Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

60 Works From Bach To Debussy. Unique and comprehensive, this fantastic collection features a tremendous variety of slow movements for keyboard players. Highlights of these evocative selections come from masterpieces including sonatas of Haydn and Mozart, Chopin preludes and classics such as the opening movement of Beethoven's 'Moonlight' Sonata, Bach's Sinfonia in F Minor and Debussy's Clair De Lune./ Recueil / Piano

Alfred is pleased to introduce Elvina Pearce's Favorite Solos, Book 3, a collection of 14 intermediate to late intermediate solos for students of all ages. Students, teachers, and audiences will enjoy the variety of styles, sounds, and moods of this music. The pieces included in this collection have maintained their popularity among pianists for many years and will quickly become your favorites, too. / Piano

Pieces To Play Book 1, désormais disponible avec un CD! Burnam composé ce recueil de pièces pour piano de corréler directement avec son Step by cours de piano Step. Préfixé pour chaque morceau est une indication de la page exacte de Step by Step auquel une sélection de morceaux à jouer peut être introduit.Lorsque l'élève arrive à la page indiquée, ils sont prêts à jouer avec aisance et avec compréhension. Ces pièces seraient également très utile comme matériel supplémentaire pour d'autres méthodes de piano. / Piano

Après des décennies d'anticipation, Alfred est fière de publier les sous licence officielle, à collectionner folios partitions d'accompagnement à la Super Mario Bros ? série de jeux vidéo.Les 34 accords de piano dans cette édition intermédiaire-avancé sont la note pour note transcriptions de mélodies reconnaissables instantanément bien-aimés par des générations de joueurs à travers le monde. De Koji Kondo iconique 'Super Mario Bros ? musique de fond au sol' à la New Super Mario Bros ? Wii ? thèmes, des dizaines de pièces dans ce livre représentent les deux décennies et demie de favoris ® Nintendo de jeux vidéo.Ajout à l'amusement, des graphiques à partir des jeux correspondants orner chaque page de la partition. Impressionnez vos amis, la famille et des publics de tous âges en jouant de cette magnifique collection, qui fait un grand cadeau pour tout pianiste. / Piano

The 25 titles are: Audrey * Blue Lake Tahoe * Bluette * Chorale * The Desert and the Parched Land * Five for Ten Small Fingers * Going to Sleep * Home Without Iola * I See, Satie * Joshua Redman * Koto Song * Looking at a Rainbow * Lost Waltz (Edited Version) * Lost Waltz (Original Version) * Lullaby and many others!

Alfred is pleased to introduce Elvina Pearce's Favorite Solos, Book 1, a collection of 15 elementary to late elementary solos for students of all ages. Students, teachers, and audiences will enjoy the variety of styles, sounds, and moods of this music. The pieces included in this collection have maintained their popularity among pianists for many years and will quickly become your favorites, too. / Piano

La bande originale de New Super Mario Bros de Nintendo ' Wii est emballé avec des thèmes mélodiques, syncopés que de son grand sur le piano! Avec cette collection de partitions sous licence officielle, intermédiaire aux pianistes avancés peut éblouir amis et votre famille en jouant 17 thèmes familiers du jeu vidéo bien-aimée. / Piano

Par ROCHEROLLE EUGENIE. The selections included in this collection of delightful solos are early works from among Eugénie Rocherolle?s many compositions for piano. Her abilities as a composer are obvious even early in her journey as one of America?s finest composers. Diverse styles are represented including gospel, an Irish jig, ballads, a charming waltz, a lullaby and a fun piece rich with 7th chords. / Date parution : 2022-11-08/ Recueil / Piano