Piano Solo

SKU: YM.GTP01102000

J-POP BEST HIT RANKING. Anime Song; J-Pop. Score. Yamaha Music Media #GTP01102000. Published by Yamaha Music Media (YM.GTP01102000).

ISBN 9784636116595. 12 x 9 inches.

Brand New Compilation of Japanese hit songs for the first half of 2024 !! The BEST HIT RANKING features piano arrangements of theme songs and inserted music written for dramas, anime, and movies that are very popular on social media platforms like TikTok. These songs are selected based on various rankings, including Yamaha's digital sheet music service, Print-Gakufu; e.g. Creepy Nuts' Bling-Bang-Bang-Born (the opening theme for the second season of the TV anime Mashle: Magic and Muscles). You must find many other anime songs that are performed by J-POP artists and have received attention from all over the world in the following song lists! [Easy Level] Presenting an easy-to-play collection of hit songs, arranged 1st verse only (some pieces are arranged in full length), transposition to easier keys, simpler arrangements for beginners to enjoy! Number of Songs: 25.

Piano Solo

SKU: YM.GTP01101999

J-POP BEST HIT RANKING. Anime Song; J-Pop. Score. Yamaha Music Media #GTP01101999. Published by Yamaha Music Media (YM.GTP01101999).

ISBN 9784636116588. 12 x 9 inches.

Brand New Compilation of Japanese hit songs for the first half of 2024 !! The BEST HIT RANKING features piano arrangements of theme songs and inserted music written for dramas, anime, and movies that are very popular on social media platforms like TikTok. These songs are selected based on various rankings, including Yamaha's digital sheet music service, Print-Gakufu; e.g. Creepy Nuts' Bling-Bang-Bang-Born (the opening theme for the second season of the TV anime Mashle: Magic and Muscles). You must find many other anime songs that are performed by J-POP artists and have received attention from all over the world in the following song lists! [Intermediate Level] Introducing a collection of hit songs for intermediate players, arranged complete verses in full length, original keys, authentic arrangements. Number of Songs: 25.

Piano

SKU: HL.14030676

Ten Short Pieces for Piano. Composed by Rued Langgaard. Music Sales America. Classical. Score. Composed 2020. Duration 1200 seconds. Edition Wilhelm Hansen #KP00666. Published by Edition Wilhelm Hansen (HL.14030676).

ISBN 9788759863879. Danish.

The 'Ten short piano pieces' with the title Sommerferie i Blekinge (Summer Holiday in Blekinge) (1916) have not been preserved in their complete form. The only existing source is a manuscript in Rued Langgaard's hand that lacks the first and last pages with sections of the music. This means that the entire first piano piece with the title Paa rejse (Travelling) is missing as well as most of Piece II, Mode (Meeting) (only the conclusion of this piece has been preserved). A large fragment exists of Piece X, Aften med Dans (Evening with Dancing), but the conclusion is missing. The manuscript is to be found at the Royal Danish Library in Copenhagen (RLS 83,2). On the first page,Langgaard has merely written 'Piano Pieces 1916': the real title and titles of the movements in the first two pieces derives from other sources. In 2008, the Rued Langgaard Society asked the Danish composer Niels Marthinsen (b. 1963) to add to the work, the aim being to create a 'performance version'. Marthinsen composed a complete new first piece - Paa rejse (Travelling) - and allowed it to merge with the preserved concluding fragment of Langgaard's second piece, Mode (Meeting). Niels Marthinsen further composed a conclusion to the incomplete Piece X, Aften med Dans (Evening with Dancing), and in it incorporated a reference to the first piece, so that his additions came to form a frame round what hasbeen preserved of Langgaard's work. This supplemented version was given its first performance by Berit Johansen Tange in 2008. The overall title and titles of the individual pieces refer to a summer stay in 1913, i.e. three years before the work was composed, when the then 20-year-old composed was on holiday in Kyrkhult in Blekinge (Sweden).

Piano

SKU: YM.GTP01101268

Entry Piano Book. In C Major. Anime Songs, Vocalo Music. Book. Yamaha Music Media #GTP01101268. Published by Yamaha Music Media (YM.GTP01101268).

ISBN 9784636108996. 9.5 x 12 inches.

