The Complete Thomas Y. Tirino Edition. Composed by Ernesto Lecuona (1895-196...(+)
The Complete Thomas Y.
Tirino Edition. Composed
by
Ernesto Lecuona
(1895-1963).
Edited by Thomas Y.
Tirino.
E.B. Marks. Softcover.
218
pages. Published by
Edward
B. Marks Music
By Lorie Line. Edited by Mark Adler. Piano Solo Personality. Christian, Genera...(+)
By Lorie Line. Edited by
Mark
Adler. Piano Solo
Personality.
Christian, General
Worship,
Sacred, Worship.
Softcover. 96
pages. Hal Leonard
#TLP-366.
Published by Hal Leonard
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
Piano/Keyboard SKU: HL.319552 Music from the Disney Motion Picture Sou...(+)
Piano/Keyboard
SKU:
HL.319552
Music
from the Disney Motion
Picture Soundtrack.
Composed by Elton John,
Hans Zimmer, and Tim
Rice. Piano Solo
Songbook. Disney, Movies.
Softcover. 48 pages.
Published by Hal Leonard
(HL.319552).
ISBN
9781540067555. UPC:
888680970918.
9.0x12.0x0.132 inches.
Songs by Elton John and
Tim Rice; Musical Score
by Hans
Zimmer.
2019 marks
the 25th anniversary of
Disney's iconic animated
classic, The Lion King,
and it is now being
brought to a new
generation of viewers
with a new live action
film. This songbook
features 11 selections
from the soundtrack in
playable settings for
piano solo, plus
black-and-white movie
art. Songs include:
Battle for Pride Rock *
Can You Feel the Love
Tonight * Circle of
Life/Nants' Ingonyama *
Hakuna Matata * I Just
Can't Wait to Be King *
Never Too Late * Rafiki's
Fireflies * Remember *
Scar Takes the Throne *
Simba Is Alive *
Spirit.
(12 Artistic Arrangements of Timeless Praise and Worship Songs). Arranged by Mar...(+)
(12 Artistic Arrangements
of Timeless Praise and
Worship Songs). Arranged
by Mark Hayes. For Piano.
Book; Piano Collection;
Piano Supplemental.
Sacred Performer
Collections. Contemporary
Christian; Sacred.
Advanced. 64 pages.
Published by Alfred Music
Publishing
A Collection of 15 Best-Loved Compositions Especially Written for the Young Pian...(+)
A Collection of 15
Best-Loved Compositions
Especially Written for
the Young Pianist. By
Albert Rozin; Dorothy
Bishop; Everett Stevens;
Hazel Cobb; Helen C.
Rockefeller; James I.
Wray; Margery Mchale;
Mark Ellsworth; Robert
Armbruster; William
Scher. Edited by Paul
Sheftel. Solo piano. For
Piano Solo. This edition:
For Piano Solo. Solo
part. 32 pages. Published
by Carl Fischer.
Piano - Level 1 SKU: LO.50-1019 Interactive band method for students, ...(+)
Piano - Level 1
SKU:
LO.50-1019
Interactive band
method for students,
teachers & parents.
Composed by Mark T.
Barnard. Band Method.
Band method. Heritage
Music Press #50/1019.
Published by Heritage
Music Press (LO.50-1019).
UPC:
000308023206.
Begin
your band students'
learning journey on the
right foot with Now Go
Home and Practice!, a
book built on the
arrangements of James
Swearingen who is well
known for his musically
sound compositions for
young instrumentalists.
The book is sequenced so
that all instrumentalists
learn the same first
notes, allowing them to
start making music
together instantly! As
the book progresses,
pitches are introduced in
the order that makes the
most sense for each
instrument. For the
less-experienced teacher,
a guide for building a
band program is included.
Setting this method
apart, parental resources
are included. You can
spend your time
developing students'
technique instead of
drafting parent letters.
Student pages are also
included throughout this
comprehensive, 368-page
resource so you know what
the students and parents
in your program are
seeing. The student book
contains information
about instrument assembly
and care, playing
position, first tones,
and tuning as well as
parent tips.
Piano - Level 2 SKU: LO.50-1038 Interactive band method for students, ...(+)
Piano - Level 2
SKU:
LO.50-1038
Interactive band
method for students,
teachers & parents.
Composed by Mark T.
Barnard. Band Method.
Band method. Heritage
Music Press #50/1038.
Published by Heritage
Music Press (LO.50-1038).
UPC:
000308027112.
A
band method for students,
teachers and parents. By
Jim Probasco, David
Grable, Dan Meeks ...
arranged by James
Swearingen. Promotes
Parental
Involvement...each page
features PARENT POINTERS
- helpful hints written
by Jim Probasco (author
of several Parent's
Guides).
By Carolyn Leigh and Mark Charlap. Arranged by Melody Bober. For Piano. Piano So...(+)
By Carolyn Leigh and Mark
Charlap. Arranged by
Melody Bober. For Piano.
Piano Solo - Sheet.
Simply Pop Series. 0.
Broadway; Movie. Level:
Late Elementary. Sheet. 4
pages. Published by
Alfred Publishing.
