Piano - Level 1

SKU: LM.28105

Composed by Massanori Kobiki and Yvon Rivoal. Pop, jazz. Score. Editions Henry Lemoine #28105. Published by Editions Henry Lemoine (LM.28105).

ISBN 9790230981057.

A Casinha Pequinina - A Rosa Vermelha - Acordai Doncella - Cae, Cae Balao - Canto Antigo - Carneirinho - Cururu - La Mulatinha - Maninha - Nesta Rua - O cravo e a Rosa - Romance.

Piano - Level 2

SKU: LM.28108

Composed by Massanori Kobiki and Yvon Rivoal. Pop, jazz. Score. Editions Henry Lemoine #28108. Published by Editions Henry Lemoine (LM.28108).

ISBN 9790230981088.

Adeu s - Cancao - El Cachimbo - Faz hoje um ano - Las Mananitas - Maninha - Mi Linda Mariquita - O Cravo e a Rosa - San Pedro - Variations sur Corazon de la Madera.

Piano - Level 2

SKU: LM.28111

Composed by Massanori Kobiki and Yvon Rivoal. Pop, jazz. Score. Editions Henry Lemoine #28111. Published by Editions Henry Lemoine (LM.28111).

ISBN 9790230981118.

A Canoa Virou - Carneirinho - Danza Aymara - El Gato - Por un Beso - Quisiera que se Muera - Rosa Amarella - Senhora Pastora - Tutu Maramba - La Valentina.

Piano - Level 5

SKU: LM.P1811

Composed by Franz Liszt. Les Classiques favoris. Classical. Score. Editions Henry Lemoine #P1811. Published by Editions Henry Lemoine (LM.P1811).

ISBN 9790230926782.

Pays age (3e etude transcendante, livre I) - Mazeppa (4e etude transcendante, livre I) - Eroica (7e etude transcendante, livre I) - Melodie hongroise en Re b (L'Album du voyageur) - Impromptu en fa# majeur - Lamento (n. 2 des Trois Caprices poetiques) - Ballade en Si mineur - Le Lac de Wallenstadt (Annee de pelerinage en Suisse) - Vallee d'Obermann (Annee de pelerinage en Suisse) - Canzonetta del Salvator Rosa (Annee de pelerinage en Italie) - Sposalizio (Annee de pelerinage en Italie) - 10e etude transcendante en Fa mineur (livre II) - 5e etude, Il Flauto (d'apres Paganini) - Evocation (n. 1 des Consolations) - Chant elegiaque (n. 4 des Consolations) - Funerailles (des Harmonies poetiques et religieuses) - Pensees des Morts (des Harmonies poetiques et religieuses) - Fantaisie et Fugue sur B.A.C.H. - La Mort d'Iseult (Wagner) - 10e Rhapsodie.

Piano

SKU: BT.MUSM570360413

By Nicky Losseff. Classical. Book Only. University of York Music Press #MUSM570360413. Published by University of York Music Press (BT.MUSM570360413).

English.

Piantho logy is a new collection of seven contemporary Piano works by living composers which includes a recording of each of the works performed by Nicky Losseff, the volume's editor. Nicky Losseff, who combines a Senior Lectureship at the University of York with an active career as a concert pianist, has written extensive performance and analysis notes on all of the works, giving helpful suggestions about the study and performance os each piece in turn. The anthology is aimed at university and conservatiore level Piano students, but will serve as an excellent introduction to new music for the Piano for any dedicated player looking to broaden their range. The worksincluded in Pianthology are: Anthony Gilbert - Three Papillon Postcards Sadie Harrison - Impresa Amorosa Ed Hughes - Third Orchid Jo Kondo - A Dance For Piano, 'Europeans' David Lumsdaine - Six Postcard Pieces Hilda Paredes - Caligrama Thomas Simaku - Des Pas Chromatiques Pianthology was launched at the York University Spring New Music Festival on May 8th 2008, when all seven works were performed, some by Nicky Losseff and some by her students from the University of York. Includes Nicky Losseff's recordings of all works. Three Papillon Postcards Impresa Amorosa 1.

For Piano. By Hector Villa-Lobos. Editions Durand. 7 pages. Published by Editions Max Eschig.

