Sur 1 ou 2 piano(s). Par LYONNAZ PAUL. Apprendre et jouer à deux, sur un même clavier, ou chacun sur le sien, est facilité par l’accès aux pianos électroniques. Certains professeurs et écoles de musique optent pour cette pratique pédagogique en binôme. Ce recueil propose d’accompagner cette possibilité en stimulant la posture du duo d’interprètes selon 7 partitions miniatures : 7 “courts métrages”, à animer, déployer et révéler dans les imaginaires des pianistes et de leur auditoire./ Recueil / Piano

Pint-Sized Piano Pieces is the first in a series of three books featuring fun and enjoyably challenging Piano miniatures composed by South African pianist and composer Kevin Volans.If you're tired of playing the same old exercises, the same old études or boring studies, this book of Pint-Sized Piano Pieces is for you. Whether you're after something challenging, something fun or even something funny, you can be sure that you'll never have heard any pieces like this before. Composer Kevin Volans invites pianists 'of all ages and sizes' to play his innovative and interesting take on the Piano miniature.All of these pieces are lovely and tuneful, all provide a challenge and all are exciting, thrilling, confusing and sometimes even baffling. Each volume is technically progressive, meaning the Pint-Sized Piano Pieces is best for the beginner to the intermediate player, although the tunes vary in length and difficulty. Equally as important, even though the pieces are a lot of fun, they also each explore a different aspect of crucial Piano technique, allowing you to enjoy learning to play and perfecting your abilities.The inventive and imaginative miniatures included in the sheet music collection Pint-Sized Piano Pieces are guaranteed to get you having fun while practising. They are a pleasure to hear and a pleasure to play, so make sure you check out these fun and practical pieces today. / Piano

The 21 pieces in this collection represent some of the best miniature masterworks in piano literature. These pieces were carefully selected not only for their overall quality and musicality, but because they advance very logically from the five-finger position pieces that preceded them in Pathways to Artistry: Masterworks, Book 1. For maximum benefit, students should work through the skills that are comprehensively presented in Pathways to Artistry: Technique, Book 2. / Piano

A Century Of Piano Music contains pieces graded accordingly to difficulty, originally written variously for concert hall, class, festival or home: miniatures and more extended pieces that show off each composer at their best. Every major artistic movement can be discerned in this collection of easy and accessible piano works by some of the biggest names in British music of the twentieth century. As an aid to preparation and interpretation, there is a short explanatory paragraph on each piece. Generally, fingering has been added, though not in pieces where several alternatives would be viable. / Piano

sélectionné et édité par miniatures de Dennis Agay clavier sous une forme originale de Bach, Mozart etc.., également compositeurs moins connus. Les marques d'expression supplémentaire et doigtés./ Recueil / Piano, Chant et Guitare

Modern Piano propose 90 pièces originales faciles des 20e et 21e siècles. Les oeuvres sélectionnées témoignent d'une grande variété de styles et englobent musique nouvelle et néoclassique, danses modernes, jazz, blues, pop, rock, pièces pédagogiques, musique méditative, musique new-age et bien d'autres choses encore : un spectre multicolore de styles variés jetant des ponts entre musique classique et populaire, avec des pièces 'crossover' où se rejoignent de différents mondes musicaux.Les miniatures sélectionnées ici invitent à un voyage de découvertes musicales riches en expériences nouvelles autour de sonorités et de rythmes modernes. Toutes les pièces peuvent être utilisées aussi bien dans le cadre de l'enseignement que pour les auditions, les examens et les concours d'élèves, ou tout simplement comme répertoire à jouer par tous les pianistes aux oreilles grandes ouvertes. / Piano

Miniatures rares et originales pour clavier de trois siècles, pour les débutants et les pianistes qui commencent. Sélectionnées et éditées par Denes Agay. / Piano / 80 pages / Partition

Miniatures et des arrangements pour piano solo et le duo publié ensemble pour la première fois. Il est essentiel pour le collectionneur de Stravinsky et passionné. / Piano 2 Et 4 Mains

Piano Pieces faciles Vol.2. Edité par Howard Ferguson.Tchaïkovski sous-titré cette collection, d'abord publié en 1878, '24 pièces faciles (à la Schumann). Comme son prédécesseur, Tchaïkovski avait la capacité innée de l'écriture pour les jeunes sans écrire pour eux, comme illustré ici avec cette série de charmantes miniatures et caractéristique. / Piano / niveau : Facile / Partition

