By Johann Sebastian Bach. (Piano). Dowani Book/CD. Play Along. Softcover with CD. 30 pages. Published by Dowani.

Piano - Intermediate

SKU: CZ.9798396293144

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798396293144. Published by Children's Music Workshop (CZ.9798396293144).

ISBN 9798396293144.

Disc over the spirit of America with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), a remarkable collection of melodies that celebrates the land of the brave and the home of the free. This comprehensive book brings together some of the most beloved patriotic tunes that honor the USA, making it the perfect companion for occasions like July Fourth or any time of the year when you want to express your love for your country.
With Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), you can immerse yourself in the rich musical heritage that has resonated with Americans throughout history while providing accompaniment for a number of different woodwinds and brass. The book features timeless classics like Amazing Grace, My Country Tis of Thee, America the Beautiful, and The Star-Spangled Banner, which will evoke a deep sense of national pride with every note.
To enhance your musical experience, mp3 accompaniment tracks are available online, allowing you to perform these iconic songs with full instrumental support. This accompaniment book ensures that pianists have the sheet music they need to master these patriotic melodies and provide musical background for instrumental solos.
From the stirring Battle Cry of Freedom to the soul-stirring Eternal Father, Strong to Save, Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) encompasses a diverse array of compositions that capture the essence of the American spirit. Whether you're commemorating the sacrifices of the armed forces with The Marine's Hymn or embracing the lively spirit of American folk with Oh! Susanna and Yankee Doodle, this collection has it all.
Experience the pride and joy of being an American with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings). Immerse yourself in the rich tapestry of American history, as reflected in the music that has accompanied the nation through triumph and adversity. Let the melodies of liberty, unity, and patriotism resonate within your heart as you sing or play these beloved songs. Celebrate the legacy of a nation with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) and let the music of America inspire you.

Piano Accompaniment Orchestra; Piano (Piano)

SKU: HL.48011548

Composed by Peter Wastall. Boosey & Hawkes Orchestra. Classical, Contemporary. Boosey & Hawkes #M060096075. Published by Boosey & Hawkes (HL.48011548).

UPC: 073999740639.

Sessi on Time is an album of solos that expand to create opportunities for exciting group music-making. Each piece can be played as a solo or as a group piece. The optional ensemble parts extend the harmonic and musical structure of each piece, enabling each performer to play an important part in the group.

Piano - Intermediate

SKU: AP.12-0571542026

Composed by Various. Collections; Piano - Intermediate / Advanced Collection; Piano Supplemental. The Piano Player Series. Classical; Masterwork Arrangement. Book. 48 pages. Faber Music #12-0571542026. Published by Faber Music (AP.12-0571542026).

ISBN 9780571542024. English.

The Piano Player: Classical Tear-Jerkers presents 20 emotive pieces of classical music, designed to tug at the heart-strings, specially arranged for intermediate solo piano. Contents include Un bel di vedremo from Madama Butterfly by Puccini and Dido's Lament by Purcell. The striking cover features Edward Bawden's colour linocut Aesop's Fables: The Ant and the Grasshopper, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible.

The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork.

For Piano. Baroque, Popular, Classical. Sheet Music. 160 pages. Published by Wise Publications.

Composed by Various. Easy Piano Songbook. Movies, Children, Disney. Softcover. 208 pages. Published by Hal Leonard

Piano

SKU: BT.BWHBRM7813

Arranged by Hans Gunter Heumann. Piano Gefällt Mir! Classical. CD Only. Composed 2016. Bosworth & Co. #BWHBRM7813. Published by Bosworth & Co. (BT.BWHBRM7813).

German.

The accompanying CD for Hans-Günter Heumann 's Piano Gefällt Mir! Classics , featuring demonstrations of all the tracks in the book, this is a wonderful way to improve your playing and easily learn the pieces.

Piano (Piano Solo)

SKU: HL.48025042

Piano. Composed by Iris ter Schiphorst. BH Piano. Classical. Softcover. 20 pages. Duration 900 seconds. Bote & Bock #M202521595. Published by Bote & Bock (HL.48025042).

ISBN 9781705154212. UPC: 196288021711.

