David Starobin , when he
14 years later suggested
why not transcribe the
solo part for piano?. The
idea appealed to me
immediately. One thing
was clear from the
beginning: the new
version could in no way
sound like a
transcription. My aim was
to end up with a
solo-part sounding like
were it the one-and-only,
the real thing, if you
like. The orchestral
score remains exactly the
same in both cases. Both
versions, the two
Paganini Variations, are
comparable to a set of
twins, not quite
identical, but almost.
And both each others's
equal. Poul Ruders.
Piano - easy SKU: M7.ART-42215 25 klassische and romantische Klavierst...(+)
Piano - easy
SKU:
M7.ART-42215
25
klassische and
romantische
Klavierstücke - leicht
spielbar arrangiert.
Arranged by Theresia
Prelog. Score with online
audio files. 48 pages.
Artist Ahead Musikverlag
#ART 42215. Published by
Artist Ahead Musikverlag
(M7.ART-42215).
ISBN
9783866422155.
German.
Das
'Klavieralbum für
Elise' bietet 25 leicht
spielbar arrangierte
Werke berühmter
klassischer und
romantischer Komponisten
wie u. a. Haydn, Mozart,
Beethoven, Schumann,
Tschaikowski und Weber.
Die Stücke sind in
progressiver Reihenfolge
angeordnet und
ermöglichen es
Spielern jeder
Altersstufe schon nach
kurzer Lernzeit die
groÃ?en Meister selbst
zu interpretieren und so
die faszinierende Welt
der klassischen Musik zu
entdecken. Neben dem
Klavierstück 'Für
Elise', eines der
beliebtesten Werke bei
Klavierschülern,
enthält dieses Album
weitere berühmte
Melodien und gängige
Unterrichtsliteratur der
Klassik und Romantik. Die
sorgfältig
ausgewählten Stücke
sind bestens geeignet zur
Verwendung neben jeder
Klavierschule sowie zum
Selbststudium für
Wiedereinsteiger und
Hobbypianisten. Die
Kompositionen fördern
nicht nur den Fortschritt
des Spielers in
musikalischer und
klaviertechnischer
Hinsicht, sondern sind
ebenfalls ideale
Vortragsstücke zu
verschiedenen
Anlässen. Eine
überschaubare Länge
der Stücke, ein
übersichtliches
Notenbild, zahlreiche
Fingersätze sowie ein
zum Buch erhältlicher
kostenloser Download mit
Audio-Dateien erleichtern
das Erlernen und
fördern die
Spielfreude. Allen
Kindern, Jugendlichen und
Erwachsenen wünschen
wir viele schöne
Stunden am Klavier.
Piano - Intermediate-Advanced to Advanced SKU: YM.GTP01097933 Piano Pop a...(+)
Piano -
Intermediate-Advanced to
Advanced
SKU:
YM.GTP01097933
Piano
Pop and Vocal. Score.
Yamaha Music Media
#GTP01097933. Published
by Yamaha Music Media
(YM.GTP01097933).
ISBN
9784636979336.
The
arrangements include in
this series of books
offer rich and gorgeous
sounds and has gotten a
good reputation for now.
This book is a special
issue. All music which
this book offers are good
to be used for concerts,
school activities and as
background music in
restaurants. This level
is set higher so it is
challenging and rewarding
for all the piano
players.
Sonaten 1-50. Composed by Leopold Kozeluch (1747-1818). Edited by Christo...(+)
Sonaten 1-50.
Composed by Leopold
Kozeluch (1747-1818).
Edited by Christopher
Hogwood. This edition:
urtext edition.
Paperback. Leopold
Kozeluch. Samtliche
Sonaten fur Clavier 1-4.
Set of 4 volumes.
Performance score,
anthology. 807 pages.
Published by Baerenreiter
Verlag (BA.BA9515).
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
Piano Solo, Piano Duet SKU: YM.GTP01101520 Game Music. Score. Yamaha Musi...(+)
Piano Solo, Piano Duet
SKU:
YM.GTP01101520
Game
Music. Score. Yamaha
Music Media #GTP01101520.
Published by Yamaha Music
Media (YM.GTP01101520).
ISBN 9784636112047. 12
x 9 inches.