The In C Major series, designed for beginners who have recently started playing the piano, allows you to choose and expand your repertoire with the songs you want to play, making it easy for new piano players to enjoy. This collection features 20 popular songs from the golden era of Vocaloid music and beloved anime theme songs. It includes nostalgic and renowned Vocaloid tracks, as well as iconic anime songs that have been covered by music games and various artists. All the songs are arranged in keys without key signatures (either in C major or A minor), making it an enjoyable book to dive into. Give your favorite song a try and enjoy playing!

Piano - Level 3

SKU: HF.FH-2354

Composed by Darren Fellows. Sheet music. Friedrich Hofmeister Musikverlag #FH 2354. Published by Friedrich Hofmeister Musikverlag (HF.FH-2354).

ISBN 9790203423546. 9 x 12 inches.

1. While Shepherds watched their flocks; 2. Good King Wenceslas; 3. God Rest Ye Merry Gentlemen; 4. O Little Town of Bethlehem; 5. Silent Night; 6. Once in Royal David's City; 7. The first Nowell; 8. See Amid the Winter's Snow; 9. Away in a Manger; 10. Hark! The Herald Angels Sing.

Chamber Music Piano

SKU: PR.140401310

Composed by Nora Holt. Edited by Lara Downes. Sws. Score. 8 pages. Duration 2 minutes. Theodore Presser Company #140-40131. Published by Theodore Presser Company (PR.140401310).

ISBN 9781491134153. UPC: 680160684250. 9 x 12 inches. Key: G major.

NORA’ S DANCE is a jazz-influenced rag from 1921, and among the only surviving compositions by Nora Douglas Holt. A charming and exciting work rejuvenated by Lara Downes’ 2021 recording for the Rising Sun label, the rag is both a fun 2 minutes for pianists and audiences, and also a fascinating time capsule. Composed several years after Scott Joplin’s death, and several years before the Charleston pervaded popular music, NORA’S DANCE blossoms with the energy and jazz harmony starting to emerge as The Roaring 20’s, using ragtime and stride as the seed for pianistic style.
My own life in music has been driven by a quest to find strong female role models, trails to follow, shoulders to stand on. In Nora Douglas Holt, I find an inspiring example of creativity, independence, and resilience – with a dash of troublemaking. She was a free spirit, a force of nature, and she lived a fascinating and eventful life on her own terms. She reinvented herself through five marriages and at least as many careers. From her beginnings at the piano at age four, she explored many avenues of musical expression – performing, composing, music journalism, broadcasting, teaching – all with inventiveness, style, and zeal.She made the most of the Roaring ’20s, as an artist, socialite, jetsetter, muse, and patroness of the Harlem Renaissance. In 1921 she started an independent arts journal called “Music and Poetry,” where the charming piano solo Nora’s Dance was first published. I think the piece captures beautifully, in a little under 2 minutes, the energy and excitement of those heady years.In 1926, Nora left New York to travel the world, performing in nightclubs throughout Europe and Asia. She put her belongings in storage before she left, and when she came back she discovered that many of her things had been stolen, including more than 200 of her musical compositions. She never composed again.When the Depression hit, she moved out to Los Angeles, where she studied music education at USC, taught music in the LA public schools, and opened her own beauty salon. She returned to New York in the ’40s and worked as a music critic for several major newspapers, then launched yet another career, this time in broadcasting. Her popular radio concert series “Nora Holt’s Concert Showcase” broadcast to New York’s classical music audience, with a focus on Black composers and performers.Ahead of her time, larger than life, full of ideas…. I am so pleased to introduce you to the feisty and free spirited Nora Douglas Holt!

Piano Solo

SKU: YM.GTP01100303

Composed by Various. Traditional Japanese Song. J-Pop, Traditional Japanese Song, Kayo, Enka. Score. Yamaha Music Media #GTP01100303. Published by Yamaha Music Media (YM.GTP01100303).

ISBN 9784636102109. 8.5 x 12 inches.

Well-known Japanese songs are arranged in easy Jazz. Even if you are not good at improvisation, you can enjoy improvisation-like arrangements along with the score. Enjoy the fusion of Japanese melodies and Jazz!

The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! by Hans-Günter Heumann features demonstration tracks with recorded Piano, Bass and Drums, as well as backing with the Piano part taken out, allowing you to play along. **Please note: The CD included with this title can only be played through an MP3 compatible program.**

Piano SKU: HU.HN4 Composed by Franz Schubert. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Solos. Impromptus and Moments Musicaux. Classical. Softcover Book. 102 pages. G. Henle #HN4. Published by G. Henle (HU.HN4). ISBN 9780101161305. 12.2 x 9.3 x 0.3 inches.

