Piano - Elementary SKU: FJ.W9451 Composed by Mary Leaf. Piano Solo; Piano...(+)
Piano - Elementary
SKU: FJ.W9451
Composed by Mary Leaf.
Piano Solo; Piano
Supplemental. Written For
You. Score. The FJH Music
Company Inc #98-W9451.
Published by The FJH
Music Company Inc
(FJ.W9451).
UPC:
241444384060.
English.
This
charming elementary piece
deals with the rite of
passage of loosing a
tooth. A piece in Almost
Middle CÂ position
(R.H. on D, L.H. on C)
with no accidentals.
Clever lyrics that tell a
story and an optional
teacher duet adds to the
charm.
Piano - Intermediate SKU: FJ.W9461 Composed by Timothy Brown. Piano Solo;...(+)
Piano - Intermediate
SKU: FJ.W9461
Composed by Timothy
Brown. Piano Solo; Piano
Supplemental. Written For
You. Score. The FJH Music
Company Inc #98-W9461.
Published by The FJH
Music Company Inc
(FJ.W9461).
UPC:
024144439892.
English.
The
wistful lyricism of this
romantic ballad in C
major will appeal to your
high school and adult
students. L.H. plays
arpeggiated octaves and
tenths sustaining a
gorgeous melody.
About FJH
Written For You Piano
Solos
Spar
kling and lyrical pieces
which promote musical
expression.
(12 Pieces with Study Guides to Maximize Limited Practice Time). By Melody Bober...(+)
(12 Pieces with Study
Guides to Maximize
Limited Practice Time).
By Melody Bober, Gayle
Kowalchyk, and E. L.
Lancaster. For Piano.
Piano Collection; Piano
Supplemental. Piano for
Busy Teens. Recital.
Early Intermediate;
Intermediate. Book. 56
pages
Edited by E. L. Lancaster and Morton Manus. Arranged by Various. For Piano. Meth...(+)
Edited by E. L. Lancaster
and Morton Manus.
Arranged by Various. For
Piano.
Method/Instruction; Piano
- Alfred's Basic Piano
Course. Alfred's Basic
Piano Library. Children.
General MIDI Disk.
Published by Alfred Music
Publishing
Edited by E. L. Lancaster and Morton Manus. Arranged by Various. For Piano. Pian...(+)
Edited by E. L. Lancaster
and Morton Manus.
Arranged by Various. For
Piano. Piano Method.
Alfred's Basic Piano
Library. Book and CD. 32
pages. Published by
Alfred Publishing.
Piano - intermediate SKU: BT.DHP-1175849-401 20 great songs and themes...(+)
Piano - intermediate
SKU:
BT.DHP-1175849-401
20 great songs and
themes arranged for piano
solo.
TV-Film-Musical-Show.
Book Only. Composed 2017.
76 pages. De Haske
Publications #DHP
1175849-401. Published by
De Haske Publications
(BT.DHP-1175849-401).
ISBN 9789043153881.
International.
Are
you an enthusiastic
cinema-goer? Then many of
the melodies and themes
in this collection will
be familiar to you: they
are soundtracks to some
of the great classics
from the world of film.
If youâ??ve had just a
few years of study on the
pianoyouâ??ll be able to
enjoy these wonderful
pieces.
Ga je
graag naar de bioscoop?
Dan zullen de
melodieën en
themaâ??s uit deze
selectie je zeker bekend
voorkomen: ze zijn
afkomstig uit de
soundtracks van een
aantal van de grootste
filmklassiekers aller
tijden. Wie slechts een
paar jaar
pianolessenheeft gevolgd,
kan deze prachtige
filmmuziek nu zelf
spelen. De bewerkingen
zijn van een gemiddelde
moeilijkheidsgraad en
blijven heel dicht bij de
originele stukken, zodat
je ze meteen
herkent!
Sie sind
begeisterter
Kinogänger? Dann
werden Ihnen mit
Sicherheit viele der in
diesem Band versammelten
Melodien und Themen
bekannt vorkommen: Sie
entstammen den
Soundtracks zu einigen
der grö�ten
Filmklassiker aller
Zeiten. Mit ein paar
JahrenUnterrichts- bzw.
Spielerfahrung auf dem
Klavier können Sie
diese wunderbaren
Filmmusiken nun selbst
nachspielen. Die
Bearbeitungen sind im
mittleren
Schwierigkeitsgrad
gehalten und orientieren
sich klanglich eng an den
Originalen, sodass Sie
sorecht in Erinnerungen
schwelgen
können.
Accent on Gillock Volume 2. (Mid to Later Elementary Level). By William L. Gillo...(+)
Accent on Gillock Volume
2. (Mid to Later
Elementary Level). By
William L. Gillock.
Willis. Mid to Late
Elementary. 16 pages.
Willis Music #11836.
Published by Willis Music
Piano SKU: HL.50492708 Composed by Salvatore Marchesi. MGB. Method. Book ...(+)
Piano
SKU:
HL.50492708
Composed
by Salvatore Marchesi.
MGB. Method. Book Only.
Composed 1990. Ricordi
#MLR125. Published by
Ricordi (HL.50492708).
Italian.
Un
metodo agile, che
introduce le nozioni
musicali essenziali, e
che permette
all'autodidatta di
suonare fin dalle
primissime pagine. Sono
presenti numerosi
esercizi di
consolidamento.
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano
SKU:
BR.EB-8990
After R
(A Portrait for Piano and
Orchestra). Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf.
He
re you will find the
concerto R (A Portrait
for Piano and
Orchestra).