This
book contains 17 songs
carefully selected from 7
titles in the Kirby game
series and arranged to be
played on the piano. The
level is from easy to
intermediate. In
addition, the book
includes popular songs
such as Gourmet Race and
Green Greens, which are
essential for Kirby
lovers. We highly
recommend Running Through
the New World from
Kirby's Discovery (2022)!
There are two versions of
the song: Piano Solo and
Piano Duet. In the Piano
Duet, you can enjoy
playing with your
friends, teachers, or
family members. The book
is also filled with
illustrations of Kirby
and his friends!
Piano solo - Level 4 SKU: FV.FUE-3240 Composed by Ljubica Maric. Piano (H...(+)
Piano solo - Level 4
SKU: FV.FUE-3240
Composed by Ljubica
Maric. Piano
(Harpsichord), 2-hands.
Work premiere: 1945
Belgrad by Zdenko
Marasovic. Instrumental
Music. Full score.
Composed 1945. Duration
14'00. Furore Verlag #FUE
3240. Published by Furore
Verlag (FV.FUE-3240).
ISBN
979-0-50012-824-3.
The Three Preludes for
piano, written long ago,
may will speak for
themselves, as indeed
real music. For in order
to become something,
there must already be
some-thing. (L. Maric)
These original piano
pieces call for
proficiency virtuoso. For
concert etudes or for
pianistical studies.
Piano SKU: JU.JMG1243 Arranged by Stan Pethel. Score. Jubilate Music Grou...(+)
Piano
SKU:
JU.JMG1243
Arranged
by Stan Pethel. Score.
Jubilate Music Group
#JMG1243. Published by
Jubilate Music Group
(JU.JMG1243).
ISBN
9798985015393. UPC:
850044279401.
As a
leading figure in 19 th
century American church
music, Lowell Mason
composed over 1,600 hymn
tunes…many of which
became standards in
church hymnody known
worldwide. This
publication not only
features playable piano
arrangements of
Mason’s classic
hymn tunes, but offers
biographical information
and celebrates the life
and influence of the man
often regarded as
“the father of
American music education.
Titles include When I
Survey the Wondrous
Cross; Blest Be the Tie;
My Faith Looks Up to
Thee; There is a
Fountain; Nearer, My God
to Thee; O For a Thousand
Tongues, and more.
Piano Solo, Piano Duet SKU: YM.GTP01100307 Piano Solo and Piano Duet (...(+)
Piano Solo, Piano Duet
SKU:
YM.GTP01100307
Piano Solo and Piano
Duet (1 Piano 4
Hands). By YOASOBI.
By Ayase. J-Pop. Score.
Yamaha Music Media
#GTP01100307. Published
by Yamaha Music Media
(YM.GTP01100307).
ISBN
9784636102147. 8.5 x 12
inches.
The
matching piano music book
for the CD THE BOOK 2
released in December 2021
is now available!
Includes songs, such as
the opening and ending
themes of the popular
anime BEASTARS, as well
as the newest song
Tsubame, all of which
have tie-ins and have
attracted a great
attention from various
fields. The front pages
feature exclusive
messages from YOASOBI's
members -Ayase and Ikura
(Lilas Ikuta) - to piano
lovers, and there's more!
A bonus score, YOASOBI
Special Piano Duet
Medley, is also included.
This gorgeous and
enchanting version of the
piano duet arrangement is
sure to become a favorite
of yours!
Piano SKU: BT.NEVE9789463882910 Composed by Jef Neve. Book Only. Composed...(+)
Piano
SKU:
BT.NEVE9789463882910
Composed by Jef Neve.
Book Only. Composed 2020.
Blue Key Productions
#NEVE9789463882910.
Published by Blue Key
Productions
(BT.NEVE9789463882910).
ISBN 9789463882910.
Dutch.
This book is
for more expert level
pianists. If you can play
the last score of my book
Two, I am convinced that
you can start here. I
needed to study these
scores as well and to
stay focused when playing
them. Can I give you some
advice? If you struggle
with a hard part, repeat
it, over and over again.