The work, which the composer counts among her favourite pieces, was inspired by the life and work of Marguerite Duras. In her play of the same name, a Flemish woman goes to Saigon at the beginning of the 20th century, marries a civil servant and has two children.After her husband's death, she also works as a piano player at the local 'Eden Cinema'. Eden Cinema, which is 'to be played like a traditional piano piece from the Romantic period' according to the composer, sounds poetic, but also cool, funny and extremely modern. Motif repetitions and ostinatos play a major role, as they do with Duras. In addition, quotations appear, literal ones from Beethoven's Hammerklavier Sonata as well as vague echoes of dance rhythms and commonplace music as used in silent film theatres. Thepreparation of the piano strings - metal parts on the high ones, rubber pieces on the low ones - creates a tonal patina and the impression of the past - 'in connection with Duras also recognizable as traumas sedimented in the subconscious, whose indistinct traces obsessively push to the surface' (Eckhard Weber).

Piano

SKU: FG.55011-642-9

Composed by Kalevi Aho. Solo part. Fennica Gehrman #55011-642-9. Published by Fennica Gehrman (FG.55011-642-9).

ISBN 9790550116429.

Kale vi Aho's Piano Concerto No. 2 is scored for a string orchestra comprising just twenty players. The first performance took place at the concluding concert of the 2003 Mantta Music Festival, in Vilppula Church on 29th June. The soloist was Antti Siirala and the strings of the Lahti Symphony Orchestra were conducted by Osmo Vanska. The demanding piano writing is primarily a consequence of Siirala's remarkable command of the 'Beethovenian-Lisztian-Br ahmsian' pianistic tradition. At times the piano part is lean and linear, but the work also contains multi-layered, full-toned piano textures and massive rolling octaves. The concerto requires great artistry on the part of the performer. The Second Piano Concerto lasts roughly half an hour and comprises three untitled movements played without a break. The first movement and the finale are extremely fast; these outer movements contain plenty of playful music. The slow second movement is more serious in tone, and its piano texture is very ample. The difficult cadenza at the end of the finale brings more serious emotions to the coda as well.

Chamber orchestra

SKU: FG.55011-554-5

Composed by Harri Wessman. Score, set of parts, piano reduction. Fennica Gehrman #55011-554-5. Published by Fennica Gehrman (FG.55011-554-5).

ISBN 9790550115545.

Harr i Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. I don't write children's music. Stylistically I write in the same way as for professionals; technically, the pieces just have to be easier to play. Concertino No. 2 for piano and chamber orchestra was commissioned by a Finnish press house Yhtyneet Kuvalehdet Oy for the inauguration of their new office building in 1987. According to the original plan the concertino was to be used in an advertising film of the company. A melody with wide arch which can be heard in the midpoint of the piece, first played by the orchestra and then repeated with the piano, was intended to be the theme song of the film. The 10 minutes duration and small orchestra (flute, oboe, clarinet and strings) makes this one movement piece suitable also for young orchestra players.

Piano

SKU: BR.BV-486

New Playing Techniques for Piano. Composed by Klaus Steffes-Hollander. Solo instruments; Softbound. Buchverlag Breitkopf & Hartel (Music Books). Music pedagogy. Book. 136 pages. Breitkopf and Haertel #BV 486. Published by Breitkopf and Haertel (BR.BV-486).

ISBN 9783765104862. 6.5 x 9.5 inches. German.

The piano, the concert grand piano as a percussion instrument, as a string instrument, as a plucked instrument? Why not? - here are resonant surfaces and there are strings. In fact, it seems obvious to pluck the strings, to produce harmonics, to play in the interior space with mallets, to use bow hairs, e-bow and bottleneck.But how do I find my way in this style of playing beyond the keys? Is that even allowed? What if I break something in the process? And where is this or that spot, and what do you call it? What works convincingly, and where are the difficulties? Klaus Steffes-Hollander answers these and other questions in this book.

Inside the Piano. Composed by Steffen Schleiermacher. Edition Breitkopf. World premiere: Leipzig, Mendelssohn-Haus, May 18, 2001 Awarded the German Music Edition Prize 2002 20th Century (after 1950). Breitkopf and Haertel #EB- 9137. Published by Breitkopf and Haertel

Piano - Level 2

SKU: BA.BA06210

3 Teile. Composed by Piotr Lachert. Edited by Franzpeter Goebels. Stapled. Spiel auf den Tasten - Spiel auf den Tasten mit Benutzung eines Tonbandgerätes - Spiel auf den Saiten (Flügel) (deutsch/englisch). Performance score. 44 pages. Baerenreiter Verlag #BA06210_00. Published by Baerenreiter Verlag (BA.BA06210).

ISBN 9790006476930. 30 x 23 cm inches. Text Language: German, English.

Play on the piano keys - Play on the piano keys with the use of a tape recorder - Play on the piano strings (German/English).

