Time For Leisure consists of six holiday sketches for Piano, by Joan Last. These...(+)
Time For Leisure consists
of six holiday sketches
for Piano, by Joan Last.
These enjoyable
miniatures were completed
in 1983 and are suitable
for students working at
grade four standard
34 Selections from the 500 Greatest Songs of All Time. Arranged by Dan Coates. F...(+)
34 Selections from the
500 Greatest Songs of All
Time. Arranged by Dan
Coates. For Piano. Piano
- Easy Piano Collection.
Rolling Stone! Easy Piano
Sheet Music Classics.
Pop/Rock. Level: Easy
Piano. Book. 148 pages.
Published by Alfred
Publishing.
The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! b...(+)
The companion MP3 CD to
book 5 of the bestselling
series Piano Gefällt
Mir! by Hans-Günter
Heumann features
demonstration tracks with
recorded Piano, Bass and
Drums, as well as backing
with the Piano part taken
out, allowing you to play
along. **Please note: The
CD included with this
title can only be played
through an MP3 compatible
program.**
(25 Selections from the Rolling Stone 100 Greatest Singers of All Time). Arrange...(+)
(25 Selections from the
Rolling Stone 100
Greatest Singers of All
Time). Arranged by Dan
Coates. For Piano. Book;
Piano - Easy Piano
Collection; Piano
Supplemental. Pop/Rock.
Easy Piano. 120 pages.
Published by Alfred Music
Publishing
Piano - easy to intermediate SKU: HL.49045014 For Piano. Composed ...(+)
Piano - easy to
intermediate
SKU:
HL.49045014
For
Piano. Composed by
Nicholas Lens. This
edition: Saddle
stitching. Sheet music.
Piano. Classical, Etude.
Softcover. 86 pages.
Duration 75'. Schott
Music #ED 22049.
Published by Schott Music
(HL.49045014).
ISBN
9790001202114. 9.0x12.0
inches.
The Belgian
composer Nicholas Lens
presents extremely varied
etudes, exercises and
simple phrases with
wonderfully telling
titles from poetry and
everyday world for
children and adults. For
the most part the studies
are tonal and simple and
have no constructed line.
They are not based on any
educational concept but
leave the musical
dramatization to the
pupils and teachers:
'Notes and rhythms are
just notes and rhythms,
they do not have that
many rules, they do not
have any pretension, they
are just tools for you to
use to express what you
want to share'.
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
Piano - Level 3 SKU: LM.27708 Composed by Thierry Masson. Junior de Thier...(+)
Piano - Level 3
SKU:
LM.27708
Composed by
Thierry Masson. Junior de
Thierry Masson et Patrick
Guillem. Pop, jazz.
Score. Editions Henry
Lemoine #27708. Published
by Editions Henry Lemoine
(LM.27708).
ISBN
9790230977081.
Roll
ing Boogie - Fast Boogie
- Why... That's it -
Expresso Boogie - Softly
Blues - Running Time -
Swing Boogie - Bourbon
Blues - The Last one.
Piano SKU: BT.BWH004576 Book 4 Grade 4. Method. Book Only. 16 page...(+)
Piano
SKU:
BT.BWH004576
Book
4 Grade 4. Method.
Book Only. 16 pages.
Bosworth & Co.
#BWH004576. Published by
Bosworth & Co.
(BT.BWH004576).
Joan
Last’s Rhythmic
Reading: Book IV is a
preparatory work for
Grade 4 Piano examination
that acknowledges the
large differences between
work at Grades 3 and 4.
The book includes
twenty-eight short pieces
and preparatorystudies,
which cover Independence
of Hands, Slurs, Leger
lines, Tied Notes in
Chords, Dotted Quavers,
Change of Clef, 6/8, 6/4
and 9/8 Time, Flowing
Accompaniment and
more.Last’s goal
is to prepare the student
thoroughly for
therhythmic demands of
the Grade 4 exam. Her
authoritative and
commonsensical tone,
gained from her own early
solo career and her years
as a teacher at the Royal
Academy of Music, shines
through this very
practical
publication.
Piano - Intermediate SKU: YM.GTP01095202 Piano Pop & Vocal. Artist Folio....(+)
Piano - Intermediate
SKU:
YM.GTP01095202
Piano
Pop & Vocal. Artist
Folio. Sheet music.
Yamaha Music Media
#GTP01095202. Published
by Yamaha Music Media
(YM.GTP01095202).
ISBN
9784636952025.
All
songs collaborated Kuraki
& Conan from 2000 to
2017
1. Secret of
my heart; 2. Start in my
life; 3. always; 4.
Winter Bells; 5. Time
after time; 6. La la la
for winds; 7. Growing of
my heart; 8. White Snow;
9. Love for you, every
minute; 10. Revive; 11.
