Piano

SKU: HL.50488480

Piano Solo. Composed by Various. Piano Collection. Classical, Collection, Contemporary, French. 20 pages. Editions Salabert #EAS18798. Published by Editions Salabert (HL.50488480).

UPC: 073999821499. 9.5x12.5x0.062 inches.

Contents: Demierre: Escapade * Woollett: En cueillant des fleurs (Picking Flowers) * Koechlin: Esquisse (Sketch), La olie fleur (The Pretty Flower), En faisant un bouquet (Making a Posy) * Dieudonne: La voliere (The Birdcage), La vieille voiture (The Old Coach), La belette (Restlessness), Le cours d'eau tranquille du jardin (The Softly Flowing Stream in the Garden) * Sauvrezis: A la volee (In Flight) * Ribollet: Insouciante (Free from Care).

Piano

SKU: BT.9781408192788

Composed by Karen Marshall. Get Set! Piano. Studies & Exercises. Book Only. 24 pages. Collins Music Publishing #9781408192788. Published by Collins Music Publishing (BT.9781408192788).

ISBN 9781408192788.

D esigned to complement Get Set! Piano Tutor Book 2, Get Set! Piano Pieces Book 2 contains an exciting collection of pieces by Heather Hammond and Karen Marshall, arranged and written specially for thetwenty-first century child.

Get Set! Piano Pieces Book 2 follows and supplements the tried and tested progressive teaching method of Get Set! Piano Tutor Book 2 (9781408193075), guiding the learner fromPrep test to Grade 1. It includes favourites like La Bamba, Frère Jacques and This Old Man as well as engaging new solo and ensemble pieces in a variety of styles.

The perfect repertoire bookforgetting to Grade 1, Get Set! Piano Pieces Book 2 is attractively laid out and fully illustrated, with quizzes and crosswords to reinforce learning.

Edited by Alan Jones. Piano Albums. Romantic Sketchbook series. Collection. 48 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)

Edited by Alan Jones. Piano Albums. Romantic Sketchbook series. Collection. 48 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)

By George Dyson. Edited by Charles Villiers Stanford. For Piano solo. Level: Grade 1-2. 24 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano

SKU: HL.48183790

Composed by M. Nagatomi. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL26013. Published by Alphonse Leduc (HL.48183790).

UPC: 888680857301. 9.0x12.0x0.07 inches.

Three sketches is a series of three pieces for Piano named after the elements. Composed by Masayuki Nagatomi, it is quite a difficult series to play and it requires some advanced skills and abilities. The total duration of the set is 5'30 minutes. The pieces are: 1. Wind - which main theme represents a soft and quiet breeze, 1'30 2. Fire - fast and violent, which can destroy everything, and which depicts the flames sometimes big and sometimes smaller, 1'30 3. Water and Earth - really slow to start with, this part sounds like a river flowing quietly, with some part of acceleration The most difficult aspect of this series will probably be to give the correct execution for the audience to recognise each element. .

By Robert Schultz. For Piano. The Robert Schultz Piano Library. Composed in Schultz's attractive, contemporary style, these pianistic sketches include scenes, character portraits, and atmospheric settings ranging from the serenity of the opening Meditation to the excitement and drama of The Sorcerer. Level: Intermediate. Book. Published by The FJH Music Company Inc.

By Reinhold Moritzovich Gliere. Edited by Thomas A. Johnson. For Piano solo. Level: 5, 6, 7. 28 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Chamber Music Piano

SKU: PR.140400950

About A Waltz. Composed by Ronald Caltabiano. Character Sketches. Contemporary. Full score. With Standard notation. Composed 2002. 4 pages. Duration 2:15. Theodore Presser Company #140-40095. Published by Theodore Presser Company (PR.140400950).

UPC: 680160023530. 8.5 x 11 inches.