You canâ??t expect to
improve your piano level
by playing only the easy
parts of a song. Make
sure you study
efficiently. The book
includes a lot of
compositions. We recorded
every song in the studio
so you can hear me play,
the way I like it to be
played. However, as a
pianist, I believe it is
essential to give it your
touch, so I am looking
forward to hearing your
version too. On top of
that, there is a tutorial
video of every single
song, where I talk you
through the hardest parts
and share some tips and
tricks with
you.
Piano (Large Print Music) SKU: SU.95001022 For Piano (Large Print Musi...(+)
Piano (Large Print Music)
SKU: SU.95001022
For Piano (Large Print
Music). Keyboard,
Piano/Harpsichord. Large
Print. Score. Subito
Music Corporation
#95001022. Published by
Subito Music Corporation
(SU.95001022).
NOT AVAILABLE
OUTSIDE THE USA. Arranged
by Lawrence Rosen. Piano
solo with lyrics and
chord symbols. Formatted
2½ larger than
traditional printed
music. Contents: I'm
Always Chasing Rainbows,
This Land is Your Land,
Second Hand Rose, I
Wonder Who's Kissing Her
Now, Those Were the Days,
Swanee, There'll Be Some
Changes Made.
Piano - Easy-Intermediate SKU: YM.GTP01098166 Keyboard. Arranged Classic....(+)
Piano - Easy-Intermediate
SKU:
YM.GTP01098166
Keyboard. Arranged
Classic. Score. Yamaha
Music Media #GTP01098166.
Published by Yamaha Music
Media (YM.GTP01098166).
ISBN
9784636981667.
Ther
e are many music sheet
books available for
children, but not many
for adults who have just
started playing the
piano. The Otona Piano
series is designed for
those adults who are
beginner piano players.
Here is a great
piano collection for
those who want to take
their piano playing to
the next level! It is
also a great selection
for live
performances!
Piano SKU: BT.NEVE9789463882903 Composed by Jef Neve. Book Only. Composed...(+)
Piano
SKU:
BT.NEVE9789463882903
Composed by Jef Neve.
Book Only. Composed 2020.
Blue Key Productions
#NEVE9789463882903.
Published by Blue Key
Productions
(BT.NEVE9789463882903).
ISBN 9789463882903.
Dutch.
This book is
for more advanced
pianists. If you can play
the last score of my book
Start, I am sure you will
find what you need in
this book. When I was
composing the songs for
this book, I looked back
to the time I was a young
pianist, going to the
music school where I
could let my teacher hear
my progression of last
week. The book includes
13 pieces and it goes
from easy to more
advanced. We recorded
every song in the studio
so you can hear me play,
the way I like it to be
played. However, as a
pianist, I believe it is
essential to give it your
touch, so I am looking
forward to hearing your
version too. On top of
that, there is a tutorial
video of every single
song, where I talk you
through the hardest parts
and share some tips and
tricks with
you.
Piano SKU: HL.50607005 Composed by Peter Wolf. EMB. Children, Classical. ...(+)
Piano
SKU:
HL.50607005
Composed
by Peter Wolf. EMB.
Children, Classical.
Softcover. Editio Musica
Budapest #Z15248.
Published by Editio
Musica Budapest
(HL.50607005).
UPC:
196288217381.
Pï¿
½TER WOLF (1947) studied
classical piano and jazz
piano at the B�la
Bart�k Secondary
School under Korn�l
Zempl�ni, Ferenc
Rados and J�nos
Gonda. In 2015 he
obtained his DLA degree
from the Franz Liszt
Academy of Music with his
thesis on jazz
arrangements. In 1969 he
became the
keyboard-player of the
band Ex Antiquis. He
composed many hits of the
1970s and 1980s as well
as scores for popular
films and musicals. His
virtuosity as an
orchestrator was shown in
concerts and albums of
the Franz Liszt Chamber
Orchestra; he also
orchestrated violin
pieces for Isaac Stern's
''Kreisler'' CD. In 1995
he was awarded the
F�nyes Szabolcs
Prize, in 2005 the Erkel
Prize, and in 2018
Artisjus's Life Prize. In
recent years he has had
numerous large-scale
compositions premiered by
excellent performers: his
two piano concertos and
his concertos for oboe,
clarinet, and violin
respectively. About
Inventions for Young
Pianists, piano teacher
Rita Znamen�k
writes: ''This volume
expressly aims at
extending the repertoire
of 3rd- and 4th-grade
primary music students
(and, of course, that of
the older ones, too).