Spirituals We Love Piano seul [Partition] - Facile Lorenz Publishing Company
(Your Favorite Composers Share a Few of Their Favorites). By Pepper Choplin. Arr...(+)
(Your Favorite Composers
Share a Few of Their
Favorites). By Pepper
Choplin. Arranged by Mark
Hayes. For Piano. Sacred:
Spiritual. Level 2 .
Book. Published by Lorenz
Publishing Company
Piano - late intermediate SKU: BT.SLB-00596300 By Robert Orledge. By Erik...(+)
Piano - late intermediate
SKU:
BT.SLB-00596300
By
Robert Orledge. By Erik
Satie.
Durand-Salabert-Eschig-Si
gnature Series. Set of
Books. Composed 2016. 600
pages. Editions Salabert
#SLB 00596300. Published
by Editions Salabert
(BT.SLB-00596300).
PIANO inches.
English-French.
Thi
s new, completely revised
and reset centenary
edition of Satie’s
complete piano music in
three volumes has
returned to
Satie’s
manuscripts and first
editions to give pianists
completely accurate and
reliable texts to play
from.
Questa
nuova edizione in tre
volumi delle composizioni
per pianoforte di Satie
offre ai pianisti una
revisione accurata e
fedele alle intenzioni
dell’autore grazie
all’analisi e al
confronto dei manoscritti
e delle loro prime
edizioni
astampa.
La
pubblicazione, oltre a
includere tutti i pezzi
per pianoforte o in
riduzione che Satie ha
pubblicato, offre anche
alcuni brani fino a oggi
sconosciuti, come la
Petite Sonate che ha
scritto per Vincent
d’Indy e
interessanti
primeversioni di pezzi
celebri, tra cui San
Bernardo, un primo
tentativo di
Españaña (1913) e
la prima versione,
considerevolmente
diversa, di Les Pantins
dansent
(1914).
Per
agevolare gli interpreti,
il curatoreha aggiunto,
all’occorrenza,
segnidi metronomo e
alcuni suggerimenti per
l’esecuzione. La
notazione musicale è
stata resa il più
possibile comprensibile
senza depauperare il
pensiero musicale di
Satie
sull’esteriorizzaz
ione della musica.
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370).
ISBN
9781491135075. UPC:
680160686247.
Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022.
Piano/Keyboard SKU: AP.1-ADV9022 German Language Edition. Composed...(+)
Piano/Keyboard
SKU:
AP.1-ADV9022
German Language
Edition. Composed by
Mark Levine.
Keyboard/Piano;
Method/Instruction;
Technique Musicianship.
Advance Music. Jazz.
Book. 270 pages. Advance
Music #01-ADV9022.
Published by Advance
Music (AP.1-ADV9022).
ISBN 9783892210405.
UPC: 805095090222.
German.
Das Jazz
Piano Buch behandelt
fundamentale Techniken
und fortgeschrittene
Spielweisen der
Zeitspanne von Bud Powell
bis zur Gegenwart.
Der Aufbau dieses
Buches ist etwas
ungewöhnlich. Anstatt
alle Voicings in einem
Kapitel und den ganzen
Theoriekomplex in einem
anderen Kapitel zu
behandeln, wechseln sich
die Themen im Verlauf
dieses Buches ab.
Einfachere Sachverhalte
schreiten zu komplexeren
Techniken fort.
Musiktheoretische
Fragen werden immer
anhand von
Transkriptionen und
Stücken erläutert,
die von Jazzmusikern
häufig gespielt
werden. Die Auswahl
reicht von Standards wie
Just Friends bis zu Wayne
Shorters
ungewöhnlicher und
wunderschöner Ballade
Infant Eyes.
Obwohl sich Das
Jazz Piano Buch in erster
Linie an Pianisten
wendet, erleichtern die
visuellen Vorteile, die
das Piano bietet, allen
anderen Instrumentalisten
und Vokalisten den Zugang
zur Harmonik des Jazz.
Es ist jedoch
keine
Lehnstuhllektüre,
sondern ein Buch, das zum
Ãœben und Erforschen am
Piano inspiriert.
Aus dem Inhalt:
Intervalle und
Dreiklänge ein
Ãœberblick; die Modi
der Durskala und die
II-V-I Verbindung;
dreistimmige Voicings;
sus und phrygische
Akkorde; das Erweitern
von dreistimmigen
Voicings;
Tritonussubstitution;
Left-Hand Voicings;
alterierte Töne in
Left-Hand Voicings;
Skalentheorie; Skalen in
der Praxis; So
What-Akkorde;
Quartenakkorde; Upper
Structures; pentatonische
Skalen; Voicings; Stride
und Bud Powell Voicings;
Viertonskalen;
Blockakkorde; Salsa und
Latin Jazz; Comping;
Üben; Hören; eine
ausführliche
Diskographie.
A Guide for Complementing Melodies on the Keyboard. Piano Instruction. Improv...(+)
A Guide for Complementing
Melodies on the Keyboard.
Piano Instruction.
Improvisation,
Instruction.
Softcover Audio Online.
72
pages. Published by Hal
Leonard