Character Sketch No. 5: About a Waltz for piano was written for the composer and pianist Eric Moe in 2003, as part of his Waltz Project Revisited and recorded by Moe on Albany Records CD No. 689. Duration: 2' 15.

Volume 2. By Sergei Rachmaninoff. (Piano). Boosey and Hawkes Piano. Size 9x12 inches. 124 pages. Published by Boosey and Hawkes.

By Anton Bruckner. Edited by Litschauer. For piano. Published by Bruckner Verlag (Musikwissenschaftlicher Verlag).

By Fred Hersch. For Piano Solo. Modern. Sheet Music. Composed Composed: 2001. Duration circa 2.5 minutes. Published by Edition Peters

By Wolfgang Amadeus Mozart. Edited by B.A. Wallner. Piano (Harpsichord), 2-hands. Pages: 163. Urtext edition-cloth bound. Published by G. Henle.

Piano. Composed by Graham Lynch. Piano. Classical, Performance. Softcover. 36 pages. Hal Leonard #EVC037. Published by Hal Leonard

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano

SKU: HL.1303134

Piano. Composed by Graham Lynch. Piano. Classical, Performance. Softcover. 36 pages. Hal Leonard #EVC036. Published by Hal Leonard (HL.1303134).

UPC: 196288173380.

Sound Sketches Volume 1 by Graham Lynch includes nineteen foundation piano pieces for performance for students at Grades 1-2 ABRSM levels. Each piece has its own individual character, atmosphere and sound world. The present volume gives players the opportunity toengage with the full expressive range of the piano. Pedal markings were included at specific points, but generally the pedal can be used as freely as each player wants. The message behind the Sound Sketches series is very simple – enjoy the music and make it your own; it’s waiting to be discovered.

Piano SKU: HU.HN842 Composed by Maurice Ravel. Edited by Peter Jost. Piano Solo, Piano and Keyboard, Repertoire, Solos. Miroirs. 20th Century, Classical, Romantic. Softcover Book. 69 pages. G. Henle #HN842. Published by G. Henle (HU.HN842). 12.2 x 9.3 x 0.2 inches.

Composed by Bela Bartok (1881-1945). Edited by Hywel Davies. BH Piano. Classical. Softcover with CD. 52 pages. Boosey and Hawkes #M060131998. Published by Boosey and Hawkes (HL.48023789).

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, introductory text, biographical sketches of composers and glossary of musical terms. Romantic period. 244 pages. 9x12 inches. Published by Yorktown Music Press.

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, introductory text, biographical sketches of composers and glossary of musical terms. 20th century. 238 pages. 9x12 inches. Published by Yorktown Music Press.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano - intermediate to difficult

SKU: HL.49045232

For Piano. Composed by Renato de Grandis. This edition: Saddle stitching. Sheet music. Piano. The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cy. Classical. Softcover. Composed 1999-2000. 46 pages. Duration 32'. Schott Music #ED22099. Published by Schott Music (HL.49045232).

ISBN 9790001201667. UPC: 841886029330. 9.0x12.0x0.166 inches.

The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.

With Comments in English. By Maurice Ravel. Edited by Peter Jost. For piano solo. This edition: HN842. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition (Paper-bound). 72 pages. Published by Henle Urtext Edition.

By Easy Piano Music from two Centuries. Edited by Walther Georgii. Piano (Harpsichord), 2-hands. Pages: 51. Urtext edition-paper bound. Published by G. Henle.

Solo Piano

SKU: AP.36-M248091

Composed by Amy Marcy Beach. Method/Instruction; Reference Textbooks; Solo; Solo Small Ensembles. Master Piano Series. Score. LudwigMasters Publications #36-M248091. Published by LudwigMasters Publications (AP.36-M248091).

UPC: 746241255105. English.

Amy Beach (1867-1944) wrote these Four Sketches for piano in 1892. Movements: 1. In Autumn, 2. Phantoms, 3. Dreaming, 4. Fire-flies.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.