Piano SKU: HU.HN602 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Solos. Piano Sonata C major K. 330 (300h). Classical. Softcover Book. 17 pages. G. Henle #HN602. Published by G. Henle (HU.HN602). 12.2 x 9.3 x 0.1 inches.

Composed by Various. Classical. Textbook. Trinity College London #TCL020529. Published by Trinity College London

Piano - Level 3

SKU: BA.BA10811

Composed by Erik Satie. Edited by Jens Rosteck. This edition: urtext edition. Stapled. Barenreiter Urtext. Notes on Performance Practice by Steffen Schleiermacher. Performance score. Baerenreiter Verlag #BA10811_00. Published by Baerenreiter Verlag (BA.BA10811).

ISBN 9790006521067. 31 x 24.3 cm inches. Language: German/English. Preface: Jens Rosteck.

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title “Embryons desschs” (Desiccated Embryos).
The notation without barlines, the ‘stories’ beneath the music and the spoofsof well-known pieces of music, most strikingly the Funeral March from Chopin’s Piano “Sonata in B-flat minor”, make the work a barrel of musical fun.

This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie’s French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and an informative Foreword.
The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano - late intermediate

SKU: CR.977924

Composed by Benjamin Culli. Piano. Book. With music. Concordia Publishing House #977924. Published by Concordia Publishing House (CR.977924).

ISBN 9780758668769. 8.5 X 11 inches.

Benjamin M. Culli contributes three delightful hymn preludes to the piano repertoire. ROCKINGHAM OLD is arranged in the style of Erik Satie's delicate Gymnopédies; LOVE UNKNOWN gently places eighth notes against triplets; and the highlight of the set is FAITHFULNESS, which features lush, rich, subtly jazzy harmonic language.

11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven short piano pieces, the composer follows the cue of such modern-day masters as Olivier Messiaen, Karlheinz Stockhausen, Helmut Lachenmann and Nicolaus A. Huber. Pedagogical. Breitkopf and Haertel #EB-9175. Published by Breitkopf and Haertel

For Piano/Keyboard. Piano Collection. Softcover. 64 pages. Schott Music #ED13651. Published by Schott Music

Composed by Various. Classical. Textbook. Trinity College London #TCL020246. Published by Trinity College London

Composed by Andrew D. Gordon. Piano Practice Sessions. Rock. Book and digital audio. ADG Productions #ADG235. Published by ADG Productions

Composed by Andrew D. Gordon. Piano Practice Sessions. Latin. Book and digital audio. ADG Productions #ADG234. Published by ADG Productions

Composed by Andrew D. Gordon. Piano Practice Sessions. Rock. Book and digital audio. ADG Productions #ADG233. Published by ADG Productions

(A Fresh Approach to Piano Sight-Reading). By Alan Bullard (1947-). For Piano. Instructional, Sight Reading. 34 pages

Piano - Grade 4

SKU: FA.MFRO001P

Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical : Impressionistic. Score. Musik Fabrik #MFRO001P. Published by Musik Fabrik (FA.MFRO001P).

8.27 x 11.69 inches.

Over the years 1908-16, Debussy had produced a viable scenario for Usher on his third attempt. Butwhen he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher's long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself. In the process of completing the missing half of the score, I discovered that by reusing Debussy's material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Melisande's theme in his opera Pelleas et Melisande), the only things I really needed to add were linking material and any passages where fast music was required. So the 'nightmare scherzo', and Lady Madeline's escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of 'changing backgrounds', both harmonic and textural, proved extremely useful, as it did to Debussy in his Prelude a l'apres-midi d'un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy's score as A Night in the House of Usher for organ, and subsequently piano--with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Piano/Keyboards - Intermediate

SKU: AD.ADG247

Composed by Andrew D. Gordon. 100 Ultimate Jazz-Funk Series. Jazz Funk. Book and digital audio. ADG Productions #ADG247. Published by ADG Productions (AD.ADG247).

ISBN 9781958017395. UPC: 663389124721. 9 x 12 inches.

Step into the dynamic world of contemporary jazz-funk with Andrew D. Gordon's latest masterpiece, 100 Ultimate Jazz-Funk Grooves for Piano/Keyboards. Renowned for his expertise in jazz and funk music, Gordon brings forth a comprehensive collection, offering a wealth of inspiration and exploration for pianists and keyboard enthusiasts.

