Piano Solo

SKU: BU.EBR-A095

Composed by Antonio Vivaldi. Anacrouse. Transcription pour piano + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A095. Published by Editions Bourges (BU.EBR-A095).

ISBN 9790560151977. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



Les quatre saisons (opus 8, n° 1-4) est un ensemble de quatre concertos pour violon soliste et orchestre de chambre à cordes, composé par Antonio Vivaldi, et qui ouvre le recueil La bataille entre l'harmonie et l'invention. Bien qu’édité en 1725 à Amsterdam, la composition de ces quatre concertos est certainement antérieure de quelques années.

Cette œuvre est l'une des plus représentative du genre Concerto, c'est aussi certainement la composition la plus connue d’Antonio Vivaldi.
Le printemps est le nom que porte le concerto n° 1 en mi majeur (op. 8, RV 269). Il est se compose de trois mouvements : Allegro, Largo, Allegro.
Son introduction, comme le troisième mouvement de l'œuvre (L’Été), sont les passages les plus célèbres de cet opus.
Sur la partition, le compositeur précise les correspondances avec les poèmes, il va même jusqu'à expliciter certains détails (aboiements de chien, noms d'oiseaux : coucou, tourterelle, pinson...). L’ensemble de l’œuvre est accompagnée de quatre sonnets décrivant le déroulement des saisons. Voici celui du Printemps :


Allegro
V oici le Printemps,
Que les oiseaux saluent d'un chant joyeux.
Et les fontaines, au souffle des zéphyrs,
Jaillissen t en un doux murmure.


Ils viennent, couvrant l'air d'un manteau noir,
Le tonnerre et l'éclair messagers de l'orage.
Enfin, le calme revenu, les oisillons
Reprennent leur chant mélodieux.

Larg o
Et sur le pré fleuri et tendre,
Au doux murmure du feuillage et des herbes,
Dort le chevrier, son chien fidèle à ses pieds.

Allegro
Au son festif de la musette
Dansent les nymphes et les bergers,
Sous le brillant firmament du printemps.

Piano

SKU: HL.48188503

Pour Jouer Accorder. Composed by Andreas Streicher. Leduc. Softcover. Composed 2015. Heugel & Cie #HE32632. Published by Heugel & Cie (HL.48188503).

UPC: 888680872632. 5.75x8.25x0.139 inches.

Streicher Quelques Observations Pour Jouer Accorder Piano Book.

The FJH Adult Piano Curriculum. By Various. Edited by Helen Marlais. For Piano. The Treasures Series. Level: Intermediate. Collection. 48 pages. Published by The FJH Music Company Inc.

Edited by Helen Marlais. Collection and accompaniment CD for piano. The FJH pianist's curriculum. Series: In Recital with Classical Themes. 47 pages. Published by The FJH Music Company.

Piano Solo - Grade 3

SKU: MA.EMR-14269

Composed by Colette Mourey. Piano Solo. Score and parts. Duration 6'09. Editions Marc Reift #EMR 14269. Published by Editions Marc Reift (MA.EMR-14269).

Composed by Johann Sebastian Bach (1685-1750). Edited by Ernst-Guenter Heinemann. Arranged by Hans-Martin Theopold. This edition: Full- cloth binding. Sheet music. Henle Music Folios. Hardcover. G. Henle #HN10. Published by G. Henle

Piano (Piano Solo)

SKU: HL.354338

For Solo Piano. Composed by Richard Wilson. Peermusic Classical. Classical. Softcover. Duration 600 seconds. Peermusic Classical #70303-501. Published by Peermusic Classical (HL.354338).

ISBN 9781705107669. UPC: 840126936964. 9.0x12.0x0.109 inches.

Richard Wilson was born in Cleveland on May 15, 1941. He studied piano with Roslyn Pettibone, Egbert Fischer, and Leonard Shure, andcello with Robert Ripley and Ernst Silberstein. After beginning composition studies with Roslyn Pettibone and Howard Whittaker, he went on in 1959 to Harvard, studying with Randall Thompson, G.W. Woodworth, and principally with Robert Moevs, and graduating in 1963 magna cum laude. Awarded the Frank Huntington Beebe Award for study abroad, he continued studying piano with Friedrich Wührer in Munich, and composition, again with Moevs, in Rome, where he also gave piano recitals. Wilson joined the faculty of Vassar College in 1966. He was appointed to the Mary Conover Mellon Professorship of Music there in 1988, and he has served three times as chairman of the Department of Music. Wilson has been commissioned by the San Francisco Symphony, the American Symphony, the New Juilliard Ensemble, the Koussevitzky Foundation, the Fromm Foundation, Chamber Music America, the Chicago Chamber Musicians, the Walter W. Naumburg Foundation, and the Library of Congress. His works have been heard in such American musical centers as New York, Philadelphia, Washington, Boston, Cleveland, and Los Angeles and at the Aspen Music Festival, but also in London, Berlin, Frankfurt, Zurich, Milan, Amsterdam, Graz, Leningrad, Stockholm, Tokyo, Bogota, and a number of Australian cities. The recipient in 1992 of a Guggenheim Fellowship, he was awarded the Elise L. Stoeger Prize of the Chamber Music Society of Lincoln Center in 1994, the Academy Award from the American Academy of Arts and Letters in 2004, and has served as composer in residence with the American Symphony Orchestra since 1992. Wilson has been praised by 21st Century Music as a “splendidly talented and highly accomplished composer whose music rewards seeking out” and by the New York Sun as “possessed of a hard-won idiom that has grown and developed over the years into a probing blend of wit, classic form, modern harmony, and impressionistic color.” Writing in the New Yorker, Andrew Porter called his String Quartet No. 3 a “richly wrought and unusual composition,” while the New York Times called it “a work of substance and expressivity ... [that] merits a place in the active repertory.”.

Volume 2 Piano

SKU: HL.50603598

For Piano or Harpsichord. Composed by Various. Edited by Elek Szilvia, Horvá, and th Anikó. Baroque. EMB. Baroque, Classical. Softcover. 112 pages. Editio Musica Budapest #Z20019. Published by Editio Musica Budapest (HL.50603598).

ISBN 9781705121405. UPC: 840126945737. 9.0x12.0x0.377 inches. Hungarian, English, German, French. Szilvia Elek; Aniko Horvath.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions.

Piano (Score)

SKU: HL.337932

Piano Solo with CD. Composed by Hilda Paredes. Score. Classical. Softcover with CD. University of York Music Press #M570209163. Published by University of York Music Press (HL.337932).

ISBN 9781540088178. UPC: 840126912760.

For solo Piano and CD. Published in 2006. Commissioned by Ian Pace, with funds provided by the RVW Trust. Score and CD.