10 sma klaverstykker for piano. Egner seg for deg som er pa slutten av nybegynnerstadiet.
Inn hold:
Sommersjo
Kj ellertrappen
Vuggevis e
Hvite orns historie
Ensom fugl
Dagens blues
En gladrag
Opptog
Se nsommervals
Takeluren

By Wynn-Anne Rossi. For Piano. Piano Solo; Sheet; Solo. Signature Series. Fall; Halloween. Elementary. 4 pages. Published by Alfred Music Publishing

Piano

SKU: LM.29381

Composed by Natalia Flament. Classical. Score. Editions Henry Lemoine #29381. Published by Editions Henry Lemoine (LM.29381).

ISBN 9790230993814.

Air de Figaro (Frappes) - Marche des petits soldats (Frappes suivis) - La donna e mobile (Retires avec ronds de jambe en l'air, version dynamique) - Duo des fleurs (Ronds de jambe en l'air, version moderee) - Air de Manrico (Ronds de jambe en l'air, version adage) - Casta Diva (Adage) - Romance de Nadir (Adage) - Air de Dalila (Adage avec developpes et promenade en attitude) - Cavatine de Rosina (Petits battements sur le coup de pied arrete) - Carmen, Ouverture (Petits battements sur le coup de pied) - Couplets du Toreador (Grands battements en l'air) - La Pie voleuse, Ouverture (Grands battements) - Eugene Oneguine, la valse (Grands battements en cloche) - Una furtiva lagrima (Jambe sur la barre) - Air du Comte de Luna (Jambe sur la barre, assouplissement).

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Piano

SKU: HL.14044834

CARISCH - MUSIC SALES. General Merchandise. Composed 2015. Editions Coup de Pouce #MF2800. Published by Editions Coup de Pouce (HL.14044834).

French.

M&eac ute;thode pour les enfants à partir de 6 ans.

Tu veux apprendre le Piano?

Cette méthode réalisée par un professeur est pour toi!

Simple, vivante, efficace:

Cette méthode comprend 1 livre et 1 CD, pour bien acquérir les bases du Piano.

• 64 pages en couleurs avec tous les exercices et morceaux.
• Des conseils pour que tu progresses rapidment.
• Des photos pour t’aider à bien positionner tes mains.
• Des melodies que tu reconnaîtras dès les premières notes.

Nous te conseillons d’écouter le CD joint àcette méthode avant de jouer les exercices et morceaux.

Apprends De Façon simple:

• La bonne position pour jouer du Piano.
• La position des mains.
• La frappe sur le clavier.
• Tes premières notes.
• Les principaux accords.
• Le jeu en arpèges.
• Tes premiers morceaux.
• L’ A, B, C du Solfège.

Piano Adventures®. Faber Piano Adventures®. Method. Softcover. Faber Piano Adventures #FF3057. Published by Faber Piano Adventures

Arranged by Pam Wedgwood. For Piano. Book; Piano Collection; Piano Supplemental. Faber Edition: After Hours. Christmas; Secular; Winter. Early Intermediate; Intermediate; Late Intermediate. 32 pages. Published by Faber Music

Piano

SKU: HL.50601623

Introduzione Al Pianoforte Piano. Composed by Carolyn Moretti. Piano Method. Classical. Softcover. 52 pages. Ricordi #NR14185300. Published by Ricordi (HL.50601623).

Il best seller della didattica Ricordi per pianoforte rivolto ai piu piccoli torna completamente rinnovato, con una veste grafica interamente a colori e arricchito di nuove e divertenti pagine di lavoro. Poli il polipo e un personaggio/metodo che con facilita e gradualita, ma anche con invenzione e creativita, vuol far nascere un primo, motivato e divertente rapporto musicale tra i bambini e il pianoforte. Italian.

(Standards for Advanced Solo Piano). Arranged by Paul Johnston. For Piano. Book; Piano Collection; Piano Supplemental. Jazz Performer Series. Jazz. Advanced. 48 pages. Published by Alfred Music Publishing

Piano

SKU: BT.HITPCJM01

Composed by J. Cambier. Studies & Exercises. Book with CD. Composed 2009. Hit Diffusion #HITPCJM01. Published by Hit Diffusion (BT.HITPCJM01).

French.

Des plus belles pièces de la musique classique aux musiques des films les plus populaires, ce recueil propose dix pièces spécialement arrangées pour quatre mains, prenant en compte les difficultés spécifiques aux deux premières années de piano : une écriture simple lire, des doigtés basiques, des intervalles courts… élaborées avec soin par des professionnels de la pédagogie, ces pièces ne privilégient jamais une partie par rapport l’autre et chaque élève ou l’enseignant lui-même ? en retirera une grande satisfaction, qu’il joue le piano 1 ou le piano 2. Bref, tout pour aborder le quatre-mains sereinement, comme un véritable jeu… de mains !

Piano

SKU: SU.50024640

For Piano. Composed by Alexandra Pierce. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50024640. Published by Seesaw Music Corp (SU.50024640).

