Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(Volumes 1-5, Complete) Written by Kenneth Baker. For piano. Format: instruction...(+)
(Volumes 1-5, Complete)
Written by Kenneth Baker.
For piano. Format:
instructional book. With
standard notation, chord
names, lyrics,
instructional text,
illustrations, fingerings
and pull-out keyboard
chart. Learn to play. 240
pages. 9x12 inches.
Published by Music Sales.
Piano SKU: BT.MUSAM39645 The Complete Piano Player. Tuition. Book Only. C...(+)
Piano
SKU:
BT.MUSAM39645
The
Complete Piano Player.
Tuition. Book Only.
Composed 1992. 232 pages.
Music Sales #MUSAM39645.
Published by Music Sales
(BT.MUSAM39645).
ISBN
9780711906723.
English.
All five
books of The Complete
Piano Player series are
published in this single
volume at a substantial
savings over the price of
the five individual
books. Complete with
keyboard chart.
Piano seul [Partition] - Intermédiaire Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
Piano - easy to intermediate SKU: HL.49045014 For Piano. Composed ...(+)
Piano - easy to
intermediate
SKU:
HL.49045014
For
Piano. Composed by
Nicholas Lens. This
edition: Saddle
stitching. Sheet music.
Piano. Classical, Etude.
Softcover. 86 pages.
Duration 75'. Schott
Music #ED 22049.
Published by Schott Music
(HL.49045014).
ISBN
9790001202114. 9.0x12.0
inches.
The Belgian
composer Nicholas Lens
presents extremely varied
etudes, exercises and
simple phrases with
wonderfully telling
titles from poetry and
everyday world for
children and adults. For
the most part the studies
are tonal and simple and
have no constructed line.
They are not based on any
educational concept but
leave the musical
dramatization to the
pupils and teachers:
'Notes and rhythms are
just notes and rhythms,
they do not have that
many rules, they do not
have any pretension, they
are just tools for you to
use to express what you
want to share'.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Piano seul [Partition + Accès audio] - Débutant Faber Piano Adventures
Book with Media Online. Composed by Nancy Faber and Randall Faber. Faber Piano A...(+)
Book with Media Online.
Composed by Nancy Faber
and Randall Faber. Faber
Piano Adventures.
Educational, Method.
Softcover Media Online.
184 pages. Faber Piano
Adventures #FF1302.
Published by Faber Piano
Adventures
Piano seul [Partition + CD + DVD] Faber Piano Adventures
Book with CD, DVD and Online Support. Composed by Nancy Faber and Randall Faber....(+)
Book with CD, DVD and
Online Support. Composed
by Nancy Faber and
Randall Faber. Faber
Piano Adventures.
Educational, Method.
Softcover with DVD. 184
pages. Faber Piano
Adventures #FF1302CD.
Published by Faber Piano
Adventures
Piano - early intermediate SKU: BT.BOE8006 Leicht arrangierte Songs, d...(+)
Piano - early
intermediate
SKU:
BT.BOE8006
Leicht
arrangierte Songs, die in
keinem Repertoire fehlen
sollen. Pop & Rock.
Book Only. Composed 2021.
200 pages. Bosworth & Co.
#BOE8006. Published by
Bosworth & Co.
(BT.BOE8006).
ISBN
9783954562770.
German.
Der neue
Spielband Die ersten 50
Popsongs“
enthält 50 Toptitel
der Popmusik, die in
keinem Pianorepertoire
fehlen sollten.
Die Sammlung ist
speziell für
Anfänger/innen
konzipiert und kann
sowohl von Autodidakten
wie auch im
Klavierunterricht
verwendet werden.
Komplizierte Rhythmen und
Akkorde werden in diesem
Buch vermieden,
rhythmisch schwer zu
spielende Melodien wurden
so vereinfacht, dass sie
leicht zu spielen sind,
sich aber dennoch nicht
zu weit vom Original
entfernen. Die Songs
wurden nach
Schwierigkeitsgrad
sortiert, von sehr leicht
bis mittelschwer. Alle
Spielstücke sind mit
Tempoangaben,
Akkordsymbolen,
Fingersatz und dem Text
versehen. Bereits ab dem
ersten oder zweiten
Unterrichtsjahr können
problemlos Klassiker wie
Wind Of Change“,
Strangers In The
Night“ aber auch
aktuellere Hits wie die
Titelmusik zu Game Of
Thrones“ und No
Time To Die“
gespielt werden. Ein
unkompliziertes
Spielvergnügen für
Unterricht, Vorspiel und
Freizeit!
Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World....(+)
Edited by Amy Appleby.
Music Sales America.
Baroque, Classical Period
and World. Softcover
collection (spiral
bound). With fingerings
(does not include words
to the songs). 240 pages.
Music Sales #AM967440.
Published by Music Sales
By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Method. P...(+)
By Nancy Faber and
Randall Faber. For Piano.
Faber Piano Adventures®.
Method. Primer - Level
2B. CD only. Faber Music
#CD1025. Published by
Faber Music
Piano - easy to intermediate SKU: M7.ART-42166 18 romantische Klaviers...(+)
Piano - easy to
intermediate
SKU:
M7.ART-42166
18
romantische
Klavierstücke für
Kinder, Jugendliche &
Erwachsene. Composed
by Theresia Prelog. Score
with online audio files.
56 pages. MDS (Music
Distribution Services)
#ART 42166. Published by
MDS (Music Distribution
Services) (M7.ART-42166).
ISBN
9783866421660.
Der
Nachfolgeband 'Flowing
Piano Songs' von Theresia
Prelog bietet 18 leichte
bis mittelleichte,
romantische
Klavierstücke für
Herz und Sinne. Die
gefühlvollen
Kompositionen eignen sich
hervorragend als
Ergänzung und
Auflockerung zu einer
klassischen Klavierschule
und wenden sich an
Spielerinnen und Spieler
ab dem 3. und 4.
Unterrichtsjahr und jeder
Altersstufe. Beim Spielen
von 'Flowing Piano Songs'
besteht die
Möglichkeit für ein
paar kostbare Augenblicke
alles andere hinter sich
zu lassen und sich dem
Dahinfließen der Musik
voll und ganz hinzugeben.
Körper, Geist und
Seele entspannen sich und
tanken neue Energie.
Hinter jedem Stück
steht zugleich ein
bestimmter technischer
und musikalischer Aspekt,
der beim Spielen ganz
unbewusst und mühelos
geübt wird, auch wenn
das klangliche Erlebnis
im Vordergrund steht.
Trainiert werden unter
anderem die
Geläufigkeit in
schnellen melodischen
Figuren, die
Differenzierung des
Anschlages zwischen
Melodie und Begleitung,
erste Verzierungen, das
Ablösen der Hände
sowie die Entwicklung des
Gefühls für eine
musikalische Phrase. Die
Tempobezeichnungen und
Metronomangaben sind
lediglich Richtwerte und
können nach
persönlichem Geschmack
angepasst werden. Die
Hörbeispiele dienen
als Lernhilfe und sind
auch als 'Soundtrack'
für unterwegs ein
wahrer Genuss. Wir
wünschen viele
entspannende Momente mit
den 'Flowing Piano
Songs'.
(52 of the Most Popular and Best Loved Standards). Arranged by Dan Fox. For Pia...(+)
(52 of the Most Popular
and Best Loved
Standards). Arranged by
Dan Fox. For Piano. Piano
Collection. World's
Greatest. Standard. Easy
Piano. Book. 144 pages.
Published by Alfred Music
Publishing
Piano - easy SKU: M7.ART-42139 25 gefühlvolle, moderne Klavierspiel...(+)
Piano - easy
SKU:
M7.ART-42139
25
gefühlvolle, moderne
Klavierspielstücke
für fortgeschrittene
Anfänger. Composed
by Nataliya Frenzel.
Score with online audio
files. 76 pages. MDS
(Music Distribution
Services) #ART 42139.
Published by MDS (Music
Distribution Services)
(M7.ART-42139).
ISBN
9783866421394.