Togetsu bridge - I Love;
12. YESTERDAY LOVE; 13.
SAWAGELIFE; 14. DYNAMITE;
15. Invincible Heart; 16.
TRY AGAIN; 17. Fall in
Love; 18. Your Best
Friend; 19. Tomorrow is
the last Time: 20. SUMMER
TIME GONE; 21.
PUZZLE.
The books in 'Jazzin'' contain 12 songs for jazz ensemble. The books come with a...(+)
The books in 'Jazzin''
contain 12 songs for jazz
ensemble. The books come
with a CD. The songs are
recorded in short
versions, where the
melody (plus harmony part
and/or fill-ins) are
presented by song and/or
an instrument, this is
followed by a solo, and
at last, the melody is
presented in a new
combination by
instruments and/or
vocals. All songs come in
a stereo mix with
melodies and solos, and
also in a 'minus one'
version with just rhythm,
that can be used for
practising. In the minus
one version, the drums
are in stereo, the bass
is in the left channel,
and the chord instruments
(piano and/or guitar) in
the right channel. This
makes it possible to
practice melodies and
solos with a complete
backing, chord
instruments with just
bass and drums, and bass
with just chord
instruments and drums
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370).
ISBN
9781491135075. UPC:
680160686247.
Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022.
Piano - easy SKU: BT.VOLMB394 15 all time pop songs arranged for easy ...(+)
Piano - easy
SKU:
BT.VOLMB394
15 all
time pop songs arranged
for easy piano.
Composed by Franco
Concina. Easy Piano
Anthology. Pop & Rock.
Book Only. Volonte e Co
#VOLMB394. Published by
Volonte e Co
(BT.VOLMB394).
ISBN
9788863883886.
English.
A superb
collection of pop music
for easy Piano. Contents
include: A groovy
kind of love (Phil
Collins) - A salty dog
(Procol Harum) - A whiter
shade of pale (Procol
Harum) - Against all odds
(Phil Collins) - All
night long(Lionel Richie)
- Another brick in the
wall (Pink Floyd) -
Anywhere is (Enya) -
Bohemian rhapsody Queen)
- Careless whisper (Wham)
- Europa (Carlos
Santana) and more.
Titulos
incluidos: A groovy kind
of love (Phil Collins) -
A salty dog (Procol
Harum) - A whiter shade
of pale (Procol Harum) -
Against all odds (Phil
Collins) - All night long
(Lionel Richie) - Another
brick in the wall (Pink
Floyd) - Anywhere
is(Enya) - Bohemian
rhapsody Queen) -
Careless whisper (Wham) -
Europa (Carlos Santana) -
Every breath you take
(Police) - Everytime you
go away (Paul Young) -
Feelings (Morris Albert)
- Honesty (Billy Joel) -
Hotel california (Eagles)
- I just calledto say i
love you (Stevie WIsnt
she lovely (Stevie
Wonder) - Just the way
you are (Billy Joel) -
Last christmas (George
Michael) - Moonlight
shadow (Mike Oldfield) -
Never can say goodbye
(Gloria Gaynor) - One
moment in time (Whitney
Houston) - (outhere) on
my own (IreneNikka Costa)
- Oye como va (Tito
Puente, Carlos Santana) -
Rain and tears
(Aphrodites Child) - She
(Charles Aznavour) -
Sorry seems to be the
hardest word (Elton John)
- Thats what friends are
for (Dionne Warwick) -
The finalcountdown
(Europe).
Piano seul [Partition] - Intermédiaire Hal Leonard
Performed by Yanni. For solo piano. Format: piano solo songbook. With introducto...(+)
Performed by Yanni. For
solo piano. Format: piano
solo songbook. With
introductory text and
black and white photos.
New age. 64 pages. 9x12
inches. Published by Hal
Leonard.
Note-for-Note Transcriptions of the Greatest Jazz Performances of All Time. A...(+)
Note-for-Note
Transcriptions
of the Greatest Jazz
Performances of All Time.
Arranged by Frederick
Moyer.
Artist Transcriptions.
Jazz.
Softcover. 176 pages.
Published by Hal Leonard
(25 Songs That Defined the Times). Arranged by Melody Bober. For Piano. Piano -...(+)
(25 Songs That Defined
the Times). Arranged by
Melody Bober. For Piano.
Piano - Easy Piano
Collection. Generations.
Easy Piano. Book. 108
pages. Published by
Alfred Music Publishing
(25 Songs That Defined the Times). Arranged by Carol Matz. For Piano. This editi...(+)
(25 Songs That Defined
the Times). Arranged by
Carol Matz. For Piano.
This edition: Big Note
Piano. Piano - Big Note
Collection. Generations.
Big Note. Book. 80 pages.
Published by Alfred Music
Publishing
(25 Songs That Defined the Times). Arranged by Victor Labenske. For Piano. Pian...(+)
(25 Songs That Defined
the Times). Arranged by
Victor Labenske. For
Piano. Piano Collection.
Generations. Advanced.
Book. 92 pages. Published
by Alfred Music
Publishing