Performed by David Lanz. Piano Solo. Size 9x12 inches. 144 pages. Published by Hal Leonard. 20 piano solos from this Narada recording artist: Cristofori's Dream * Day Star * Desert Rain * First Light * Green into Gold * Heartsounds * Rain Forest * Rosario * Star Gazer * White Sands * and more.

By Franz Liszt. Keyboard. Size 9 3/8 x 12 1/4. 288 pages. Published by Dover Publications.

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

Piano

SKU: BO.EI0314

Composed by jordi Vilaprinyo. Published by Editorial de Musica Boileau (BO.EI0314).

Within musical activities there exists a great diversity of different aspects that often go far beyond any particular specialization. Of all cultural activities clearly music is one that manifests numerous multidisciplinary features which not only enriches music itself but also all who are involved in it. This is certainly the case of Jordi Vilaprinyo, an excellent pianist, brilliant composer and a dedicated pedagogue with a remarkable career as a professor at the Conservatorio Municipal de Musica de Barcelona and in other educational institutions. All of this is all in addition to his role as a tireless advocate of everything relating to the piano, which reveals his exceptional personality completely dedicated to his greatest passion-music.

T he academic year 2011-12 marked the celebration of the 125th anniversary of the Conservatorio Municipal de Musica de Barcelona. In honor of the occasion, Jordi Vilaprinyo composed a series of eleven short pieces which present a pianistic-musical portrait of each professor of the Piano Department in our Conservatory. This piece, written in the form of a suite, brings together eleven imaginative musical sketches which reflect the personal qualities and musical personalities of his colleagues as seen through the eyes of Mr. Vilaprinyo. These eleven portraits reveal the respect which Jordi feels for his colleagues and at the same time they are ideal teaching pieces.

The various portraits are written in a free and diverse musical language which is always effective. Certain moments are quite evocative while others are more descriptive and, at times, more energetic. The varied textures and sonic balance are always highly controlled and affecting. However, I would like to emphasize, that although the work could be considered as program music due to its personal nature, the pieces stand apart for their musical quality.

Publish ed by Editorial Boileau, the work was premiered in a student concert which Professor Maria Rosa Ribas organizes each year. Professor Ribas is one of the members of the Piano Department depicted in the musical portraits. The premiere, performed by students of the Conservatory, took place in the Auditorio Eduard Toldra on May 30, 2011.

The Onze retrats [Eleven Portraits] are dedicated respectively to the following professors: Carolina Saldana, Merce Molero, Maria Drets, Montserrat Cabero, Maria Jesus Crespo, Carles Marques, Maria Rosa Ribas, Albada Olaya, Montse Padros, Carme Poch and Mireia Planas.

Piano solo - Level 3

SKU: FV.FUE-2380

Composed by Barbara Heller. Piano (Harpsichord), 2-hands. Work premiere: 22.04.1990 Heidelberg Otfried Miller. Instrumental Music. Full score. Composed 1989. Duration 17'. Furore Verlag #FUE 2380. Published by Furore Verlag (FV.FUE-2380).

ISBN 979-0-50012-138-1.

A collection of long and short piano pieces all of which were inspired by the interval of the fifth. This limitation leads to very unusual tonal colouring. The titles: Blue, Yellow etc., indicate the attempt to convert colours into music. Some pieces from this cycle have sucessfully established themselves within the teaching literature for intermediate students. Very easy (Pink Fifths), moderately difficult and difficult (Blue Fifths).

WP: 22.04.1990 Heidelberg Otfried Miller

CONTENT
Blaue Quinten, gelbe Quinten, unter-brochene Quinten, Rosa Quinten (Version I) und Rosa Quinten - Erinnerungen eines Seerosen-blattes (Ver-sion II), Orange Quinten, Schwanken-de Quinten, Quintenlied, Quinten: 2 links, 2 rechts (2 Versionen), Neujahrsquinten fur D. Richards.

Piano solo - Level 3

SKU: FV.FUE-1290

Composed by Barbara Heller. Piano (Harpsichord), 2-hands. Instrumental Music. Full score. Duration ca. 35-40'. Furore Verlag #FUE 1290. Published by Furore Verlag (FV.FUE-1290).

ISBN 979-0-50012-029-2.

A collection of twelve piano pieces which were composed during a longer period. Some of them are studies and some were inspired by experiences beyond the musical sphere. Moderately difficult to difficult.

