Piano - Grade 4

SKU: HL.14004053

Composed by Niels Viggo Bentzon. Music Sales America. Classical. Book [Softcover]. Composed 2002. 20 pages. Edition Wilhelm Hansen #WH26046. Published by Edition Wilhelm Hansen (HL.14004053).

ISBN 9788759861523. 8.25x11.5x0.113 inches. English.

Niels Viggo Bentzon was one of the most prolific composers of the 20th century. This is his work Passacaglia for Piano from Opus 31.

Piano

SKU: HL.356377

For Piano. Composed by Philip Glass. Piano. Classical. Softcover. 8 pages. Dunvagen Music Publishers #DU11208. Published by Dunvagen Music Publishers (HL.356377).

ISBN 9781705112281. UPC: 840126940992. 9x12 inches.

Piano

SKU: CA.5013250

Composed by Josef Gabriel Rheinberger. Free organ music. Rheinberger, Passacaglia Nach Op. 132/4. Full score. Composed 1887. Op. 132b. 12 pages. Carus Verlag #CV 50.132/50. Published by Carus Verlag (CA.5013250).

ISBN 9790007165673. Key: F minor. Language: all languages.

Score available separately - see item CA.5013200.

Piano - Beginner, Intermediate, Intermediate-Advanced

SKU: YM.GTP01097982

Composed by Yukie Nishimura. Piano Pop and Vocal. Score. Yamaha Music Media #GTP01097982. Published by Yamaha Music Media (YM.GTP01097982).

ISBN 9784636979824.

This is the matched scorebook of the same name of Yukie Nishimura's CD album, and all works are newly composed for the album. I want as many people as possible to turn on their musical switch to enjoy the piano sound, she created the album with this wish in mind. She speaks gently to the piano and plays melodies that touch the heart, making the listeners' hearts flutter.
This scorebook will bring you even more love towards piano as well as a connection to the wonderful musical world.
There are two bonus arrangements included in the scorebook.
The Quartet on the Keys is arranged for beginners. She has made the Merry-Go-Round - Dedicated to Piazzolla into a slightly gentler arrangement, yet still perfect for performing at recitals and competitions.

Composed by Astor Piazzolla (1921-1992). For Piano. BH Piano. Softcover. 132 pages. Boosey and Hawkes #M051246786. Published by Boosey and Hawkes

Featuring Music from 2001: A Space Odyssey, A Clockwork Orange and Barry Lyndon. Composed by Antonio Vivaldi (1678-1741), Giovanni Paisiello (1740-1816), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Gioachino Rossini (1792- 1868), Franz Schubert (1797- 1828), Edward Elgar (1857- 1934), and George Frideric Handel (1685-1759). Edited by Nicholas Hopkins. Arranged by Nicholas Hopkins. Carl Fischer Music #PL1064. Published by Carl Fischer Music

Composed by Astor Piazzolla (1921-1992). BH Piano. Softcover. 48 pages. Published by Boosey & Hawkes

By Astor Piazzolla. Piano Solo. Size 9x12 inches. 64 pages. Published by Hal Leonard.

Composed by Astor Piazzolla (1921-1992). Piano Solo Personality. Latin, Tango. Softcover. 80 pages. Published by Hal Leonard

By Astor Piazzolla. Boosey and Hawkes Piano. Size 9x12 inches. 32 pages. Published by Boosey and Hawkes

Revised and corrected by Pablo Ziegler. By Astor Piazzolla. Arranged by . For Piano. Published by Tonos (German import).

The Phillip Keveren Series. By Astor Piazzolla. Arranged by Phillip Keveren. Piano Solo. Softcover. 56 pages. Published by Hal Leonard.

Composed by Astor Piazzolla (1921-1992). Collection for piano. 30 pages. Published by Berben Edizioni Musicali.

By Astor Piazzolla. For Piano, C Instrument. Tango. Collection. Published by Tonos (German import).

2 Pianos

SKU: HL.14045262

Riduzione Per 2 Pianoforti. Composed by Giovanni Paisiello. CARISCH - MUSIC SALES. Classical. General Merchandise. 66 pages. Carisch Edition #MK1429. Published by Carisch Edition (HL.14045262).

ISBN 9788882915704. 8.75x12.0x0.191 inches.

By Joyce Grill. For Piano. Piano Collection. Composer Spotlight Series. Level: Early Intermediate. Book. 24 pages. Published by Alfred Publishing.

Piano

SKU: HL.14030704

Composed by Jean Joubert. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV100230. Published by Music Sales (HL.14030704).

The second sonata is on a much larger scale than the first, and has three movements which develop in intensity, reaching a climax in the last movement which is a passacaglia. It is a stormy work, in the sense that it opens peacefully and closes in a similar manner, with a heavy shower of notes and ideas in between. There is little hint of this in the gentle opening of the first movement, and although it follows the pattern of its previous sonata in developing a climax and releasing it again, it is not until the scherzo, with its powerful motor rhythms, that the full fury of the storm breaks. The concluding passacaglia is built on repetition. The nature of the form party makes this inevitable, but repetition becomes a subtext, with the idea of speeding up to a climax being itself repeated, the second time subsiding into the peace of a storm blown out. ~ John Joubert.

