Les scores de 14 titres du deuxième album de Chilly Gonzales 'de Piano works, Piano Solo II sont contenues dans le présent collections de partitions correspondant. / Piano

Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions, commentaries and fingerings for the performer) of several classics of the piano repertoire, altogether more than two thousand pages of music. Following Bach and Beethoven, Mozart was the third classical titan of whom Bartók ventured to undertake a performing edition necessary for music education and the sheet music trade in Hungary. Károly Rozsnyai entrusted the work to him. Bartók worked on revisions of the sonatas between 1910 and 1912, and in 1912 or 1913 the pieces were published in a single-volume version. The two-volume form was published later, perhaps during the years of inflation following the First World War, on poorer quality paper and with gray cover. Bartók's editing reflects contemporary ideas about performance, but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.
For the present edition we have corrected known printing errors by retouching the score, and we have deleted abbreviation letters referring to analysis of the form of the sonatas, which Bartók agreed to only at the explicit request of the publisher. We have added an English translation to the footnotes in Hungarian and German. The reader's attention is drawn to significant problems of authenticity and text in new editorial footnotes.
To the new edition we have added an afterword by László Somfai which details the circumstances of the first publication, Bartók's sources and his working methods. Bartók's Mozart concept is outlined in detail, and the author reveals the problems surrounding the composer's edition and the significant distortions in the musical text, and puts into a historical context the performance indications used by Bartók. / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)

The more advanced of Czerny's best-known exercises, this set emphasizes the development of rapid passage work for both hands. Includes historical and performance notes, as well as easy-to-read new music engraving. Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. These editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by experienced artists and master teachers, these publications provide an accurate, well-informed score resource for pianists. / Piano

Par BEETHOVEN LUDWIG VAN. Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists/teachers, these publications provide an accurate, well-informed score resource for pianists. Beethoven composed 24 bagatelles - by definition short trifles in a light vein - during his lifetime. This collection contains 14 pieces, including the famous 'Für Elise,” which are appropriate for intermediate to early advanced pianists./ Répertoire / Piano

Schirmer Editions de performance sont conçus pour les élèves de piano et de leurs enseignants ainsi que des pianistes professionnels. Pédagogique dans la nature, ces éditions offrent des suggestions perspicaces d'interprétation, de doigté pertinentes et des commentaires historiques et stylistiques. Préparé par des artistes / professeurs de renom, ces publicatons fournissent une ressource de score bien informée précise pour les pianistes.Ludwig van Beethoven est réputée pour ses grandes et innovantes sonates pour piano et concertos, et ces oeuvres occupent une place importante et durable dans le répertoire de concert. Présentés dans ce volume sont deux sonates courtes, Opus 49: Sonate en sol mineur (n o 1, 1798) et la Sonate en sol majeur (n o 2, 1796). Favoris de nombreux professeurs de piano, ces sonates sont appropriés pour les pianistes de niveau intermédiaire et sont éditées et enregistrées par le célèbre savant Beethoven et le pianiste de concert, Robert Taub. / Piano

Designed for piano students and their teachers as well as professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists and teachers, these publications provide an accurate, well-informed score resource for pianists. Ludwig van Beethoven is renowned for his large-scale, innovative piano sonatas and concertos, and these works hold a prominent and lasting place in the concert repertoire. Presented in this volume is the beloved 'Moonlight' Sonata (1801), edited and recorded by noted Beethoven scholar and concert pianist, Robert Taub. / Piano / 40 pages / Partition + Cd

Schirmer Editions de performance sont conçus pour les élèves de piano et de leurs enseignants ainsi que pour les pianistes professionnels. Pédagogique dans la nature, ces éditions offrent des suggestions perspicaces d'interprétation, de doigté permanent et des commentaires historiques et stylistiques. Préparé par des artistes / professeurs de renom, ces publications fournissent une ressource de score bien informée précise pour les pianistes.J.S. Bach (1685-1750) a composé les inventions en deux parties pour son fils Wilhelm Friedemann. Tout en donnant au joueur un superbe exemple de la construction musicale, ils enseignent aussi les bases de l'articulation, le rythme, le phrasé, le doigté, l'ornementation, et le développement d'un ton chantant. Ces chefs-d'oeuvre sont courtes répertoire essentiel pour tout pianiste. Editor and enregistrement artiste: Christopher Taylor / Piano

This new edition of Bach's French Suites (BWV 812-817) pairs these works with the large-scale French Overture in B minor (BWV 831) from the second part of the Clavier-Übung. It brings together on the one hand six essentially small-format keyboard suites of moderate difficulty and on the other the most extensive and substantial of Bach's sets of suites. The player is provided with as clear and comprehensible a score as possible, and makes it easier to approach the work, while those of an academic bent can refer to the Editorial Report for a documentation of sources, editorial additions and ornaments of a comprehensiveness otherwise found only in critical complete editions. / Piano

Bach, Johann Sebastian Johann Sebastian Bach. The Well-Tempered Clavier I BWV 846-869 ?The ?Well-Tempered Clavier? is the Old Testament, Beethoven's sonatas the New.We must believe in both.? Hans von Bülow The preludes and fugues of ?The Well-Tempered Clavier? embrace an entire cosmos of compositional devices and musical characters ? the ?ne plus ultra? of ?unity through diversity?. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution.His treatment of the keys marked a turning point in music history. The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work. This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work?s genesis and the characteristics of Bach?s handwriting. Martina Rebmann(Staatsbibliothek zu Berlin) describes the subsequent history of the autograph. BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: ? A facsimile in high-quality colour printing ? Scholarly commentary ? Attractive cover design Edition no.: BVK 2368 ISBN: 9783761823682 Volume / Series: Documenta musicologica II/50 / Bärenreiter Facsimile Editor: Bach-Archiv Leipzig Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 90/28 S. - 36,7 x 23,0 cm

Par BARTOK BELA. Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey & Hawkes, he planned a new edition of For Children, and to this end completely revised the collection. Although Bartók had already completed his revision by the end of 1943, the revised edition was only issued in 1946. The pieces were published without titles in the first edition, but the folksong lyrics were included. These lyrics, deemed unnecessary for the non-Hungarian audiences, were not taken over to the American revised edition however, a significant number of pieces were provided with a title conveying their mood and their background in folk music and folk life. The American edition omitted the folk songs lyrics that seemed unnecessary to the audience there, but the titles of the first edition were replaced with English titles (some with the same meaning and some with modified interpretations) conveying each song's mood and background in folk music and folk life.The present edition - which contains the same scores as those in Volume 37 of the Béla Bartók Complete Critical Edition (Z. 15037) - is based on the revised version that the composer made in 1943 for the new edition, to which he also referred to as ''corrected''. We have added Hungarian translations to the English titles but we have also restored the original collection of folk song texts with parallel English translations. The pieces discarded from the revised version, as well as early versions that are significantly different from the revised version, are included in the Appendix. This publication contains a preface and editorial comments in both Hungarian and English./ Recueil / Piano