Arranged by Nancy and Randall Faber. For Piano. PreTime to BigTime Piano Supplem...(+)
Arranged by Nancy and
Randall Faber. For Piano.
PreTime to BigTime Piano
Supplementary Library.
Popular pieces from the
early 1900s. Includes:
Champagne Rag, Solace,
The Entertainer,
Washington Post March,
Chatterbox Rag, and more.
Ragtime and Marches.
Level: 4. Book. Published
by The FJH Music Company
Inc.
Arranged by Nancy and Randall Faber. For Piano. PreTime to BigTime Piano Supplem...(+)
Arranged by Nancy and
Randall Faber. For Piano.
PreTime to BigTime Piano
Supplementary Library.
Ragtime and Marches.
Level: 2B. Book.
Published by The FJH
Music Company Inc
Piano - Level 2 SKU: LM.27752 Composed by Michel Le Coz. Original piano. ...(+)
Piano - Level 2
SKU:
LM.27752
Composed by
Michel Le Coz. Original
piano. Pop, jazz. Score.
Editions Henry Lemoine
#27752. Published by
Editions Henry Lemoine
(LM.27752).
ISBN
9790230977524.
Vien
ne reste Vienne - Marche
de Radetzky - The
Washington Post - Colonel
Bogey (Le Pont de la
riviere Kwai) - Marche
des trompettes (Aida) -
Entree des gladiateurs -
Marche militaire (opus 51
No. 1 de Schubert) -
Chant du toreador
(Carmen).
Bridal Chorus and Wedding March * Piano Solo composed by Mendelssohn and Wagner....(+)
Bridal Chorus and Wedding
March * Piano Solo
composed by Mendelssohn
and Wagner. Arranged by
Jonathon Robbins. For
piano solo. Solo.
Signature Series.
Classical. Sheet Music.
Text Language: English. 4
pages. Published by
Santorella Publications
Arranged by Nancy & Randall Faber. For Piano. PreTime to BigTime Piano Supplemen...(+)
Arranged by Nancy &
Randall Faber. For Piano.
PreTime to BigTime Piano
Supplementary Library.
Ragtime/Marches. Level:
3A-3B. Book. Published by
The FJH Music Company
Inc.
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Arranged by Dan Coates. "Bridal Chorus" by Richard Wagner, "The Wedding March" b...(+)
Arranged by Dan Coates.
"Bridal Chorus" by
Richard Wagner, "The
Wedding March" by Felix
Mendelssohn. For Piano.
Piano Solo. Masterwork.
Sheet. 12 pages.
Published by Alfred
Publishing. Level:
Advanced.
By George Peter Tingley. For Piano. Piano Solo; Solo. Form: March. Fall; Hallowe...(+)
By George Peter Tingley.
For Piano. Piano Solo;
Solo. Form: March. Fall;
Halloween. Early
Intermediate. Sheet. 4
pages. Published by
Alfred Music Publishing
Piano - intermediate SKU: BT.WA-4085-401 Composed by Franz Schubert. Arra...(+)
Piano - intermediate
SKU:
BT.WA-4085-401
Composed by Franz
Schubert. Arranged by
Thomas A. Johnson. The
Walsh Collection.
Classical. Book Only. 4
pages. The Walsh
Collection #WA 4085-401.
Published by The Walsh
Collection
(BT.WA-4085-401).
Compiled and arranged by Denes Agay. Book. Published by Music Sales. This appeal...(+)
Compiled and arranged by
Denes Agay. Book.
Published by Music Sales.
This appealing book is
for players of all ages;
the material ranges from
waltzes, marches, and
polkas to song favorites
and jazz solos. As a
special feature, the book
contains variations on
Happy Birthday in a
number of styles from
Bach to boogie.
New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253).
ISBN
9790004185537. 9 x 12
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
By Enrique Granados. Edited by Thomas A. Johnson. For Piano solo. Level: 5, 6, 7...(+)
By Enrique Granados.
Edited by Thomas A.
Johnson. For Piano solo.
Level: 5, 6, 7. 20 pages.
Published by ABRSM
(Associated Board of the
Royal Schools of Music).
Composed by John Philip Sousa (1854-1932). For piano. Format: piano solo book. W...(+)
Composed by John Philip
Sousa (1854-1932). For
piano. Format: piano solo
book. With introductory
text and illustrations.
Americana. 111 pages.
9x12 inches. Published by
Dover Publications.
Piano - easy to intermediate SKU: HL.49018409 Piano Solo. Composed...(+)
Piano - easy to
intermediate
SKU:
HL.49018409
Piano
Solo. Composed by
Edward Elgar. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, March. Op.
39/1. 10 pages. Schott
Music #ED09885. Published
by Schott Music
(HL.49018409).
ISBN
9790001175654. UPC:
841886016361.
9.25x12.0x0.045
inches.
A 'Last
Night of the Proms'
without this march -
unthinkable! 'Pomp and
Circumstance Military
March No. 1' with its
middle section, the
hymn-like 'Land of Hope
and Glory' by Edward
Elgar (1857-1934),
belongs to the finale of
the London music event
like the Radetzky March
usually played as last
piece to the New Year's
Concert of the Vienna
Philharmonic Orchestra.
The fame and popularity
of the other four
military marches composed
by Elgar between 1901 and
1907 fade in comparison
to this secret national
anthem of Great Britain
(although strongly
rivalled by 'Rule,
Britannia!'). It is,
indeed, an equally
rousing and catchy piece
of music, and the catchy
tune in the middle has
just become a classical
'hit'. Thanks to the
present edition, all
those who do not have a
large symphony orchestra
at home can now play this
rousing march by
themselves.