Solo
concerto; Music
post-1945; New music
(post-2000). Score.
Composed 2015. 36 pages.
Duration 15'. Breitkopf
and Haertel #EB 8990.
Published by Breitkopf
and Haertel (BR.EB-8990).
ISBN 9790004187197. 9
x 12 inches.
A
Musical Portrait In 2012
Nicola Campogrande
received a rather
singular commission when
a total stranger asked
him to compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R , were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing. Information on
Nudo on the composer's
website Audio recording
of Nudo (YouTube) Un
portrait musical En 2012,
Nicola Campogrande s'est
vu proposer une
commission fort
singuliere ; un parfait
etranger lui demandait de
composer le portrait
musical de sa compagne.
L'homme savait exactement
ce qu'il voulait : un
concert pour piano et
orchestre. Apres quelques
hesitations, Campogrande
s'est rendu compte qu'il
pouvait se servir de la
musique comme d'un
pinceau. Bien entendu, il
ne serait jamais possible
de reconnaitre la forme
du visage de la femme ou
la couleur de ses
cheveux, mais la
partition pourrait
evoquer la facon dont
elle se deplacait dans
l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre)
, interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sUrauffuhrung fidanzata.
L'uomo sapeva esattemente
cio che voleva: un
concerto per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sUrauffuhrung fidanzata,
gli ha parlato di lei e,
alla fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra ), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo , un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale. 'Nudo'
is a scintillating work
that paints a vivid and
fascinating sequence of
musical portraits of its
subject. And the
Breitkopf score is simply
superb.
(www.pianodao.com).
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
Piano Solo - Medium SKU: BU.EBR-A037 Composed by Johann Sebastian Bach. T...(+)
Piano Solo - Medium
SKU: BU.EBR-A037
Composed by Johann
Sebastian Bach. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A037. Published by
Editions Bourges
(BU.EBR-A037).
Piano Solo SKU: BU.EBR-A103 Composed by Gioachino Rossini. Anacrouse. Tra...(+)
Piano Solo
SKU:
BU.EBR-A103
Composed
by Gioachino Rossini.
Anacrouse. Transcription
pour piano + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A103. Published by
Editions Bourges
(BU.EBR-A103).
Piano Solo SKU: BU.EBR-A100 Composed by Richard Wagner. Anacrouse. Transc...(+)
Piano Solo
SKU:
BU.EBR-A100
Composed
by Richard Wagner.
Anacrouse. Transcription
pour piano Biographie
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A100. Published by
Editions Bourges
(BU.EBR-A100).
Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
The Complete Resource for Every Pianist!. Piano Solo Songbook (Intermediate to a...(+)
The Complete Resource for
Every Pianist!. Piano
Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 304 pages.
Published by Hal Leonard.
Piano Solo SKU: BU.EBR-A105 Composed by Luigi Boccherini. Anacrouse. Tran...(+)
Piano Solo
SKU:
BU.EBR-A105
Composed
by Luigi Boccherini.
Anacrouse. Transcription
pour piano + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A105. Published by
Editions Bourges
(BU.EBR-A105).
Piano Solo - advanced SKU: FD.FD0437 Composed by Gualtiero Dazzi. Clavier...(+)
Piano Solo - advanced
SKU: FD.FD0437
Composed by Gualtiero
Dazzi. Claviers. Carnets
du 21e Siecle. Score.
Duration 1-3 minutes.
Editions Francois
Dhalmann #FD0437.
Published by Editions
Francois Dhalmann
(FD.FD0437).
ISBN
9790560244372.
Part
ition pour piano solo.
Claudio Abbado, alors
directeur musical de La
Scala de Milan, a ete une
figure centrale de la vie
musicale et culturelle de
ma ville natale pendant
toute ma periode
d'apprentissage au
Conservatoire Giuseppe
Verdi. J'ai eu le
privilege, encore
adolescent, de suivre
avec grand interet son
travail d'interprete du
grand repertoire lyrique
et symphonique ainsi que
son engagement pour
defendre la musique de
notre temps. Mis a part
la place centrale
qu'occupe Claudio Abbado
parmi les plus grands
interpretes des dernieres
decennies, on retiendra
de lui son intense desir
de transmission
personnifie par la
creation d'orchestres de
jeunes auxquelles il a
consacre la plus part de
son temps depuis que la
maladie avait commence a
sevir. A l'annonce de son
deces le 20 Janvier, il
m'a semble indispensable
de me souvenir de lui et
de lui rendre hommage par
cette humble contribution
: une Auvre pour piano
seul, composee quelques
jours apres sa mort et
dediee a mon fils Jacopo
qui aura quinze ans en
cette annee 2014. Tombeau
de Claudio Abbado est une
piece en forme d'etude
qui, compte tenu des
difficultes techniques
qu'elle comporte, peut
etre inscrite dans un
cursus d'apprentissage a
un niveau avance (debut
de troisieme cycle). La
piece se deroule selon
une ligne dramaturgique
tres facilement reperable
: apres un depart tres
agite, virtuose, sonore
et plein de vitalite, le
discours musical est
interrompu par une partie
plus calme et plus douce
qui vient ronger de
l'interieur les figures
rapides jusqu'a gagner
tout l'espace et a amener
la musique vers un
silence de plus en plus
present et des sonorites
etouffees en sons
harmoniques. Gualtiero
Dazzi.
Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Early ...(+)
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Early Intermediate
/ Early Advanced (grade
3/4/5/6/6 ). Book. 248
pages. Published by
Alfred Publishing.