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, introductory text, biographical sketches of composers and glossary of musical terms. 20th century. 238 pages. 9x12 inches. Published by Yorktown Music Press.

Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by Martin Stadtfeld. Piano Solo. Classical. Softcover. 24 pages. Schott Music #ED23299. Published by Schott Music

Solo Piano

SKU: SU.27040220

For Solo Piano. Composed by Gregory J. Hutter. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #27040220. Published by Subito Music Corporation (SU.27040220).

The Variations for Piano Solo combines elements from traditional sectional variations, as well as the passacaglia and chaconne. The work is organically conceived: its sole thematic material is derived from a three-note cell, which is composed-out both melodically and harmonically.Solo Piano Duration: 6' Composed: 2004 Published by: Hutter Music.

Piano Solo

SKU: SU.27040260

For Piano Solo. Composed by Gregory J. Hutter. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #27040260. Published by Subito Music Corporation (SU.27040260).

The five Fantasy Pieces are manifestations of the piano in its sundry traditions. The Prelude is a response to the instrument's mechanical side and timbral possibilities; the Free Invention is a wild study in two-part counterpoint; the Intermezzo contains many dense harmonic textures; the Passacaglia is a demonstration of pianistic virtuosity, and the Postlude explores the instrument's resonance and acoustical properties. Piano Solo Duration: 20' Composed: 2001 Published by: Hutter Music.

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

Piano

SKU: BR.EB-9419

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf. World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962. Music post-1945; New music (post-2000). Score. Composed 1961/62. 20 pages. Duration 12'. Breitkopf and Haertel #EB 9419. Published by Breitkopf and Haertel (BR.EB-9419).

ISBN 9790004188965. 10 x 12.5 inches.

Echo Andante , nach meiner Ruckkehr vom Studienaufenthalt bei Luigi Nono in Venedig komponiert, von mir selbst 1962 in Darmstadt uraufgefuhrt, bedeutet - trotz anderer fruherer Arbeiten, die ich nicht verleugnen mag (etwa die Schubert-Variationen ) - zusammen mit Souvenir und Funf Strophen wohl mein Opus 1, mit einer ahnlichen zugleich abschliessend ruckblickenden und aufbrechend vorwartsblickenden Rolle, die etwa Bergs Klaviersonate oder Weberns Passacaglia in deren Schaffen spielte. Ich war gepragt und fasziniert von der Reinheit und Konsequenz des damaligen nonfigurativen Vokalsatzes meines Lehrers Nono, bei welchem die Tone als gehaltene wahrend ihrer Dauer in fliessende Intervallbeziehungen zueinander treten, wobei diese uber flexible Dynamik und Klang- beziehungsweise Vokalfarben noch weiter innerlich artikuliert und hierarchisch abgestuft werden. Mein Vorhaben, von solcher Praxis bei der Entwicklung eines Klaviersatzes auszugehen (Nono hat damals wohlweislich nichts fur Klavier, uberhaupt kaum etwas fur Soloinstrumente geschrieben), war bewusst ein Versuch am widerspenstigen Objekt, wo doch der Klavierklang permanent unter den Handen zerrinnt. Den standig fliehenden Ton als Komponente von sich auf-, ab- und umbauenden Intervallstrukturen rechtzeitig zu nutzen und gerade dadurch den stereotypen Diminuendo-Charakter zugleich bewusst zu machen und wenn schon nicht zu uberwinden, so doch immer wieder zu uberlisten unter Einbeziehung von Pedal- und Flageolett-Techniken (mittels stumm gedruckter Tasten), aber auch durch Einbeziehung von tonalen Konsonanzen als horbar gemachten Obertonspektren, fuhrte zu Ergebnissen, in denen der Ausgangswiderspruch sich selbst thematisierte und die Form des Stuckes regelte. Andererseits fuhrte solche Auseinandersetzung mit dem Vorbild Nono zugleich von dessen Idiom weg zu einem Klangdenken, in dem Struktur nicht Mittel zu expressiven Zwecken, sondern Expressivitat als vorweg Gegebenes, den Mitteln bereits Anhaftendes, zum Ausgangspunkt fur strukturelle Abenteuer wurde. (Helmut Lachenmann, 1962) CDs: Marino Formenti (piano) CD Col legno WWE 20222 Steffen Schleiermacher (piano) CD MDG 613 1005-2 Roland Keller (piano) CD col legno 429 356-2 Helmut Lachenmann (piano) CD NEOS 11630

World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962.

Piano

SKU: AP.1-ADV9003

Solo Jazz Improvisations (for Piano). Composed by Clare Fischer. Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Transcription. Jazz. Book. Advance Music #01-ADV9003. Published by Advance Music (AP.1-ADV9003).

UPC: 805095090031. English. Transcribed by Bill Dobbins.

Transcript ions of eight of the tunes Clare improvised on the solo piano recordings, Alone Together and Just Me.

Titles: Yesterdays * Du, Du, liegst mir im Herzen * Excerpt from Canonic Passacaglia * Everything Happens To Me * 'Round Midnight * (I Would Do) Anything for You * Liebesleid (Love's Sorrow) * Ill Wind * Pensativa (Pensive Woman).