Piano SKU: HL.50488480 Piano Solo. Composed by Various. Piano Coll...(+)
Piano
SKU:
HL.50488480
Piano
Solo. Composed by
Various. Piano
Collection. Classical,
Collection, Contemporary,
French. 20 pages.
Editions Salabert
#EAS18798. Published by
Editions Salabert
(HL.50488480).
UPC:
073999821499.
9.5x12.5x0.062
inches.
Contents:
Demierre: Escapade *
Woollett: En cueillant
des fleurs (Picking
Flowers) * Koechlin:
Esquisse (Sketch), La
olie fleur (The Pretty
Flower), En faisant un
bouquet (Making a Posy) *
Dieudonne: La voliere
(The Birdcage), La
vieille voiture (The Old
Coach), La belette
(Restlessness), Le cours
d'eau tranquille du
jardin (The Softly
Flowing Stream in the
Garden) * Sauvrezis: A la
volee (In Flight) *
Ribollet: Insouciante
(Free from Care).
Piano - difficult SKU: HL.49045865 For Piano. Composed by Charles ...(+)
Piano - difficult
SKU:
HL.49045865
For
Piano. Composed by
Charles Koechlin. Edited
by Otfrid Nies. This
edition: Saddle
stitching. Sheet music.
Piano Solo. Classical.
Softcover. Composed 1907.
Op. 33. 20 pages.
Duration 720 seconds.
Schott Music #ED20779.
Published by Schott Music
(HL.49045865).
ISBN
9790001170710. UPC:
888680784263.
9.0x12.0x0.097
inches.
This first
print is a rarity: the
highly virtuoso,
evocative 'Nocturne' owes
its creation to an
instrument that has only
survived as a museum
piece. Gustave Lyon, the
director of the French
instrument maker Pleyel,
commissioned Charles
Koechlin as well as
several other French
composers (such as Claude
Debussy and Maurice
Ravel) to write works for
the 'harpe chromatique'
developed by him around
1900. In contrast to the
common pedal harp, the
chromatic harp allows for
an unlimited modulatory
range. Nevertheless, the
instrument did not gain
much acceptance and
remained exotic. Koechlin
was aware of the
difficulty of introducing
and establishing new
instruments. He
therefore, from the very
beginning, had the piano
as an alternative of
equal value in mind when
writing his Nocturne.
20 Pieces by French Composers in Progressive Order. Composed by Various. Edit...(+)
20 Pieces by French
Composers in Progressive
Order. Composed by
Various.
Edited by Brendan Fox.
Editions Durand.
Classical,
French. Softcover. 48
pages.
Editions Max Eschig
#DF16424. Published by
Editions Max Eschig
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Piano SKU: HL.50398970 Piano Solo. Composed by Charles Koechlin. P...(+)
Piano
SKU:
HL.50398970
Piano
Solo. Composed by
Charles Koechlin. Piano
Solo (no lyrics).
Classical. 12 pages.
Editions Salabert
#SEMS7060. Published by
Editions Salabert
(HL.50398970).
Piano SKU: HL.50398980 Piano Solo. Composed by Charles Koechlin. P...(+)
Piano
SKU:
HL.50398980
Piano
Solo. Composed by
Charles Koechlin. Piano
Solo (no lyrics).
Classical. 12 pages.
Editions Salabert
#SEMS7061. Published by
Editions Salabert
(HL.50398980).
Piano (Piano) SKU: HL.50585874 Pour Piano. Composed by Charles Koe...(+)
Piano (Piano)
SKU:
HL.50585874
Pour
Piano. Composed by
Charles Koechlin.
Salabert. Score Only.
Composed 2006. Editions
Salabert #SLB5761.
Published by Editions
Salabert (HL.50585874).
Piano SKU: HL.50398830 Piano Solo. Composed by Charles Koechlin. P...(+)
Piano
SKU:
HL.50398830
Piano
Solo. Composed by
Charles Koechlin. Piano
Large Works. Classical.
20 pages. Editions
Salabert #SEMS4704.
Published by Editions
Salabert (HL.50398830).
Piano SKU: HL.50482817 Piano Solo. Composed by Charles Koechlin. T...(+)
Piano
SKU:
HL.50482817
Piano
Solo. Composed by
Charles Koechlin. This
edition: SEAS19179.
Piano. Classical. 111
pages. Editions Salabert
#SEAS19179. Published by
Editions Salabert
(HL.50482817).
Piano SKU: HL.50483291 Piano Solo. Composed by Charles Koechlin. S...(+)
Piano
SKU:
HL.50483291
Piano
Solo. Composed by
Charles Koechlin. Special
Import. Classical. 18
pages. Editions Salabert
#SEAS18993. Published by
Editions Salabert
(HL.50483291).
