Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
By George Winston. Songbook for solo piano. Exact transcriptions from the record...(+)
By George Winston.
Songbook for solo piano.
Exact transcriptions from
the recordings,
authorized by George
Winston. 104 pages.
Published by Hal Leonard.
Michael Aaron Piano Course Adult Piano Course, Book 2 by Michael Aaron. For Pian...(+)
Michael Aaron Piano
Course Adult Piano
Course, Book 2 by Michael
Aaron. For Piano.
Method/Instruction; Piano
- Aaron Method. Adult
Approach to Piano Study.
Book. 64 pages. Published
by Alfred Music
Publishing
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Fl...(+)
(Complete Piano Sonatas,
Volume 1). By Alexandr
Skrjabin. Edited by
Christoph Flamm. For
piano. This edition:
Urtext edition.
Performance score,
Anthology (paperbound).
Text language: German,
English. 123 pages.
Published by Baerenreiter
Verlag
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370).
ISBN
9781491135075. UPC:
680160686247.
Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022.
One Big Family Piano seul - Intermédiaire GIA Publications
Twenty new songs for contemporary all-age worship. Composed by William Lle...(+)
Twenty new songs for
contemporary all-age
worship.
Composed by William
Llewellyn. Children.
Royal
School of Church Music.
Sacred. 68 pages. GIA
Publications #9549.
Published
by GIA Publications
Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Interm...(+)
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Intermediate /
Early Advanced (grade
4/5/6/6+). Book. 64
pages. Published by
Alfred Publishing.
Piano solo SKU: HH.HH386-SOL Composed by Ming Wang. Piano Solo. Playing s...(+)
Piano solo
SKU:
HH.HH386-SOL
Composed
by Ming Wang. Piano Solo.
Playing score. Edition HH
Music Publishers
#HH386-SOL. Published by
Edition HH Music
Publishers
(HH.HH386-SOL).
ISBN
9790708146001.
Thes
e twelve piano
miniatures, of increasing
difficulty, are a magical
distillation of Ming
Wang’s
long-desired encounter
with the Alpine
landscape: Rustling
Brook, Two Marmots,
Colourful Clouds, The
Cricket and the
Butterfly, The Day the
Snow Fell, Lullaby,
Mountain Song, Eternal
Ice, Ptarmigan’s
Song, Dancing Wind, The
Valley of Echoes and Ice
Pellets. Written mostly
in the conventional
manner but also
incorporating playing
techniques and sound
effects frequently used
in New Music, they are an
ideal introduction to the
composer’s sound
world – a mixture
of European contemporary
language and Asian
colour. Detailed
performing instructions,
with added fingering by
pianist and teacher
Przemek Dembski, help to
make these brief, unique
works a joy for pupil and
teacher alike.
Composed by John W. Schaum. Method/Instruction; Piano - Schaum Method Supplement...(+)
Composed by John W.
Schaum.
Method/Instruction; Piano
- Schaum Method
Supplement; Theory. Piano
method/supplement. Early
elementary, primer level.
Instructional.
Instructional book. With
fingerings. 32 pages.
Schaum Publications, Inc.
#00-EL00244A. Published
by Schaum Publications,
Inc.
Chamber Ensemble Solo Piano (solo piano) - medium SKU: CN.17440 Composed ...(+)
Chamber Ensemble Solo
Piano (solo piano) -
medium
SKU:
CN.17440
Composed by
Jon Metzger. Arranged by
Michael Brand. Duration
4:30. Published by C.
Alan Publications
(CN.17440).
Riversong was
originally composed for
solo vibraphone and was
presented in lead sheet
format (for an
improvising musician's
use) and in a completely
written-out version.
Spelled here for piano,
the original flow and
lure of a river's pull is
augmented by two
additional vignettes -
Water Catcher and Terra
Firma - that depict both
an unexpected outing and
the satisfaction of a
completed trip.
Riversong was
originally composed for
solo vibraphone and was
presented in lead sheet
format (for an
improvising musician's
use) and in a completely
written-out version.
Spelled here for piano,
the original flow and
lure of a river's pull is
augmented by two
additional vignettes that
depict both an unexpected
outing and the
satisfaction of a
completed trip. Water
Catcher reminds us of
what may lie around the
next bend when storms
follow the river and
powerfully replace calm
with chaos. Terra Firma
confirms our respect and
desire for the journey -
natural repose and
quiescence in harmony
with anticipation of
revisiting the river's
song.
Piano/Keyboard SKU: SU.12800058 For Piano/Keyboard. Composed by Co...(+)
Piano/Keyboard
SKU:
SU.12800058
For
Piano/Keyboard.
Composed by Cory Hall.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#12800058. Published by
Subito Music Corporation
(SU.12800058).
ABOUT THIS
BOOK: Hanon for
Beginners (1-page
Preface, 10 pages). This
short and practical
volume, which presents
the first 20 exercises
(Part 1) of Hanon's book,
is the perfect primer for
the pianist’s
first encounter with
Charles-Louis
Hanon’s The
Virtuoso Pianist. In
addition to indicating
the traditional
fingerings, this volume
also supplies alternate
fingerings in preparation
for the playing of real
music. A short
introduction as well as
important practice tips
are included in the
one-page Preface. This
edition is ideal for
teachers and students of
all ages who desire a
less difficult
introduction and primer
to the indispensable
exercises of Hanon.
Piano/Keyboard Published
by: BachScholar.