The source of the piece is a close-up photograph of a cobweb by California artist, Zander Smith. Through this web are scattered four or five trapped dewdrops. In the music, a rough-hewn, dancelike, Spanish-sounding motif scatters itself through a webbed tracing of moody and yearning melody. The piano mimicks the sound of a serenading guitar.Copyright 1996. Published by: Seesaw Music.

For Piano. Paperback. Teaching Aid, Educational. Certificate. 10 pages. Published by Santorella Publications

Arranged by Eugenie R. Rocherolle. For solo piano. Piano Solo; Solo. Piano Solo. Birthday. SMP Level 5 (Intermediate). Single. Standard notation, fingerings and introductory text (does not include words to the songs). 8 pages. Published by Alfred Music Publishing

By Jane Smisor Bastien. For Piano. Bastien Piano. Bastien Piano Solos. Level: Primer. Music Book. Published by Neil A. Kjos Music Company.

Piano Solo

SKU: IS.PN4656EM

Composed by Francois Glorieux. Keyboards - Piano. The Music of Francois Glorieux. Metropolis Music Publishers #PN4656EM. Published by Metropolis Music Publishers (IS.PN4656EM).

ISBN 9790365046560.

Fran çois Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.

Piano

SKU: HL.50483290

Piano Solo. Composed by Carolyn Moretti. Special Import. Classical. Score Only. Composed 1980. Ricordi #NR133038. Published by Ricordi (HL.50483290).

ISBN 9788875922009. 6.75x10.5 inches.

Poli il Polipo e un personaggio/metodo che con facilita e gradualita, ma anche con invenzione e creativita puo far nascere un primo, motivato e divertente rapporto musicale tra i bambini e il pianoforte. Il pianoforte e un oggetto sonoro cheattraverso Poli il Polipo, Carolyn Moretti trasforma in un meraviglioso mondo da esplorare con i mille tentacoli che le dita dei bambini diventano nel magico immaginario suscitato anche dalle graziose illustrazioni. La mediazione dell'insegnantee importante per far si che i bambini vivano questa prima esperienza alla scoperta del pianoforte al livello di realta e di immaginazione insieme.

Jazz Piano Solos Series Volume 40. By Charlie Parker. Piano Solo Personality. Softcover. Published by Hal Leonard

Twenty-two jazz standards arranged for solo piano. Arranged by David Pearl. For Piano. Level: Intermediate/Advanced. Book. Published by Music Sales.

Piano Solo

SKU: IS.PN6639EM

Composed by Francois Glorieux. Keyboards - Piano. The Music of Francois Glorieux. Metropolis Music Publishers #PN6639EM. Published by Metropolis Music Publishers (IS.PN6639EM).

ISBN 9790365066391.

Fran çois Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.

Piano

SKU: HL.50560068

Piano Solo. Composed by Jean-Philippe Rameau. This edition: DC0384613. Editions Durand. Classical. 5 pages. Editions Durand #DC0384613. Published by Editions Durand (HL.50560068).

UPC: 73999299250. 9.0x12.25x0.057 inches.

Piano

SKU: BR.EB-8303

Urtext. Composed by Joachim Draheim. Edited by Joachim Draheim. Solo instruments; Softbound. Edition Breitkopf. Romantic period. Score. 144 pages. Breitkopf and Haertel #EB 8303. Published by Breitkopf and Haertel (BR.EB-8303).

ISBN 9790004176184. 9 x 12 inches.

Anthology Album of Urtext Caliber Johannes Brahms could count more prominent musical personalities among his friends than most 19th-century composers. The present anthology album offers a representative selection of piano music by these Brahms friends, foregrounding the second half of the 19th century. Chosen here have been small-scaled works of medium difficulty, which are equally suitable for performance and teaching purposes. The text section outlines, among other things, Brahms's complex rapport with his friends, while the critical report provides information about the sources used and the editorial decisions.

(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Agda Skjerne. For Piano. Music Sales America. Romantic, Ballet. 24 pages. Edition Wilhelm Hansen #WH27275. Published by Edition Wilhelm Hansen

Compiled by Stephen Harding. Book. Published by Music Sales. (AM92422) Fifteen classics from the greatest composers of all time. Includes Rondo on C Major, Op. 51, No. 1, Solfeggio in C Minor, Intermezzo in B Minor, Op. 119, No. 1 and more.

Piano. Composed by Nikolai Kapustin. This edition: Saddle stitching. Sheet music. Piano Solo. Jazz, Classical, Swing. Softcover. Composed 1992. Op. 67. 28 pages. Duration 10'. Schott Music #ED22993. Published by Schott Music

For piano, undervisning.
Pianogeh or 1,2 og 3 har etablert seg i Norge som svaert gode laerebokerfor nybegynnere pa piano. Bokene er tilpasset bade barn og voksne.Skolen forsoker a fa eleven til raskt a na et spilleniva som bevarer ogutvikler oppdagerlysten og gleden ved fortsatt musisering.

Bok ene inneholder arrangementer og originalstykker som er velkjente oglette a huske. Til innstudering anbefaler Soderqvist-Spering at laererenspiller forst - frase for frase og eleven lytter, ser pa notebildet oghermer

Baroque Real Repertoire edited by Christine Brown. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Faber Edition: Trinity Repertoire Library. Baroque; Masterwork. Intermediate. 48 pages. Published by Faber Music