As a distinguished composer, educator, and performer, Andrew D. Gordon is celebrated for his ability to seamlessly weave intricate jazz harmonies with the infectious energy of funk rhythms pushing the boundaries of musical expression and inspiring a new wave of creativity.

With a career steeped in jazz and funk, he seamlessly blends the sophistication of jazz harmonies with the infectious grooves of funk, providing a captivating experience for musicians of all levels.

100 Ultimate Jazz-Funk Grooves is a journey through the heart of jazz-funk, featuring mainly eight measure grooves that capture the essence of this vibrant genre. Gordon's grooves allows pianists and keyboardists to explore the rich tapestry of jazz-funk while adding their own creative flair.

Each of the 100 grooves have been recorded twice, the first version has the piano/keyboard part playing along with a rhythm section of guitar, bass, drums and percussion as well as other instruments. The second version consists of a 2-3 minute play-a-long track to practice the piano/keyboard part with.

Whether you are a seasoned performer looking to expand your repertoire or a hobbyist/student who is interested in the world of jazz-funk, this book offers a diverse array of, chord progressions, and melodic lines that will challenge and inspire.

100 Ultimate Jazz-Funk Grooves for Piano/Keyboards is an invitation to explore the syncopated rhythms, sophisticated harmonies, and infectious energy that define the genre. Step into the world of limitless musical possibilities, and let the pages of this extraordinary collection be your guide to unlocking the vibrant and soulful world of jazz-funk.

Composed by Roskell. Music Theory & Resources. Piano text book. 560 pages. Edition Peters #EP73024. Published by Edition Peters

Chamber Music Piano

SKU: PR.110418160

Composed by Stacy Garrop. Performance score. With Standard notation. 16 pages. Duration 8:30. Theodore Presser Company #110-41816. Published by Theodore Presser Company (PR.110418160).

ISBN 9781491114049. UPC: 680160640393. 9 x 12 inches.

Stacy Garrop began hiking in northern Colorado’s Rocky Mountain National Park in her early 20s. From the start, she was drawn to a jagged stretch of rock formations linking Longs Peak to Pagoda Mountain, at over 13,000 feet. These formations are called the “Keyboard of the Winds,” as their thin, spindly peaks suggest splintered keys of an old, broken piano. Inspired by one particular journey the composer took through the Keyboard of the Winds en route to Pagoda’s summit, this work is a tribute to the Keyboard of the Winds. Its fast, whirling gestures depict swirling clouds above, and the musical high points represent a hiker reaching the peak of Pagoda Mountain. These sections are set in contrast with quiet, introspective material embodying the hiker quietly surveying the grandeur and beauty of the valley below, as well as the soaring pinnacle of Longs Peak overhead.
I began hiking in the Rocky Mountain National Park in northern Colorado when I was in my early twenties. RMNP is home to some of the most gorgeous mountains in North America, encompassing 265,000 acres of wilderness, flora, and fauna. Among the park’s numerous summits is Longs Peak, a mountain that is 14,259 feet high (the highest in the region). From my earliest days of hiking, I was drawn to Longs Peak, as well as to a jagged stretch of rock formations that link Longs Peak to Pagoda Mountain (which stands at 13,497 feet). These formations are called the Keyboard of the Winds, as their thin, spindly peaks loosely suggest the splintered keys of an old, broken piano.One summer, I made the ascent to Pagoda Mountain using a route that took me along the right side of the Keyboard of the Winds. My hiking partner and I started up the trail in the pre-dawn hours, and the weather was stormy. Dawn had broken by the time we reached the base of the Keyboard, but its peaks were still surrounded by clouds. As we climbed higher and higher, the Keyboard’s thin spires became visible, along with the top of Pagoda Mountain. We reached the summit of Pagoda, admired the view (what we could see through the clouds), and made our descent.My piece is a tribute to the Keyboard of the Winds. The fast, whirling gestures depict swirling clouds, and the musical high points represent a hiker reaching the peaks of the Keyboard. I have contrasted these sections with quiet, introspective material; these embody the hiker quietly surveying the grandeur and beauty of the valley below (on a cloudless day), as well as the soaring pinnacles of Longs Peak and Pagoda Mountain overhead.