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

For Piano. Contains a newly engraved, complete music score, printed on high-quality ivory paper; and a digital stereo compact disc containing a complete reference version of the quartet, then a recording of the accompaniments minus you, the soloist!. Published by Music Minus One.

String Ensemble and Piano

SKU: BT.EMBZ14871

Composed by László Vidovszky. EMB Contemporary Music. Book Only. Composed 2014. 76 pages. Editio Musica Budapest #EMBZ14871. Published by Editio Musica Budapest (BT.EMBZ14871).

''In this composition I was not searching for the conventional possibilities of the piano quintet, but for the acoustic distance between the two types of sound. The sounds of the piano are not meant to be the acoustic-harmonic support for the strings, but it is the string quartet that appears as the acoustic extension of the piano. Other times the single instruments of the quartet sound more or less independently of each other and they echo each other. Their asynchrony multiplies the sound-space, like the loose play of peasant musicians.'' (L. Vidovszky) The piece was commissioned by Kunstfest Weimar for the concerts entitled Visions - Hommage a Franz Liszt''. It was premieredon August 27, 2011 in Weimar, performed by the soloists of Klangforum Wien.

Piano

SKU: ST.H403

Composed by Tony Cliff. Score and CD. Stainer & Bell Ltd. #H403. Published by Stainer & Bell Ltd. (ST.H403).

ISBN 9790220219177.

Eigh t jazzy pieces for piano with CD accompaniment and tips on improvisation and chords. Written to encourage the development of improvisational skills, Piano Grooves is for players who've had a basic classical training, but now feel they'd like to work in jazz and popular styles. The eight pieces range from Blues to Bossa, from Funk to Romantic Ballad. With their CD accompaniments (in addition to full recorded performances) you can be your own soloist, with backing band, drums, bass guitar and strings. A regular contributor to Music Teacher magazine, a songwriter and arranger and a special representative for the Yamah-Kemble disklavier piano, Tony Cliff writes clearly and concisely, both in words and in music. His tips, guidance, targets and helping hand offer players a maximum of musical enjoyment with a minimum of theoretical fog.

By Amy Appleby. For Piano. Classical, Folk. Sheet Music. 194 pages. Published by Wise Publications.

Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by Martin Stadtfeld. Piano Solo. Classical. Softcover. 24 pages. Schott Music #ED23299. Published by Schott Music

By Robert D. Vandall. For Piano. Piano Solo. Halloween Fun. Sheet. 4 pages. Published by Alfred Publishing.
Level: Late Elementary.

Composed by Various. Arranged by Larry/Doris Clark/Gazda. For Piano (Mixed Ensemble). Piano Score. Standard Notation. 78 pages. Published by Carl Fischer

Piano - intermediate

SKU: HL.44005452

In D Major. Composed by Johann Pachelbel. Arranged by Jerry Lanning. Fentone Instrumental Books. Educational Tool. Book [Softcover]. Fentone Music #F181. Published by Fentone Music (HL.44005452).

ISBN 9789043139502. UPC: 073999839975. English.

Originally for strings this well-known work is equally suited for piano. It is instantly recognisable from its use on many television advertisements. This edition contains both the canon and the less often played gigue.

Piano (Piano Solo)

SKU: HL.1115731

For Solo Piano. Composed by Garreth Broke. Piano. Classical, Contemporary. Softcover. 44 pages. Musica Ferrum Editions #FERR9790708147602. Published by Musica Ferrum Editions (HL.1115731).

ISBN 9781705179918. UPC: 196288105817.

The musical elements found in each Fantasy, are interwoven with each other, and more contemporary techniques (such as playing insidethe piano with the fingernail, or muting strings) are used, without this meaning that the music itself loses any of its fabulous appeal.

16 favorite carols and holiday songs. Composed by Various. Piano (Solo). Score. 24 pages. Edition Peters #EP68720. Published by Edition Peters

Piano - difficult

SKU: HL.49008338

5 Tangos. Composed by Volker David Kirchner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1999. 24 pages. Duration 12'. Schott Music #ED 9214. Published by Schott Music (HL.49008338).

ISBN 9790001127677. UPC: 073999801460. 9.0x12.0x0.086 inches.

With their wide range of differing moods these pieces concentrate less on the typical rhythm of the Tango but convey something of the demonic forces inherent in this dance. Unusual playing techniques like plucked strings, clusters from wrist to elbow and the use of the voice further emphasize the composer's 'sinister' intentions. Piano solo.