CONTENT
Verwir rung, Furore - Ein Traum, Anklange, Anna Z., Eiskalt, Ostinato, Requiem fur Loki, MMM (Meer Musik als Malerei), Schwarz-Weiss, Nelkenblume, Intensivo, Reissverschluss, Schmerz: Energie verebbt..., Tagtraum, Wenn Tone auf Bana-nenstauden wachsen wurden, Lied der Muschel uber die verlorene Perle, Rosa Quinten, Rosa Quinten: Erinnerungen eines Seerosen-blatts.

Edited by Maurice Hinson. For Piano. Masterworks; Piano Collection. Masterwork. Intermediate; Late Intermediate. Book. 64 pages. Published by Alfred Music Publishing

By Franz Liszt. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 3700 pages. Published by Subito Music.

The Biggest Movies * The Greatest Artists. Arranged by Dan Coates. For Piano. This edition: Easy Piano. Piano - Easy Piano Collection. 0. Movie; Pop. Level: Easy Piano. Book. 64 pages. Published by Alfred Publishing.

For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.

Piano

SKU: BO.B.3661

Composed by Joan Comellas. Published by Editorial de Musica Boileau (BO.B.3661).

The Sonatas de Paris are divided into two books. Comellas began the series in early 1952 and they were finished in 1955. As with most of his works, he composed without having a plan to premier them or a commission. So upon having them completed, he filed them away. On many occasions, his close friend Jordi Giro would read thrue the pieces or Anna Ricci would sing his songs, but very little of his music was performed during his life time.

The two books entitled Sonatas de Paris are really to books with totally different character. The first book is made up of short piano pieces in a neo baroque style. More than following strict forms of the baroque suite, the pieces are more a evoking of the baroque style. Book one loosely follows the idea of a suite or ordre, where as book two is much freer in structure being made up of various pieces, a few in memory of his favored composers (Albeniz, Debussy, and Granados) ending with a group of four dances, Las indias danzantes [Dances of the Indian girls], that refer to an Indian dance. This group of dances is not really playable by one pianist and seems to be really meant to be performed piano 4 hands, but since there is no note about this in the score it is hard to say. A few of these pieces were performed by Rosa Sabater in Paris in 1980.

The present edition is based on manuscripts that are in the Joan Comellas deposit in the National Catalonian Library in Barcelona.

Performed by Various Artists. By Franz Wrinkler / Malia Rosa / Adapt. Jacques Plantes. Arranged by Armelle Cocheril. For piano with lyrics. This edition: Editions Bourges R. Crock Music. French Chanson. Level: 6. Sheet music. Size 8.19 x 11.583. 2 pages. Published by Editions Bourges (French import).

Piano

SKU: BO.B.3662

Composed by Joan Comellas. Published by Editorial de Musica Boileau (BO.B.3662).

The Sonatas de Paris are divided into two books. Comellas began the series in early 1952 and they were finished in 1955. As with most of his works, he composed without having a plan to premier them or a commission. So upon having them completed, he filed them away. On many occasions, his close friend Jordi Giro would read thrue the pieces or Anna Ricci would sing his songs, but very little of his music was performed during his life time.

The two books entitled Sonatas de Paris are really to books with totally different character. The first book is made up of short piano pieces in a neo baroque style. More than following strict forms of the baroque suite, the pieces are more a evoking of the baroque style. Book one loosely follows the idea of a suite or ordre, where as book two is much freer in structure being made up of various pieces, a few in memory of his favored composers (Albeniz, Debussy, and Granados) ending with a group of four dances, Las indias danzantes [Dances of the Indian girls], that refer to an Indian dance. This group of dances is not really playable by one pianist and seems to be really meant to be performed piano 4 hands, but since there is no note about this in the score it is hard to say. A few of these pieces were performed by Rosa Sabater in Paris in 1980.

The present edition is based on manuscripts that are in the Joan Comellas deposit in the National Catalonian Library in Barcelona.

Composed by Enrique Granados (1867-1916). Collection for solo piano. 170 pages. Published by Dover Publications.

Piano Technique. By Various. Piano Collection. 216 pages. Published by G. Schirmer, Inc.

The Biggest Movies * The Greatest Artists. Arranged by Carol Matz. For Piano. This edition: Big Note. Piano - Big Note Collection. 0. Movie; Pop. Level: Big Note. Book. 56 pages. Published by Alfred Publishing.