Piano SKU: HL.50560310 Piano Solo. Composed by Charles Koechlin. E...(+)
Piano
SKU:
HL.50560310
Piano
Solo. Composed by
Charles Koechlin.
Editions Durand.
Classical. Score Only.
Composed 2001. Editions
Durand #ME0856200.
Published by Editions
Durand (HL.50560310).
Piano SKU: NR.54696 Pour piano, opus73bis, 1922. Composed by Charl...(+)
Piano
SKU:
NR.54696
Pour
piano, opus73bis,
1922. Composed by
Charles Louis Eugene
Koechlin. Keyboard
instruments. Score. Noten
Roehr #54696. Published
by Noten Roehr
(NR.54696).
Piano SKU: HL.49002680 Composed by Knight. This edition: Hardback/Hard Co...(+)
Piano
SKU:
HL.49002680
Composed
by Knight. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Classical. 112 pages.
Schott Music #ED 11151.
Published by Schott Music
(HL.49002680).
ISBN
9780901938039.
English.
Ballet an
its Music traces the
influence of the
outstanding personalities
in the world of ballet
from the seventeenth
century to the present
day. The development of
dance-technique and
ballet music is followed
from the courtly and
peasant dances of the
High Renaissance through
to contemporary
productions. The author
deals in detail not only
with the great
choreographers, past and
present, but also with
the composers whose names
are especially linked
with ballet and who have
made a significant
contribution to music for
the dance. She combines a
historical narrative with
a perceptive treatment of
world-famous Schools and
Companies. Ballet and its
Music is copiously
illustrated with
photographs and
engravings. A special
feature of the book is
the collection of music
extracts from many famous
ballets, arranged for
piano solo, which will
make it particularly
attractive to the student
an amateur musician.
Althrough primarily
intended for young people
embarking on a study of
ballet, the wealth of
information contained in
this book will make it a
stimulating and
invaluable guide for
readers of all ages.
Piano SKU: HL.50561301 Piano Solo. Composed by Charles Koechlin. T...(+)
Piano
SKU:
HL.50561301
Piano
Solo. Composed by
Charles Koechlin. This
edition: ME0121800.
Editions Durand.
Classical. 78 pages.
Editions Durand #ME1218.
Published by Editions
Durand (HL.50561301).
Piano - Level 2 SKU: LM.27825 Composed by Henri Nafilyan and Thierry Mass...(+)
Piano - Level 2
SKU:
LM.27825
Composed by
Henri Nafilyan and
Thierry Masson.
Classical. Score.
Editions Henry Lemoine
#27825. Published by
Editions Henry Lemoine
(LM.27825).
ISBN
9790230978255.
BACH
J.S. : Trio BWV 929,
Menuet BWV 813, Petit
prelude BWV 942 - BARTOK
B. : Andante - BEETHOVEN
L.V. : Danse allemande n.
10 (WoO 8), Anglaise en
Re (Hess 61), Allemande
(WoO 81), Contredanse
(WoO 14), Menuet (WoO 7)
- CHOPIN F. : Prelude
Op.28 n. 6 - CLEMENTI M.
: Air russe - GLINKA M.I.
: Galopade - GRIEG E. :
Feuille d'album Op.12 n.
7 - HAYDN J. : Menuet
Hob. 1 : 85/111, Menuet
Hob. IX : 11, Final
Hob.XVI : 7 - JOLIVET A.
: Danse caraibe -
KOECHLIN C. : Le Ruisseau
limpide, La Maison
heureuse - MASSON T. :
Bagatelle, Le Repos du
dragon, En Camargue,
Petite improvisation
imaginaire, Vague a l'ame
- MENDELSSOHN F.B. :
Premiere barcarolle Op.19
n. 6 - MOZART W.A. :
Variation en La KV 460 -
NAFILYAN H. : Mystere,
L'Acrobate - PAPP L. : Le
Pantin, A cheval, Le
Petit Soldat de plomb, La
Machine a coudre -
PROKOFIEV S. : La Pluie
et l'Arc-en-ciel -
SCHUBERT F. : Danse
allemande n. 5 (D 420),
Valse n. 1 (D980) -
SCHUMANN R. : Feuille
d'album Op.99 n. 4 -
SZOKOLAY S. : Taquinerie,
Tom Pouce - TCHAIKOVSKI
P.I. : Marche des
soldats, La Nouvelle
Poupee - VILLA-LOBOS H. :
Ainsi bercait maman -
VISKI J. : J'avais un
poulailler - Un jour mon
prince viendra, de
Blanche Neige et les sept
nains (CHURCHILL) - Ce
reve bleu, d'Aladin
(GILKYSON) - Il en faut
peu pour etre heureux, du
Livre de la jungle
(SHERMAN) - Des gammes et
des arpeges, des
Aristochats (SHERMAN)
-Elegant blues,
Exploration boogie
(MASSON).