Each of the 23 inventions
expands and revolves
around a musical idea.
The short pieces inspire
the children's
imagination already with
their titles. Teachers
and student scan freely
choose among pieces which
require crossing hands,
arpeggios, clusters,
polyphony, syncopated
rhythm, chromaticism, and
pedalling. There are
melodies with
accompaniment, playing
with alternate hands,
playing legato and
staccato, notes with
appoggiaturas and
acciaccaturas, jazz
accents, and glissandi,
too. The composer wrote
unusual sound effects
into a few pieces for the
brave. It's my most
sincere wish for young
pianists that they find
joy in studying Peter
Wolf's works, and I
encourage my colleagues
to include pieces from
this volume into their
material: maybe students
will also become more
open to contemporary
music through
them.''.
Clothbound Piano (Piano solo) - L7, L8 SKU: HL.51480887 Piano Clothbou...(+)
Clothbound Piano (Piano
solo) - L7, L8
SKU:
HL.51480887
Piano
Clothbound Score.
Composed by Frederic
Chopin. Edited by Norbert
Mü and llemann. Arranged
by Hans-Martin Theopold.
Sheet Music. Clothbound.
Henle Music Folios.
Revised edition of HN
279. Detailed critical
commentary available for
download free-of-charge.
Classical, Romantic.
Hardcover. 128 pages. G.
Henle #HN887. Published
by G. Henle
(HL.51480887).
ISBN
9790201808871. UPC:
888680924928.
9.25x12.5x0.553
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN601
Composed by Wolfgang
Amadeus Mozart. Edited by
Ernst Herttrich. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. Piano
Sonata G major K. 283
(189h). Classical.
Softcover Book. 19 pages.
G. Henle #HN601.
Published by G. Henle
(HU.HN601).
Piano SKU: BT.NEVE9789464008197 Composed by Jef Neve. Book Only. Composed...(+)
Piano
SKU:
BT.NEVE9789464008197
Composed by Jef Neve.
Book Only. Composed 2020.
Blue Key Productions
#NEVE9789464008197.
Published by Blue Key
Productions
(BT.NEVE9789464008197).
ISBN 9789464008197.
English.
This book
is for more expert level
pianists. If you can play
the last score of my book
Two, I am convinced that
you can start here. I
needed to study these
scores as well and to
stay focused when playing
them. Can I give you some
advice? If you struggle
with a hard part, repeat
it, over and over again.
You can’t expect
to improve your piano
level by playing only the
easy parts of a song.
Make sure you study
efficiently. The book
includes a lot of
compositions. We recorded
every song in the studio
so you can hear me play,
the way I like it to be
played. However, as a
pianist, I believe it is
essential to give it your
touch, so I am looking
forward to hearing your
version too. On top of
that, there is a tutorial
video of every single
song, where I talk you
through the hardest parts
and share some tips and
tricks with you.
Piano - Late Intermediate, Advanced SKU: OT.21124 Composed by Maayan Tal....(+)
Piano - Late
Intermediate, Advanced
SKU: OT.21124
Composed by Maayan Tal. 7
etudes for piano.
Classical. Score. OR-TAV
Music Publications
#21124. Published by
OR-TAV Music Publications
(OT.21124).
ISBN
9789655050981. 8.27 x
11.69
inches.
Perpetuum
Mobile, meaning perpetual
motioni, is a Latin term
that describes an
impossible situation in
which a substance has
infinite energy. This
situation is impossible
because it violates the
first and second laws of
Newton. But it is
possible in music.
Imagine a musical piece
that is a continuous
stream of notes. These
are exactly the etudes in
this album. They do not
stop, they are always in
motion and they can be
played continuously.
Etudes are solo
pieces, purposed to help
the musician practice his
technique. In this album,
each etude is designed to
practice another
technique. In
addition, the etudes in
this album are arranged
according to the circle
of fifths - each etude
ends in a key which is
dominant to the beginning
of the next etude, even
the last etude to the
first one, and so on and
so forth. This further
emphasizes the infinite
mobility of the music in
this piece. Once you
enter the loop, you can't
get out of it. All the
etudes start in a minor
key, as a symbol of the
sadness of the matter,
and end in a major key,
to represent the hope, a
false hope, that perhaps
the next etude will take
you out of the loop.