'Rom
antic Piano Emotions' ist
für Jugendliche und
Erwachsene gedacht, die
gerne emotionale und
gefühlvoll-romantische
Klaviermusik spielen. Die
25 mittelleichten bis
leicht anspruchsvollen
Stücke besitzen klare
harmonische Strukturen
und fantasievolle, leicht
zu merkende Melodien. Die
Kompositionen treffen
sich musikalisch in der
Mitte zwischen
'klassisch' und 'modern'
und bereichern einerseits
das klassische Repertoire
durch moderne Klänge
und Rhythmen,
andererseits werden die
technisch-pianistischen
Fähigkeiten ausgebaut,
die eine vielseitige
Anwendung beim Spielen
anspruchsvollerer
Klaviermusik anderer
Stilrichtungen finden.
Das Erarbeiten der
Klavierstücke bringt
dem fortgeschrittenen
Anfänger verschiedene
technische Aufgaben wie
Akkordspiel, leichte
Zweistimmigkeit bzw.
Melodie und Begleitung
mit der rechten Hand
gleichzeitig,
Terz-Doppelgriffe,
Tonleiter- und
Arpeggiopassagen
grundlegend näher.
Besondere Aufmerksamkeit
gilt der linken Hand, die
unterschiedliche
Begleitmuster beherrschen
soll oder auch als
melodieführende Hand
hervortritt. Alle
Stücke sind mit einem
ausführlichen
Fingersatz versehen,
welcher Wiedereinsteigern
und Autodidakten das
Spiel erleichtert.
'Romantic Piano Emotions'
ist für den
allgemeinen
Klavierunterricht, zum
Selbststudium und für
das entspannte
häusliche Musizieren
bestens geeignet. Freude
und Spaß am Spielen
stehen dabei im
Vordergrund.
By Christopher Goldston. For Piano. Composers In Focus. Book. Published by The F...(+)
By Christopher Goldston.
For Piano. Composers In
Focus. Book. Published by
The FJH Music Company
Inc. SMP Level 7
(Late Intermediate); NFMC
Level: Moderately
Difficult Class 2.
Piano SKU: M7.ART-42221 11 zauberhafte moderne & gefühlvolle Komposit...(+)
Piano
SKU:
M7.ART-42221
11
zauberhafte moderne &
gefühlvolle
Kompositionen für
Klavier. Composed by
Elmar Mihm. Score with
online audio files.
Artist Ahead Musikverlag
#ART 42221. Published by
Artist Ahead Musikverlag
(M7.ART-42221).
ISBN
9783866422216.
German.
'Magic
Piano Emotions' ist Deine
vielfältige Sammlung
moderner, emotionaler
Klaviermusik. Sinnliche
Balladen mit
ausdrucksstarken
Melodien, fesselnde,
rhythmische
Midtempo-Stücke und
herrliche Kompositionen
mit wunderbar
harmonischen Arpeggios
und melodischen Texturen
im Stile von Ludovico
Einaudi, Yiruma oder Yann
Tiersen sind enthalten.
Mit 'Highland Dreams'
findest Du auch ein
keltisch inspiriertes
Werk. Das Buch richtet
sich an alle Liebhaber
der angesagten aktuellen
Klaviermusik und möchte
mit gefühlvollen und
stets klangschönen
Kompositionen begeistern,
Dir die Zeit am Klavier
versüßen und Dich zum
Träumen und Eintauchen
in diese romantischen
Klänge einladen. Viel
Freude mit 'Magic Piano
Emotions' wünscht -
Elmar Mihm.
Piano - Intermediate SKU: FJ.FJH2332 Composed by Kevin Costley. Piano Col...(+)
Piano - Intermediate
SKU: FJ.FJH2332
Composed by Kevin
Costley. Piano
Collection; Piano
Supplemental. Composers
in Focus. Book. The FJH
Music Company Inc
#98-FJH2332. Published by
The FJH Music Company Inc
(FJ.FJH2332).
ISBN
9781619282742. UPC:
241444408124.
English.
For the
composer, indelible
describes lasting
memories that are
unforgettable-a summer
rain, a christening, a
beautiful horizon, a jam
session. Costley's
lyricism is evident
throughout this new
intermediate collection
of joyous memories.
About FJH
Composers in
Focus
Comp
osers in Focus is a
series of original piano
collections celebrating
the creative artistry of
contemporary composers.
It is through the work of
these composers that the
piano teaching repertoire
is enlarged and
enhanced.