144 pieces by CPE Bach, JS Bach, Bartók, Beethoven, Burgmüller, Clementi, Dubernoy, Ellmenreich, Greig, Gurlitt, Handel, Heller, Köhler, Kullak, le Couppey, Petzold, Reinecke, Reinhold, Schumann, Streabbog, and Tchaikovsky. All are at the early intermediate level in a convenient value-priced edition. Includes - ANONYMOUS: Minuet in G Major, BWV Appendix 116 - Polonaise in G minor, BWV Appendix 119 - Musette in D Major, BWV Appendix 126 - Minuet in D minor, BWV Appendix 132 - CPE BACH: March in D Major, BWV Appendix 122 - JS BACH: Prelude in C Major, BWV 939 - BARTÓK: 9 selections from Ten Easy Pieces - BEETHOVEN: Sonatina in G Major, Anh. 5, #1 - Waltz in D Major, WoO 85 - Eccossaise in E-flat Major, WoO 86 - BURGMÜLLER: 13 selections from 25 Easy and Progressive Studies, Op. 100 - CLEMENTI: Sonatina in C Major, Op. 36, #1 - DUVERNOY: Study in A Major from 25 Elementary Studies, Op. 176, #15 - ELLMENREICH: Spinning Song, Op. 14, #4 - GRIEG: Watchman's Song from Lyric Pieces, Op. 12, #3 - National Song from Lyric Pieces, Op. 12, #8 - Sailor's Song from Lyric Pieces, Op. 68, #1 - GURLITT: 10 selections from Albumleaves for the Young, Op. 101 - HANDEL: Sarabanda from Suite in D minor, HWV 437 - HELLER: Scampering from 25 Studies, Op. 47, #1 - Lullaby from 25 Studies, Op. 47, #19 - KÖHLER: 12 Easy Studies for the Piano, Op. 157 - KULLAK: The Clock from Scenes from Childhood, Op. 62, #2 - LE COUPPEY: The Alphabet, Op. 17 - PETZOLD: Minuet in G Major, BWV Appendix 114 - Minuet in G minor, BWV Appendix 115 - REINECKE: Sonatina in C Major, Op.136, #1 - Sonatina in G Major, Op. 136, #2 - REINHOLD: March from Miniatures, Op. 39, #1 - Hungarian Dance from Miniatures, Op. 39, #9 - Gypsy Song from Miniatures, Op. 39, #13 - SCHUMANN: 12 selections from Album for the Young, Op. 68 - STREABBOG: 12 Very Easy and Melodious Studies, Op. 63 - 12 Easy and Melodious Studies, Op. 64 - TCHAIKOVSKY: Morning Prayer from Album for the Young, Op. 39, #1 - The Sick Doll from Album for the Young, Op. 39, #6 - The Doll's Burial from Album for the Young, Op. 39, #7 - In Church from Album for the Young, Op. 39, #24 #17 - Sunday from Albumleaves for the Young, Op. 101, #18 - HANDEL: Sarabanda from Suite in D minor, HWV 437 - HELLER: Scampering from 25 Studies, Op. 47, #1 - Lullaby from 25 Studies, Op. 47, #19 - KÖHLER: 12 Easy Studies for the Piano, Op. 157 - KULLAK: The Clock from Scenes from Childhood, Op. 62, #2 - LE COUPPEY: The Alphabet, Op. 17 - PETZOLD: Minuet i / Piano

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title 'Embryons desséchés? (Dessicated Embryos)(BA 10811). The atmospheric cycle 'Avant-dernières Pensées? (Next-to-last Thoughts) (BA 10849) of 1915, with its underlaid words, likewise belongs to Satie's 'story pieces'. The notation without barlines, the 'stories' beneath the music and the spoofsof well-known pieces of music, most strikingly the Funeral March from Chopin's Piano Sonata in B minor, make the work a barrel of musical fun. The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness. These two Urtext editions faithfully adhere to the sources and reflect the latest findings of Satie scholarship. They contain translations of all of Satie's French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and informative Forewords. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes. / Piano