Arranged by Shelley Helzerman Houser. For Piano. The FJH Sacred Piano Library. T...(+)
Arranged by Shelley
Helzerman Houser. For
Piano. The FJH Sacred
Piano Library. Titles
include: Open My Eyes,
That I May See; On
Jordan's Stormy Banks;
Poor Wayfaring Stranger;
Sweet By and By; Savior,
Like a Shepherd Lead Us;
Nearer, My God, to Thee;
Nothing but the Blood;
and It Came Upon the
Midnight Clear; as well
as some rare arrangements
of specialized hymns like
The King Shall Come;
Prayer Is the Soul's
Sincere Desire; Ring Out,
Wild Bells and Into the
Woods My Master Went.
Spiritual. Level: Late
Intermediate. Book.
Published by The FJH
Music Company Inc.
Piano (Piano solo) - x, x SKU: HL.51481156 Piano. Composed by Clau...(+)
Piano (Piano solo) - x, x
SKU: HL.51481156
Piano. Composed by
Claude Debussy. Edited by
Ernst-Gü and nter
Heinemann. Sheet Music.
Paperbound. Henle Music
Folios. Single edition
from HN 404. Classical,
Romantic Period.
Softcover. 12 pages. G.
Henle #HN1156. Published
by G. Henle
(HL.51481156).
ISBN
9790201811567. UPC:
888680749705.
9.25x12.25x0.07
inches.
In his
youth, when still
searching for his own
personal style, Debussy
composed a series of
short, stand-alone piano
pieces. He took
traditional genres such
as the ballade, mazurka,
nocturne and waltz, but
in general used each of
them just once, as if
trying them out. One such
was the “Valse
romantiqueâ€,
published by Choudens of
Paris in 1891 and thus
written at the same time
as his famous piano works
“Two
Arabesques†and the
“Suite
bergamasqueâ€. This
charming waltz is of
moderate difficulty and
thus ideal either as a
pedagogical piece or for
concert performance. Our
collected volume
“Debussy: Piano
Pieces†(HN 404)
offers numerous other
short piano pieces of
modest difficulty for
those who find that this
practical, stand-alone
edition awakens in them a
desire for more.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (NOTEN) - advanced SKU: HL.49033070 Ein Marchen mit 21 leichten ...(+)
Piano (NOTEN) - advanced
SKU: HL.49033070
Ein Marchen mit 21
leichten
Klavierstucken.
Composed by Stefan
Heucke. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Composed 1998. Op. 28. 48
pages. Schott Music #ED
9405. Published by Schott
Music (HL.49033070).
ISBN 9783795755881.
8.25x11.75x0.188 inches.
German. Brigitte
Smith.
The happy
prince in Oscar
Wilde'swell-known fairy
tale seems to have
everything as statue
could possibly desire. He
stands in a prominent
position above the town,
is covered in gold,
adorned with precious
stones and is admired and
respected by the people.
Nevertheless he decides
to give it all up and to
give away all his gold
and jewels. With the aid
of a little swallow he
distributes his riches to
the poor and needy, the
forgotten and abandoned,
and to hungry children
for buying bread. These
21 short pieces
illuminate the various
episodes of the fairy
tale and add another,
musical and emotional,
dimension. The setting is
intended for intermediate
piano students or adult
learners.
By Various. Arranged by Crawford Gates / Gerald Dick / Robert P. Manookin / A. L...(+)
By Various. Arranged by
Crawford Gates / Gerald
Dick / Robert P. Manookin
/ A. Laurence Lyon / Reid
Nibley / Edited By Robert
P. Manookin. -. For Piano
Book. Level: Varied.
Published by Jackman
Music Corporation.
Piano - Beginning SKU: MB.94270M Composed by Robin Jarman. Piano and Keyb...(+)
Piano - Beginning
SKU:
MB.94270M
Composed by
Robin Jarman. Piano and
Keyboard, Squareback
saddle stitch,
Saddle-stitched. You Can
Teach Yourself.
Contemporary, Method.
Book and online
audio/video. 56 pages.
Mel Bay Publications, Inc
#94270M. Published by Mel
Bay Publications, Inc
(MB.94270M).
ISBN
9780786692866. 8.75 x
11.75
inches.
Developed
by Robin Jarman to enable
anyone to accompany songs
on the piano without
music, change key when a
song is pitched too low
or too high, and provide
accompaniment when only
the melody and chord
symbols are given. It is
ideal for teachers,
students, parents, and
members of the community
who would like to
accompany sing-alongs.
The book does assume that
the student can sing in
tune, can read simple
rhythm and notation, is
familiar with the treble
and bass clefs and the
piano keyboard, and has a
sense of humor and a
desire to learn. Includes
access to online audio
and video recordings that
walk you through the
exercises, providing
additional instruction
and help.
Composed by Claude Debussy (1862-1918). Edited by Thomas Kabisch. This edition...(+)
Composed by Claude
Debussy
(1862-1918). Edited by
Thomas
Kabisch. This edition:
urtext
edition. Paperback.
Barenreiter Urtext. 2me
Livre.
Performance score.
Baerenreiter Verlag
#BA10819.
Published by Baerenreiter
Verlag
(Ten Short Pieces for Piano). By George Benjamin. Orchestra. For piano. Full Orc...(+)
(Ten Short Pieces for
Piano). By George
Benjamin. Orchestra. For
piano. Full Orchestra;
Masterworks; Score. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music