This album is a
three-year-long project,
in which I gathered ideas
from the environment in
which I live, from the
people in it and from
their thoughts, from life
that continues all the
time, and the music that
will never stop.
Maayan Tal, 17, is a
young Israeli musician,
pianist and composer.
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace....(+)
Piano
SKU:
PR.510076960
Pour
Piano. Composed by
Stephane Delplace. Full
score. With Standard
notation. 28 pages.
Duration 25 minutes, 37
seconds. Gerard Billaudot
Editeur #510-07696.
Published by Gerard
Billaudot Editeur
(PR.510076960).
1. Choral: An
improbably superimposing
of Beethoven and Brahms.
At the end of the first
performance of the
latter's 1st Symphony,
someone asked the
composer: Don't you find
that your main theme
remin ds one of the Ode
to Joy? To which he
retorted: Even an idiot
would have noticed it! 2.
Fugue: in the last
exposition, the subject
of Fugue I from volume 1
of Bach's Well-Tempered
Keyboard is super imposed
on the theme from
Mozart's so-called easy
sonata. 3. Passion: In
his Violin Concerto,
Mendelssohn, to whom we
owe the rediscovery of
Bach's Passions, seems to
have borrowed a theme
from a lost Passion. 4.
Recitativo: Tribute to
Franck's tribute to Bach
in his Sonata for violin
and piano. 5. Invention:
A private revenge, after
a bitter failure.
Debussy's Toccata was on
the compulsory list for
the Conservatory piano
class entrance exam. 6.
Arpeggione: In which the
listener realizes the
similarity in the
introduction to
Schubert's Unfinished
Symphony and Arpeggione
Sonata. 7. Sarabande: The
most iconoclastic, for
Bach's 5th Cello Suite is
already suffused with
harmony. There might be
an evocatioin of a
Brahms-like overarching
structure, though... 8.
Variation: The slowest
variation ever written on
Paganini's 24th Caprice.
9. Scene: Schumann's
Reverie as a Prelude. 10.
Finale: In order to
capture the elusive
harmony of the Finale of
Chopin's Sonate Funebre.
11. Fugue on Au clair de
la lune: Our greatest
nursery rhymes, fugue
fitted and choralized.
12. Fugue de Noel
(Christmas fugue): Quite
appropriate. 13. Fugue on
J'ai du bon tabac:
Prohibited counterpoint.
14. Fugue on La
Marseillaise:
Franco-German
reconciliation. 15. Pedal
- Exercitium: Realization
and conclusion of Bach's
organ pedal exercies.
Piano SKU: BR.EB-8032 Piano Lessons by Felix Mendelssohn Bartholdy...(+)
Piano
SKU:
BR.EB-8032
Piano
Lessons by Felix
Mendelssohn
Bartholdy. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Romantic period. Score.
16 pages. Breitkopf and
Haertel #EB 8032.
Published by Breitkopf
and Haertel (BR.EB-8032).
ISBN 9790004174357. 9
x 12 inches.
In the
last year of his life,
Felix Mendelssohn
Bartholdy (1809-1847)
composed the six charming
Children's Pieces, op. 72
(EB 8317). In contrast to
the collections of
children's pieces (by
Schumann or Reger, for
example), these have
remained relatively
unknown. Admittedly,
however, they here and
there demand technical
and musical
accomplishments that are
beyond those to be
expexted of beginners and
belong to an intermediate
stage of instruction. In
the present edition,
minor re-arrangements and
cuts (in op. 72 no. 6)
are intended to make the
music more accessible to
a child's understanding.
The Songs without Words
presented here are
musically more demanding.
From the total of 48
pieces, I have selected
three slow compositions
in which simple,
beautiful melodie lines
are supported by
chorale-like piano
textures. True
performance of these
pieces requires clean
polyphonic chord playing
and a cultivated pedal
technique. The selection
of pieces in this edition
will, it is hoped,
stimulate renewed
interest in the piano
music of Mendelssohn,
which is so neglected
today. Heinz Walter,
Salzburg, Spring
1979
A Selection
from 6 Children's Pieces
(Op. 72) and Songs
without Words.